Mick Farren - NECROM

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NECROM: краткое содержание, описание и аннотация

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Joe Gibson is a washed-up alcoholic rock star, an ex-rebel who's now nothing but an embarrassment. When the TV starts sending him messages one night, he's inclined to write it off as no more than a bad case of DTs. Fortunately for Joe, the TV messages are followed up by a visit from a representative of the Nine, a shadowy council of mystics and seers, who warns Joe that he's on a voodoo hitlist.
    Thus begins a chaotic interdimensional chase, in which Gibson confronts
; psychic interference; UFOs; a very hip, and very scary, demon called Yancey Slide; and the ultimate transdimensional threat – Necrom itself.
    A precursor to the thoroughgoing non-realism of his later book,
,
sees Farren making playful use of some of the wilder jetsam of theosophy and parapsychology to drive an excellent thriller.

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Even Gibson wasn't buying this. "One of Necrom's angels?"

"Hark the herald angels sing."

"I'm getting the feeling that I'm being fucked with."

"Perhaps I should slip in a mortal form so you don't start being difficult."

The figure that appeared looked like a young debonaire Cab Calloway in a white tailsuit, white tie, and fistful of diamond rings. A small white table appeared right beside the figure, on which was an ice bucket that contained a chilling bottle of champagne. The figure lifted the bottle from the ice. "Drink?"

Gibson realized that there was going to be no way to short-circuit the foolishness and all he could do was to go with it.

"Delighted."

Cab Calloway plucked a glass out of the air, filled it, and handed it to Gibson. "Your health."

"Drinking champagne in hell?"

"What makes you think this is hell?"

"I was sent by demons, wasn't I?"

"If you'd prefer it…" Cab Calloway snapped his fingers. The two lateral ripples of light came again, and, in the blink of an eye, Gibson was in a fourteenth-century hell. The terrain was much the same-he and Necrom's messenger still stood side by side at the top of a rocky promontory, looking out across a wide valley-but now, instead of mist and crystalline rock formations, it was a bubbling cauldron of red fire, hot slag, and belching black smoke that made Gibson gag. All through this blast furnace of a nightmare, miserable snaking columns of pleading naked people were being herded by fearsome misshapen devils armed with pikes, pitchforks, and a whole array of spiked devices for which there were probably no names. The heat was unbearable and the continuous sound of screaming rolled around Gibson and the messenger like a hot howling gale. The messenger had become one of the devils, no longer Cab Calloway but a classic Beelzebub, towering over Gibson, horns, goat legs, shaggy red fur, reptile skin, and glowing feline eyes. "Now you really are drinking champagne in hell."

Gibson looked down at the glass in his hand: the champagne was coming to a boil. That was too bad, it had tasted like a good vintage. Horny fingers snapped again and slavering fanged mouth curved into a grin. "Or maybe this would be closer to your taste…"

The lights rippled outward, and Gibson was in an art-deco Hollywood heaven where mirrored pillars rose from a bed of fleecy clouds and a glass staircase was draped with blond Busby Berkley angels in diaphanous shifts who wore tinsel wings and sang elevator harmonies into a sky of truly monotonous blue.

"Okay, okay, I get the point. Everything is just an illusion."

Snap, flash, everything changed.

They were back in the primal Valley of mist and crystal, and Cab Galloway was laughing at him. "Even illusion is a very inexact word. If you accept the idea of illusion you also have to accept the counterconcept that somewhere there exists a solid reality and you, if anyone, really ought to know by now that is not the case. How would you feel about another glass of champagne?"

Gibson nodded, going with the flow. "I'd like another glass of champagne."

"Even though it's only an illusion."

"I've already told you you'd made your point."

Necrom's messenger refilled Gibson's glass. "You seem to be getting a little impatient."

"I thought I'd been brought here for a purpose."

"Indeed you have."

"All I've seen so far are party tricks."

"That's because my function is to keep you amused."

"I don't understand."

The messenger produced a second glass out of the air and poured himself a drink. "I know that you're in a place that you're absolutely incapable of understanding, and very frightened, and the preparation you went through for this probably led you to expect the worst. Believe me, I understand your fears and I must compliment you on how well you're standing up to them."

"Are you going to tell me what you have in store for me, or just leave me hanging?"

"That's the terrible secret, Joe. Nothing is going to happen to you. At least, not in the way you imagine it. No fiery pits, no laser dissection, you're not going to be impaled on a shaft of burning chrome. To be truly precise, what's going to happen to you is already happening."

Gibson turned, looking around helplessly at the- mist-shrouded illusion world. "This is it?"

"You are a specimen, Joe, a sample if you like. Maskim Xul was motivated to bring you here."

"Who the hell is Maskim Xul?"

The messenger made a small, apologetic bow. "I'm sorry. You know him by his new name. You know him as Yancey Slide."

"So it was Slide pulling the strings? He was behind it all?"

The messenger shook his head. "Slide was only a part of a very complex selection process."

Gibson blinked. "I was selected for all this? Right from the start?"

"A great deal of care was taken in designing the test program that made sure you were the right one."

Gibson felt himself starting to lose it. "Test program?"

"A progressive filter system that, in the end, came up with you."

Events had come full circle and Gibson had returned to the perpetual unanswered question. "But why me?"

"In the beginning, you attracted attention because your behavior, your musical career had made you stand out from the rest of your kind."

"I didn't stand out that much. I wasn't president or anything."

"In that respect, you were just plain unlucky."

Inside the clouds, an infant volcano spouted golden flame.

"Unlucky?"

"You stood out from the crowd, but you had also put yourself in a position where you wouldn't be particularly missed if you were taken to another dimension or, as you are now, to a place beyond the multidimensional universe. As with so many things in the affairs of your species, the root cause of the chain of events was really a matter of happenstance."

Gibson paused to sip his champagne. He needed time to think, to make sense out of what was going on. He wasn't too optimistic about his chances, however. "I thought it was the stream-heat who first latched on to me."

"They were allowed to believe that and, indeed, they did play a very useful part after they'd been panicked into believing that you were somehow crucial to their so-called war against Us, and they involved you in that ludicrous conspiracy in Luxor with your dimensional counterpart."

" A whole country got itself nuked to hell on account of that."

"That's why We had to motivate Yancey Slide very quickly to get you out of there. Such a catalyst potential had to be examined."

"And how did you motivate Slide?"

"Slide believed that he was following the Prophecy of Ami Enlil, but, in fact, he was actually running the tests on you to determine if you were in fact the specimen we required. The idimmu are easy to control. They are, after all, Our creatures."

"What about all the people who died?"

"Your species spends half its time dying. It's really no concern of Ours."

Gibson slowly shook his head. "This is all too much."

The messenger's voice was very quiet. "It's only a tiny part of it."

A faint flush of silent lightning flashed across the sky, and Gibson stared silently across the valley. The messenger took a step toward him. His voice was almost sympathetic. "I wouldn't try to comprehend it, Joe. You can't. You're no longer in the reality of men and it's really no disgrace not to understand."

"You still haven't told me what's being done to me."

"What happens to a specimen, to a sampling? You're being tested, analyzed, typed, recorded, and inspected. Right now, we are making an evaluation of everything from the mutating microorganisms that infest your body to the conditioned responses of your subconscious. Everything about you is being absorbed and considered. We know your childhood memories and your DNA codings, the weaknesses in your immune system, and the capacity of your paranoia."

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