Саймон Морден - Equations of Life

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Winner of the 2012 Philip K. Dick Award
Samuil Petrovitch is a survivor.
He survived the nuclear fallout in St. Petersburg and hid in the London Metrozone—the last city in England. He’s lived this long because he’s a man of rules and logic.
For example, getting involved = a bad idea.
But when he stumbles into a kidnapping in progress, he acts without even thinking. Before he can stop himself, he’s saved the daughter of the most dangerous man in London.
And clearly saving the girl = getting involved.
Now, the equation of Petrovitch’s life is looking increasingly complex.
Russian mobsters + Yakuza + something called the New Machine Jihad = one dead Petrovitch.
But Petrovitch has a plan—he always has a plan—he’s just not sure it’s a good one.

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“Faith is a decision,” she said. “Not a feeling. Go and do it. Go and do the impossible.”

“There’s something you can do for me, too.” He reached into his inside pocket for the envelope Pif had given him. “Chain, have you still got my rat?”

“I… I lost it when Hijo jumped me.”

“You balvan . Really.” Petrovitch pressed the papers on Madeleine. “Look after this for me.”

“What is it?” she asked.

“The secrets of the universe laid bare. That’s all.” He watched her hold the envelope open and peer curiously inside, then went with Sonja onto the temple platform.

There was the table, and the screen, and the keyboard.

“This isn’t what you’re looking for,” said Sonja, and she walked through the temple to the other side. She laid her hand on one of the lions heads, and part of the wooden platform in front of Petrovitch popped up. “But this is.”

The square of wood rose into the air, and underneath it grew a tight spiral staircase. Petrovitch leaned over the gap and looked down. It was dark inside, and cool air rose from it, making his skin prickle.

Sonja pointed her sword to the floor and started down the metal steps. “Hijo never came down here. If he had, he’d have known.”

“Known what?”

She was already below the temple. Lights tripped on, and Petrovitch descended, clinging on to the narrow handrail. When his head dipped beneath the level of the ceiling, the meaning of Sonja’s words became clear.

The room was Oshicora’s shrine to everything he’d lost, and to everything he hoped to regain. Books, scrolls, statuary, a hand-painted silk screen. Lacquerware, sandals, a kimono, a flag. A skin drum. A full set of samurai armor displayed on a mannequin. A black stone bowl containing faded pink blossom. A hanger on the wall, displaying a short sword and an empty scabbard.

“So,” she said, “Hijo didn’t know. He thought I was doing what he wanted. Instead, I’d tricked him into doing what I wanted.”

Petrovitch ran his hand over the cold stone, bright metal, smooth wood. He touched the thin pages and the soft silk. He caught fibers in the rough skin at the ends of his fingers.

“Where’s the interface?” he asked.

Sonja wiped Hijo’s blood off on her sleeve and resheathed the katana . “Through here.”

There was another, smaller room, shielded by the folding screen. Petrovitch saw a clinically white room with cupboards all around. In the center was a dentist’s chair and a coil of cable that ended in something like a modified network connector.

His eyes narrowed, then went wide. “Oh. You’re joking. So that’s what your father needed Sorenson for.”

“I know what to do,” said Sonja, “if that helps.”

“Not much.”

She busied herself with the stainless steel cylinder that was the length of a shock-stick and had the bore of drainpipe. She plugged it into the wall to let it charge, and opened a drawer. It was full of sealed plastic bags, each containing a T-shaped device, a disc with a spike like a giant drawing pin.

Petrovitch picked up one of the bags and turned it in his hand: he knew where that spike was going.

“Do you have…?” he asked.

“No. My father would not allow me one until he’d tested it thoroughly.”

“And did he?”

“You’ll have to ask him when you get there.” She washed her hands up to her elbows, then tore a bag open and slotted its contents into the steel dispenser. She closed the access slot, and a light winked from red to green.

“In the chair, right?” Petrovitch could feel his courage failing. His legs were buckling, his fingers numb, his insides cold.

He shucked his coat off and climbed into the chair before he could collapse to the floor. The headrest had been altered: there was a gap which exposed the nape of his neck.

Something cold touched the back of his head. It trickled down his back.

“Iodine,” she said.

“It’s a little late for that.” He shook with fear, and his teeth chattered as he spoke. “It’s a little late for everything.”

Sonja hefted the dispenser, and walked around behind him. The cold open mouth pressed against the back of his skull. “Ready?”

“No.”

“Just don’t flinch.”

Yobany stos, Sonja! Just do it before I change my mind.”

The whine started high and got higher. As it reached the limit of his hearing, he heard the b of bang. Everything went black.

36

Petrovitch woke up in another place: an empty, echoing hall paved with white tiles. The walls were a series of backlit adverts and brightly lit booths, punctuated by escalators that clicked and hummed to the space above. Kanji signs and pictograms hovered holographically over his head.

He was inside the machine.

He had hands that were marble, forearms of glossy white, a torso that was as featureless as the space between his legs. He was a model, a primitive shape which needed to be overlain with skin and clothes, morphed to his height and weight and color, meshed with his features.

Unfinished as he was, he could feel. The coldness of the stone, the movement of the air. He reached out and pressed his fingertips against the plastic cover of one of the advertising panels: it gave slightly to his touch, and popped out when he released it.

He caught sight of his reflection. His face, smooth and indistinct: pits for eyes, a ridge for a nose, a slit for a mouth. The bumps on the side of his head were ears. He stared closely at himself, in awe, in wonder.

Then, for pleasure: something he hadn’t been able to do since his first heart attack. He ran without guilt or shame or hesitation. He held nothing back. He tore through the underground corridors, his feet eating up the distance, and nothing could stop him.

He turned right for the information bureau, left down the escalators, taking two, three steps at a time. Vaulting the ticket barriers, he ran through the concourse and up the stairs again to street level where it was a brilliant day.

The sun had just risen into a baby-blue sky, and the towers of lost Tokyo basked in its heat.

Petrovitch paused. Nothing ached. He wasn’t out of breath. He wasn’t breathing at all. So he ran again, down the center of the wide, tree-lined boulevard that led directly to an expanse of parkland that extravagantly covered several city blocks.

It was perfect. Too perfect, for certain: not enough inconsistency for reality. Each blade of grass was straight and green, each leaf fluttering in the wind intact. Paint was even, every light worked, and no doubt litter would vanish where it lay.

Not VirtualJapan, then. NeoJapan, Japan made new.

Its architect was waiting for him in front of the Imperial Palace. He stood facing the green-roofed buildings across the deep moat, hands clasped behind his back. No default texture for his avatar. He looked like he did in life; blue jacket with a turned-up collar, matching trousers, close-cropped hair with a short queue.

Petrovitch slowed to a walk and admired the view with him.

“Well, Petrovitch-san, what do you think?”

“I am speechless, Oshicora-san.”

“In a good way, I trust.” He smiled to himself. “There are a few minor details to fix, but do you think the nikkeijin would come as it is?”

“If they were able, they’d come.” Petrovitch hesitated. “Oshicora-san, I’m afraid that there’s been… well. Do you know what pizdets means?”

Oshicora pursed his thin lips. “Something has gone wrong?”

“Yeah. Look, there’s no easy way to say this.”

“Then,” said Oshicora, “we should drink sake and talk. Yes?”

Petrovitch nodded. “I have no idea how this is going to work, but sake sounds good.”

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