Ian McDonald - Brasyl

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British author McDonald’s outstanding SF novel channels the vitality of South America’s largest country into an edgy, post-cyberpunk free-for-all. McDonald sets up three separate characters in different eras — a cynical contemporary reality-TV producer, a near-future bisexual entrepreneur and a tormented 18th-century Jesuit agent. He then slams them together with the revelation that their worlds are strands of an immense quantum multiverse, and each of them is threatened by the Order, a vast conspiracy devoted to maintaining the status quo until the end of time. As McDonald weaves together the separate narrative threads, each character must choose between isolation or cooperation, and also between accepting things as they are or taking desperate action to make changes possible.
(2004), set in near-future India, established McDonald as a leading writer of intelligent, multicultural SF, and here he captures Latin America’s mingled despair and hope. Chaotic, heartbreaking and joyous, this must-read teeters on the edge of melodrama, but somehow keeps its precarious balance.
Won BSFA Award in 2008.
Nominated for Nebula, Hugo, Locus and John Campbell awards in 2008.

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Footsteps on wet rock.

Marcelina spun into defense. A man in loose dark clothing, formless against the night. A thumbnail of white at his throat; priest’s vestments?

“If you want me you can have me, I’m dead anyway.” She stood upright, opened her arms.

“You can never win against yourself.” A big man, white-skinned, dark hair, hollow-cheeked; gaunt, she thought, with more than age. His Portuguese was strangely accented, stiffly archaic.

“So, who are you? Order or player!”

“I was an admonitory,” the man said. “Now I am a visitor. A traveler. An explorer. A recruiter, perhaps.”

“Explorer of what?”

The man smiled. Marcelina could make our that he had the palest blue eyes.

“You know that.”

The sirens were close now.

“Recruiter?”

“What does one recruit for, if not a war!”

The sirens had shut down.

“Come with me,” the priest said. “Here. Now. This is the one chance you’ll get. It will mean leaving everything you’ve ever hoped for and loved behind, but you’ve lost those anyway, and there are ways back. There are always ways back. There is a war, but it’s bigger than you ever thought. It’s bigger than you can think. It’s your chance to make a universe. You are a maker. Come and make reality.”

Marcelina felt the multiverse open around her like wings, each feather a universe. The priest turned away; a billion doors opened before him.

“Who are you?” Marcelina shouted.

“Does it matter?”

What was there? The Girl Who Came Back from the Dead would be a hell of a program, but no producer should ever be the star of her own show. The husband, the beautiful children, the babies, the stellar career — they would never happen. One thing she could do.

“I’m not a cop.”

“Oh no,” the priest said. “Never that.”

“That’s all right, then,” Marcelina Hoffman said, and stepped after him out among the universes.

APRIL 18, 2033

The ball hangs motionless at the top of its arc. Freeze-framed behind it, perfect sky perfect sunset perfect perfect sea. A hand reaches up and smashes it hard over the net. The girl in the red baseball cap and matching tanga dives, meets the ball with her two fists, a beautiful block. Her partner follows the volley, times her jump and is there to spike it down on to the enemy sand. Thigh muscles belly muscles upper arms are in perfect definition. Asses in mathematically curved precision. The breasts are high and firm and big, but they move like real flesh. Cheekbones knife-sharp. Noses flattened, kissy-kissy pert lippies.

They’re stupidly fabulous, bur Edson’s not watching them. He follows the coconut boy sauntering over the sand with his machete and his wares slung around his shoulder. He’s in good shape, swimmer’s definition, muscles but not too many, natural not surgical. He sees Edson looking over as he drags past, catches his eye. A toss of the head. It’s on for tonight. Edson turns and leaves the sunset beach for the strip. Behind him robots scurry from scrapes to rake smooth the sand, erasing all trace of his presence. The glory-girls do not even glance away from their game.

Beaches, Edson has ruefully decided, are very overrated. Before him rises the titanium-and-glass cliff of Oceanus . One hundred and fifty vertical meters of inverted social order. Penthouses fringe the beach-strip, then the restaurants, sea-view bars, clubs, casinos, the high-marque specialist shops that consider themselves too exclusive for the cavernous rain-forest ravine of the Jungle! Jungle! shopping mall. Next up the apartments and hotels; higher still the office units and businesses; higher again the medical centers and manufacturing zones; and over all the airport occupies most of the kilometer-and-a-half run of the top deck, apart from that sector at the prow reserved for the golf course.

