Michael Moorcock: Elric of Melnibone

'Perhaps we should remain in the cave until it is past?' she suggested, coming close and holding her soft body against him.

'No, ' he said. 'I must return soon, for there are potions in Imrryr I must take if my body is to retain its strength. An hour or two longer and I shall begin to weaken. You have seen me weak before, Cymoril.'

She stroked his face and her eyes were sympathetic. 'Aye. I've seen you weak before, Elric. Come, let's find the horses.'

By the time they reached the horses the sky was grey overhead and full of boiling blackness not far away in the east. They heard the grumble of thunder and the crash of lightning. The sea was threshing as if infected by the sky's hysteria. The horses snorted and pawed at the sand, anxious to return. Even as Elric and Cymoril climbed into their saddles large spots of rain began to fall on their heads and spread over their cloaks.

Then, suddenly, they were riding at full tilt back to Imrryr while the lightning flashed around them and the thunder roared like a furious giant, like some great old Lord of Chaos attempting to break through, unbidden, into the Realm of Earth.

Cymoril glanced at Elric's pale face, illuminated for a moment by a flash of sky-fire, and she felt a chill come upon her then and the chill had nothing to do with the wind or the rain, for it seemed to her in that second that the gentle scholar she loved had been transformed by the elements into a hell-driven demon, into a monster with barely a semblance of humanity. His crimson eyes had flared from the whiteness of his skull like the very flames of the Higher Hell; his hair had been whipped upward so that it had become the crest of a sinister warhelm and, by a trick of the stormlight, his mouth had seemed twisted in a mixture of rage and agony.

And suddenly Cymoril knew.

She knew, profoundly, that their morning's ride was the last moment of peace the two of them would ever experience again. The storm was a sign from the gods themselves--a warning of storms to come.

She looked again at her lover. Elric was laughing. He had turned his face upward so that the warm rain fell upon it, so that the water splashed into his open mouth. The laughter was the easy, unsophisticated laughter of a happy child.

Cymoril tried to laugh back, but then she had to turn her face away so that he should not see it. For Cymoril had begun to weep.

She was weeping still when Imrryr came in sight a black and grotesque silhouette against a line of brightness which was the as yet untainted western horizon.

THE MEN IN yellow armour saw Elric and Cymoril as the two approached the smallest of the eastern gates.

'They have found us at last, ' smiled Elric through the rain, 'but somewhat belatedly, eh, Cymoril?'

Cymoril, still embattled with her sense of doom, merely nodded and tried to smile in reply.

Elric took this as an expression of disappointment, nothing more, and called to his guards: 'Ho, men! Soon we shall all be dry again! '

But the captain of the guard rode up urgently, crying: 'My lord emperor is needed at Monshanjik

Tower where spies are held.'

'Spies?'

'Aye, my lord.' The man's face was pale. Water cascaded from his helm and darkened his thin cloak. His horse was hard to control and kept sidestepping through pools of water, which had gathered wherever the road was in disrepair. 'Caught in the maze this morning. Southern barbarians, by their chequered dress. We are holding them until the emperor himself can question them.'

Elric waved his hand. 'Then lead on, captain. Let's see the brave fools who dare Melnibone's sea-maze.'

The Tower of Monshanjik had been named for the wizard-architect who had designed the sea-maze millennia before. The maze was the only means of reaching the great harbour of Imrryr and its secrets had been carefully guarded, for it was their greatest protection against sudden attack. The maze was complicated and pilots had to be specially trained to steer ships through it. Before the maze had been built, the harbour had been a kind of 'inland lagoon, fed by the sea which swept in through a system of natural caverns in the towering cliff which rose between lagoon and ocean. There were five separate routes through the sea-maze and any individual pilot knew but one. In the outer wall of the cliff there were five entrances. Here Young Kingdom ships waited until a pilot came aboard. Then one of the gates to one of the entrances would be lifted, all aboard the ship would be blindfolded and sent below save for the oar-master and the steersman who would also be masked in heavy steel helms so that they could see nothing, do nothing but obey the complicated instructions of the pilot. And if a Young Kingdom ship should fail to obey any of those instructions and should crush itself against the rock walls, well Melnibone did not mourn for it and any survivors from the crew would be taken as slaves. All who sought to trade with the Dreaming City understood the risks, but scores of merchants came every month to dare the dangers of the maze and trade their own poor goods for the splendid riches of Melnibone.

The Tower of Monshanjik stood overlooking the harbour and the massive mole which jutted out into the middle of the lagoon. It was a sea-green tower and was squat compared with most of those in Imrryr, though still a beautiful and tapering construction, with wide windows so that the whole of the harbour could be seen from it. From Monshanjik Tower most of the business of the harbour was done and in its lower cellars were kept any prisoners who had broken any of the myriad rules governing the functioning of the harbour. Leaving Cymoril to return to the palace with a guard, Elric entered the tower, riding through the great archway at the base, scattering not a few merchants who were waiting for permission to begin their bartering, for the whole of the ground floor was full of sailors, merchants and Melnibonean officials engaged in the business of trade, though it was not here that the actual wares were displayed. The great echoing babble of a thousand voices engaged in a thousand separate aspects of bargaining slowly stilled as Elric and his guard rode arrogantly through to another dark arch at the far end of the hall. This arch opened onto a ramp which sloped and curved down into the bowels of the tower.

Down this ramp clattered the horsemen, passing slaves, servants and officials who stepped hastily aside, bowing low as they recognised the emperor. Great brands illuminated the tunnel, guttering and smoking and casting distorted shadows onto the smooth, obsidian walls. A chill was in the air now, and a dampness, for water washed about the outer walls below the quays of Imrryr. And still the emperor rode on and still the ramp struck lower through the glassy rock. And then a wave of heat rose to meet them and shifting light could be seen ahead and they passed into a chamber that was full of smoke and the scent of fear. From the low ceiling hung chains and from eight of the chains, swinging by their feet, hung four people. Their clothes had been torn from them, but their bodies were clothed in blood from tiny wounds, precise but severe, made by the artist who stood, scalpel in hand, surveying his handiwork.

The artist was tail and very thin, almost like a skeleton in his stained, white garments. His lips were thin, his eyes were slits, his fingers were thin, his hair was thin and the scalpel he held was thin, too, almost invisible save when it flashed in the light from the fire which erupted from a pit on the far side of the cavern. The artist was named Doctor Jest and the art he practised was a performing art rather than a creative one (though he could argue otherwise with some conviction): the art of drawing secrets from those who kept them. Doctor Jest was the Chief Interrogator of Melnibone. He turned sinuously as Elric entered, the scalpel held between the thin thumb and the thin forefinger of his fight hand; he stood poised and expectant, almost like a dancer, and then bowed from the waist.