Elizabeth Bear - Karen Memory

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Karen Memory: краткое содержание, описание и аннотация

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"You ain't gonna like what I have to tell you, but I'm gonna tell you anyway. See, my name is Karen Memery, like memory only spelt with an e, and I'm one of the girls what works in the Hôtel Mon Cherie on Amity Street. Hôtel has a little hat over the o like that. It's French, so Beatrice tells me."
Set in the late 19th century — when the city we now call Seattle Underground was the whole town (and still on the surface), when airships plied the trade routes, would-be gold miners were heading to the gold fields of Alaska, and steam-powered mechanicals stalked the waterfront, Karen is a young woman on her own, is making the best of her orphaned state by working in Madame Damnable's high-quality bordello. Through Karen's eyes we get to know the other girls in the house — a resourceful group — and the poor and the powerful of the town. Trouble erupts one night when a badly injured girl arrives at their door, begging sanctuary, followed by the man who holds her indenture, and who has a machine that can take over anyone's mind and control their actions. And as if that wasn't bad enough, the next night brings a body dumped in their rubbish heap — a streetwalker who has been brutally murdered.
Bear brings alive this Jack-the-Ripper yarn of the old west with a light touch in Karen's own memorable voice, and a mesmerizing evocation of classic steam-powered science.

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She was better inside, sitting in a chair beside the bed with wool blankets wrapped around her, though it were another fight to get her to cut loose of that soaking old coat. She leaned forward — again I thought filly, starved and leaning on her plow collar — while Crispin checked over Merry Lee for where she was hurt worst. Effie was right about her being gun shot, too — she had a graze through her long black hair showing bone, and that was where most of the blood was from, but there was a bullet in her back, too, and Crispin couldn’t tell from looking if it had gone through to a lung. It weren’t in the spine, he said, or she wouldn’t of been walking.

Just as he was stoking up the surgery machine — it hissed and clanked like a steam engine, which was never too reassuring when you just needed a boil lanced or something — Miss Lizzie came barreling up the stairs with an armload of towels and a bottle of clear corn liquor. She must of had her arm off for sleeping, because it was bundled up with the linens, but when she strapped it over her stump and started to turn the crank to wind up the spring I knowed it was time for me to be leaving. Miss Lizzie’s narrow and sharp as one of her scalpels, and nothing shakes her: not even lockjaw, which is the scariest thing I can think of, just about, ’cepting maybe the hydrophobia. The girl weren’t going nowhere, but she didn’t look like interfering anymore — she just leaned forward moaning in her throat like a hurt kitten, both hands clenched on the blankets over the cane arms of the bedside chair.

Crispin could handle her if she did anything. And he could hold down Merry Lee if she woke up that much.

I slipped through the door while Miss Lizzie was cutting the dress off Merry Lee’s back. I’d seen her and that machine pull a bullet before, and I didn’t feel like puking.

I got downstairs just as somebody started trying to kick in the front doors.

Chapter Two

In the fuss Effie hadn’t thrown the bolt, which should be second nature, but you’d be surprised what you can forget when there’s blood and rain all over everywhere and people are handing you guns. The good thing was that I had handed her the gun and when the front doors busted in on their hinges she had the presence of mind to raise up that gun and yell at the top of her little lungs, “Stop!”

They didn’t, though. There was four of them, and they came boiling through the door like a confusion of scalded weasels, shouting and swearing. Hair dripped down over their eyes — two of ’em had lost their hats — and their boots were mud caked to the ankles. And by “mud” I mean whatever’s out in the roads, which ain’t really mud except by courtesy. They checked and drew up just inside, staring from side to side and trading glances, and from halfway up the stairs I got a real fine look at all of them. It was Peter Bantle and three of his bully boys, all of them tricked out in gold watch chains and brocade and carrying truncheons and chains along with their lanterns, and you never saw a crew more looking for a fight.

The edges of the big doors were splintered where they’d busted out the latch. So maybe they’d of broken out the bolt trying to get in even if it had been locked.

“I said fucking stop, ” said Effie, all alone in her nightgown in the middle of the floor, that big gun on her shoulder looking like to tip her over.