The great ship cruises just outside Brasilian territorial waters two hundred kilometers off Pernambuco, shadowing the coast of Brasil southward. Three hundred and fifty thousand citizens speak thirty tongues; Portuguese, the only one Edson understands, among the least and quaintest. Her twelve-million-ton deadweight can punch through hurricanes, cyclones, taifuns. The nuclear reactor at her core propels her at a lax, unceasing eight knots: a circumnavigation of the world’s continental shelves every three years; extraterritorial, beyond national jurisdictions, the ultimate free-trade port and corporate tax shelter. Category error. Oceanus is no ship: she’s an oceangoing city-state.

When the seguranças made him kneel hands clasped behind neck, head bowed, Edson had been certain he had seconds to live. Assault guns had stood over the raiders of the lost car-pound while the mercenary crew buckled a tautliner cover over Cook/Chill Meal Solutions. Two men in black had dragged Edson out of line across the scabby concrete, scraping the polish off the toes of his good shoes, and thrown him into the back of a black quiet car that said money more effectively than any hood ornament. Fia was already belted in, fidgety with apprehension.

“I asked them to bring you,” she whispered as car and truck accelerated out of the dead mall. “It’s not the Order; they won’t touch the guys, it’s just us they’re after. Me, I mean.” Edson understood. The Order would have left nothing alive in the mall. There was a third player in the game.

By the third rodovia gantry Edson had worked out they were heading to the airport. The convoy swept past the militar guard to the air-freight terminal. Embraer bizjets stood on the apron with their variable-geometry wings folded like anhingas’. A woman in a very well-cut suit escorted Edson and Fia onto a bizjet. Her safety demonstration as the bizjet taxied was as much a declaration of her absolute power over her guests as instruction on what to do in the eventuality of landing on water. Edson barely noticed when the plane left the ground and he left the city of his birth and life for the first time. He was entranced by a single word on suit-woman’s lapel badge: Teixeira .

Every man of business has his saints. Edson’s are those who come from nothing: the favelado become futebol legend; the Minas Gerais boy who seduces the nation with his voice; the Paulistano who turns his kibe stand into a global franchise; Alcides Teixeita.

He was born one of the landless; that great Brasilian archetype, the drought-stricken peasant of the northeast sertão who, like so many before, embarked on the trek to the silver city. His legend began where all the others ended: at his first glimpse of the towers of Fortaleza, and the sprawling favelas around them like scabs. My face to the boot, my wife to the streets , he said, and he and his wife got straight back onto the bus. The driver didn’t charge them. No one had ever done a return trip before. Alcides Teixeira had taken a development loan from the MST, the Landless League, and planted five hundred hectares of dust-poor sertão with gene-modified rape seed. Within three years he was power farming three thousand hectares. Within five years, he signed output deals with Petrobras and Ipiranga and became EMBRAÇA. Twenty-six years later Alcides Teixeira’s land covered four continents with green soy and yellow rape and was stealthing down the cool cool hillsides upon the Fazenda Alvaranga. Such a man would be within that golden circle privy to the secret order of the multiverse. Such a man would dare use that information to his profit. Multiverse economic modeling had been Fia’s specialty in her world. Where there is a differential, a boundary, there is money to be made across it.

His mind spinning with plans and potentialities, Edson saw the dawn through the cabin window, spilling light across the shadowed land so that it kindled and lit. He felt the breath catch in his throat. Roads were silver wires. Rivers were gold. Every instant the pattern of shadows across the land changed. Then Edson saw the blue curve of the ocean. He pressed his face to his window. Big sea, getting bigger. Whitecaps, white boats. Land gone now, nothing but open ocean, and the plane settling toward it. The wing was changing shape, unfolding its cruise sweepback. Edson felt the wheels slide out and lock. The whitecaps were growing closer; Edson gripped the armrests. There was nothing out there. How did that landing on water go again? Lower. Engines roared, the pilot put the nose up, and the Teixeira bizjet dropped sweet neat onto a pure white runway scuffed with grubby tire marks. There were Embraers at stands, a control tower, even a dinky terminal. Suit was out of her seat while the plane was still rolling. She stood in the aisle, arms braced on seatbacks.

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