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Mick Farren: NECROM

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Mick Farren NECROM

NECROM: краткое содержание, описание и аннотация

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Joe Gibson is a washed-up alcoholic rock star, an ex-rebel who's now nothing but an embarrassment. When the TV starts sending him messages one night, he's inclined to write it off as no more than a bad case of DTs. Fortunately for Joe, the TV messages are followed up by a visit from a representative of the Nine, a shadowy council of mystics and seers, who warns Joe that he's on a voodoo hitlist.     Thus begins a chaotic interdimensional chase, in which Gibson confronts ; psychic interference; UFOs; a very hip, and very scary, demon called Yancey Slide; and the ultimate transdimensional threat – Necrom itself.     A precursor to the thoroughgoing non-realism of his later book, , sees Farren making playful use of some of the wilder jetsam of theosophy and parapsychology to drive an excellent thriller.

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Casillas nodded. "In ancient times, the Nine were the overseers of humanity's occult destiny, the custodians of this dimension and this reality. When we discovered, this time around, that there had been nine of us contacted, we took the title. It seemed only reasonable. We are fulfilling the same function. We are the new guardians."

"When you say 'contacted,' what exactly do you mean?"

"We have been in contact with beings from elsewhere."

For Gibson, that was the final straw. Clearly the old geezer was barking nuts.

Casillas saw his reaction and quickly went on. "I know it's hard to believe but I beg you to retain an open mind. We are nine human beings, nine mortals who, by differing routes, have become partially aware of the true nature of the multidimensional universe. When the threat presented by the coming confluence became known, we were brought together by representatives of the dimensions nearest to us with a view to forming a defensive alliance."

"You're telling me that you've been to another dimension? "

Casillas wearily shook his head. "Alas, no. All contacts have so far been in this world."

The old man was starting to look very tired. For the first time, his energy seemed to match his apparent age. He raised both hands.

"I really can't talk any more. If you want to learn more, please come with me. That's all I can say. Come with me now."

The White Room

NURSE LOPEZ WAS late. He could tell she was late because the NBC Nightly News had already started. Lateness was something that almost never happened in the very expensive clinic. Nurse Lopez usually arrived before the news to administer the shot, the one that messed up his memory. She usually arrived before the news because the people in white, the doctors and the nurses, were aware that, with the previous shot wearing off, the news tended to upset him. The doctors had discovered this when he'd first been brought to the hospital. What disturbed him was the fact that the regular anchorman, Gary Elliot, had been replaced by someone called Tom Brokaw. The weird, altered details were the first phase of his coming unhinged and the hideous slide into screaming panic. A car that he knew as the Nissan Imperator was being advertised as the Infiniti. Solly the Sailor was suddenly known as Popeye, although mercifully he was still created by Max Fleisher. Everyone he asked claimed never to have heard of Gary Elliot or the Imperator or Solly the Sailor. It was as though they were products of some elaborate fantasy that was exclusively his. At first they'd simply shut off the TV, but he'd dug his heels in and demanded that it be turned on again. After that they had simply made sure that he was doped to the eyeballs when Popeye or this Brokaw came on. The dope also helped him hide from the more important differences, the ones that would have him baying at the moon if he wasn't sedated.

He heard Nurse Lopez outside the door. The shot had arrived. It was time to go down into the happy, unfeeling depths again. Joe Gibson sighed. He was starting to wonder if they were right. Maybe he was insane. Christ, if only he'd never given in to the whim and taken that first ride with Casillas.

Chapter Two

THE TWO OF them rode down in the elevator without speaking, Casillas leaned impassively on his cane, and Gibson wondered what the hell he was thinking about going anywhere with the weird old man. This time he couldn't blame it on the old man using any ancient Mexican whammy. Don Carlos Gustavo Casillas had been very insistent that Gibson came of his own free will. His own reckless curiosity had to take sole responsibility for the fact that he was leaving the building on his way to an unknown destination to meet a group of people who claimed to be in touch with other dimensions. After all those years, he really should have known better. His curiosity had certainly landed him in enough trouble to teach him some sort of a lesson. Most of his current problems had started with that small but devilish voice that always began its arguments with a grin and a shrug and the exclamation, "Ah, what the hell." In this case it was, "Ah, what the hell, suppose everything that Casillas said is true. Wouldn't that be a kick in the head?" Of course, that would also mean that Necrom was real, and he didn't like the sound of Necrom one little bit. But one thing at a time. First he'd see what the Nine were all about and then take it from there. The odds were that it'd be a total letdown and they'd turn out to be the kind of loonies who also sent messages to Venus by banana-powered radio. He just couldn't resist the temptation to see for himself.

As they walked through the lobby, Ramone stared curiously at them but made no comment. Gibson nodded and Ramone nodded back with that look of supercilious disapproval that was unique to the doormen of expensive Manhattan apartment buildings. Fuck you, Ramone. You ought to be used to it by now.

Weird visitors going to and coming from his apartment were hardly a novelty anymore.

Outside, on Central Park West, Gibson finally broke the silence. "Do we get a cab?"

After all that Casillas had been saying, Gibson was mildly surprised that he wasn't levitating the pair of them to wherever they were going.

The old man shook his head. "My car will be here in a moment."

He didn't explain how whoever was driving the car would know that he was waiting for it.

An immaculate, midnight-blue Rolls Royce Silver Ghost with whitewalls and tinted windows was majestically commanding the inside lane. The other traffic seemed actually to defer to it, and Gibson knew instinctively that it belonged to Casillas. Sure enough, it slowed to a stop right in front of them. A tall, black chauffeur in pearl-gray livery and with Stevie Wonder braids under his formal peaked cap climbed out and walked round to open the near-side rear door.

Casillas glanced at Gibson. "This is Amadeus." Gibson nodded to the chauffeur, who returned his gaze as though he wasn't particularly impressed,

Casillas concluded the introduction. "This is Joseph Gibson."

It was Amadeus's turn to nod. He was curt in the extreme. "I know. I used to see him on TV."

Gibson didn't see why he should stand for this hostility. He smiled right back at the chauffeur. "I hope you enjoyed it."

"I never enjoy seeing a white boy ripping off Chuck Berry and James Brown."

Gibson nodded. At least he knew where the two of them stood. Casillas terminated the exchange by ducking quickly into the car. After a moment's hesitation, Gibson followed, and as soon as Amadeus was behind the wheel, the Rolls quickly pulled out into the stream of traffic.

They seemed to be heading downtown, rounding Columbus Circle and then along Central Park South to turn down Fifth Avenue. The early-evening traffic was light and moving rapidly and, in short order, they were passing the blank-eyed bronze eagles that flanked the steps to the Public Library. Casillas didn' t seem to want to talk, so Gibson stared through the smoked-glass windows as they continued south. No one seemed willing to tell Gibson anything about where they were going. It wasn't until they passed Twenty-third Street, with the landmark of the Chelsea Hotel on the corner, that Amadeus broke the silence, and then it turned out to be an emergency.

The chauffeur glanced sharply back at Casillas. "I think we're being followed. There's this guy who's been sticking to our tail since just below Forty-second Street."

Casillas cursed softly in Spanish. "What kind of car is it? "

"A black Jeep Cherokee with crash screens and the whole bit."

Gibson swiveled in his seat and peered through the Rolls's narrow rear window. Sure enough, there it was, just as Amadeus had described it, equipped with every kind of exterior gizmo short of machine-gun mounts and finished in a dull black that gleamed dimly as it passed under the streetlights and cheap neon around Fourteenth Street; it might have just been a trick of the light, but the car seemed to carry with it an aura of profound menace.

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