Miss Francina weren’t anywhere to be seen, and I could tell from the sounds through the sickroom door that Crispin had his hands full of Merry Lee. Madame Damnable, bless her heart, was half-deaf from working in dance halls. She might of gone up to bed and even if Miss Francina had headed up to fetch her it would take her a minute to find her cane and glasses, which meant a minute in which somebody had to do something.

I didn’t think on it. I just jumped over the banister, flannel gown and quilted robe and slippers and all, exactly the way Miss Bethel was always after me about for it not being ladylike, and thumped down on the curvy striped silk divan below the staircase.

I stepped off the couch, swept my robe up like skirts, and stuck my chin out. “Peter Bantle,” I said, real loud, hoping wherever Miss Francina had got off to, that she would hear me and come running. “You wipe your damn muddy feet before you come in my parlor.”

Now I ain’t one of the smaller girls — like I said, I’m sturdy — and Peter Bantle is like his name: a banty, and a peckerwood, which is probably why he struts so much. I’m plump, too — the men like that — and I’m broad across the shoulders and hips, and when I came marching up beside Effie he had to pick his chin up to meet my eyes. He wore a silk hat over a greasy slick of hair. His cravat was pinned right up under his chin, fresh pressed, and he reeked of violets and lime. Maybe the fug was what made his eyes so squinty.

He frowned a little at the size I had on him.

The three in front of him were plenty big, however, and they didn’t look impressed by two girls in their nighties with a single pump shotgun between them. Bantle’s men had all kinds of gear hung on them I didn’t even recognize, technologics and contrivances with lenses and brass tubes and glossy black enamel. The one in the very front had a bottle-green velvet coat and a bottle-blue stovepipe hat, and the patterned waistcoat to tie it together. He had the looks to pull those bright colors off — strong features and good skin. He was the only one of the three who was anything close to the usual size for human beings, being merely strapping as opposed to monstrous. I knowed him, too — Horaz Standish, who all the girls liked despite of who he worked for.

For whom he worked, Miss Bethel would tell me.

In fact, Horaz — that’s short for Horatio — looked a bit apologetic at me now.

Bantle his own self had a kind of gauntlet on his left hand, stiff boiled leather segmented so the rubber underneath showed through, copper coils on each segment connected by bare wires.

I’d heard about that thing. I talked to a girl once he made piss herself with it. She had burns all up her arm where he grabbed her. But I didn’t look at it, and I didn’t let him see me shudder. You get to know a lot about men in my work, and men like Peter Bantle? They’re all over seeing a woman shudder.

I don’t take to men who like to hit. If he reached out at me with that gadget, I was afraid I’d like to kill him.

He didn’t, though. He just ignored me and looked past Horaz’s shoulder at Effie, who he could get eye to eye with if he stood up straight. He sneered at her and through a curled lip said, “Where’s the Damnable bitch?”

Madame is busy,” I said. Only reason I didn’t step in front of Effie was on account of she had the gun, but the urge to was that strong. “I’m Miss Memery. Me and Miss Sims here can help you. Or escort you out, if you’d rather.”

Miss Bethel would of cringed at my grammar, too. But right then I couldn’t afford to stammer over it to make it pretty.

Effie settled that gun on her shoulder a little better and lowered her eye to sight down the barrel. Bantle’s men looked unimpressed so hard I could tell they was a little nervous. One hefted his black rubber truncheon.

“You got one of my whores in here, you little chit, and that thieving outlaw Merry Lee.” Bantle’s voice was all out of proportion with the weedy little body under his oilcloth coat. Maybe he was wearing some kind of amplifier in that high flounced collar of his. “I aim to have them with me when I go. And if you’re lucky and give them over nice and easy, my boys here won’t bust up your face or your parlor.”

Rightly, I didn’t know what to say. It weren’t my house, after all, and Madame Damnable gives us a lot of liberty, but setting the rules of her parlor and offering sanctuary to someone else’s girls ain’t in it. But I knowed she didn’t like Peter Bantle, with his bruised-up, hungry crib whores and his saddle shoes, and since he had come crashing through the front door with three armed men and a world of insolence, I figured I had a little more scope than usual.

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