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Elizabeth Bear: Karen Memory

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Elizabeth Bear Karen Memory

Karen Memory: краткое содержание, описание и аннотация

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"You ain't gonna like what I have to tell you, but I'm gonna tell you anyway. See, my name is Karen Memery, like memory only spelt with an e, and I'm one of the girls what works in the Hôtel Mon Cherie on Amity Street. Hôtel has a little hat over the o like that. It's French, so Beatrice tells me." Set in the late 19th century — when the city we now call Seattle Underground was the whole town (and still on the surface), when airships plied the trade routes, would-be gold miners were heading to the gold fields of Alaska, and steam-powered mechanicals stalked the waterfront, Karen is a young woman on her own, is making the best of her orphaned state by working in Madame Damnable's high-quality bordello. Through Karen's eyes we get to know the other girls in the house — a resourceful group — and the poor and the powerful of the town. Trouble erupts one night when a badly injured girl arrives at their door, begging sanctuary, followed by the man who holds her indenture, and who has a machine that can take over anyone's mind and control their actions. And as if that wasn't bad enough, the next night brings a body dumped in their rubbish heap — a streetwalker who has been brutally murdered. Bear brings alive this Jack-the-Ripper yarn of the old west with a light touch in Karen's own memorable voice, and a mesmerizing evocation of classic steam-powered science.

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The red light looks nice on the gilt, anyway.

* * *

Our business mostly ain’t sailors but gold camp men coming or going to Anchorage, which is about the stupidest thing you ever could get to naming a harbor. I mean, why not just call it Harbor, like it was the only one ever? So we get late nights, sure, but our trade’s more late afternoon to say two or four, more like a saloon than like those poor girls down under the docks who work all night, five dollar a poke, when the neap tide keeps the ships locked in. Which means most nights ’cept Fridays and Saturdays by 3:00 A.M. we’re down in the dining room while Miss Bethel and Connie serves us supper. They’re the barkeep and the cook. They don’t work the parlor, but Connie feeds us better than we’d get at home and Miss Bethel, she keeps a sharp eye on the patrons.

Sundays, we close down for the Sabbath and such girls as like can get their churching in.

So I don’t remember which day it was exactly that Merry Lee and Priya came staggering into the parlor a little before three in the morning, but I can tell you it wasn’t a Friday or Saturday, because all the punters had gone home except one who’d paid Pollywog for an all-night alteration session and was up in the Chinese Room with her getting his seams ripped, if you take my meaning. The Professor — he plays the piano in the parlor for Effie and Pollywog and Beatrice to sing to — had gone home for the night already, it was that slow. The rest of us — just the girls and Crispin, not Madame Damnable — were in our robes and slippers, faces scrubbed and hair down, sitting in the library when it happened. We don’t use the parlor except for working.

Beatrice, who’s the only one at the hotel younger than me, was practicing reading out loud to the rest of us, her slim, dark fingers bent back holding the big ivory-bound book of Grimm’s fairy tales. She’s a tiny bit of a thing, is Bea, and has all the manners I don’t. Her mother was a courtesan — what they call a placée —down in New Orleans, and Bea speaks French better than English and has a long, straight nose, a good high forehead, and lips like a bee-stung rose.

We’d just settled in with after-dinner tea and biscuits when there was a crash down the ladder out front and the sound of somebody crying like her leg was broke. Given the loudness of the thump, I reckoned that might not be too far from the truth of it.

Crispin and Miss Francina gave each other The Look, and while Beatrice put the ribbon in her book they both got up and moved toward the front door. Crispin I already said about, and the thing about Miss Francina is that Miss Francina’s got a pecker under her dress. But that ain’t nothing but God’s rude joke. She’s one of us girls every way that matters, and handy for a bouncer besides.

I followed along just behind them, and so did Effie. We’re the sturdiest girls, and Effie can shoot well enough that Madame Damnable lets her keep a gun in her room. Miss Bethel hides a pump shotgun under the bar, too, but she was upstairs in bed already, so while Crispin was unlocking the door I went over and got it, working the breech to make sure it was loaded. Beatrice grabbed Signor, the deaf white cat who lives in the parlor — he’s got one blue eye and one yellow and he’s loud as an Ozark howler when he wants something — and pulled him back into the library with the rest of the girls.

When I got up behind Crispin, it was all silence outside except the patting of the rain dripping down into the well and splashing in the puddles. Not even any more crying, though we all stood with our ears straining. Crispin pulled open the door and Miss Francina went striding out into that burning cold in her negligee and marabou slippers like she owned the night and the rest of us was just paying rent on it. I skin-flinched, just from nerves, but it was all right because I’d had the sense to keep my finger off the shotgun trigger.

And then Miss Francina said, “Sweet child Christ!” in that breathy voice of hers and Crispin was through the door with his truncheon, the bald center of his pate shining in the red lantern light. I heard him curse, too, but it sounded worried rather than angry or fearful, so I let the shotgun muzzle droop and walked up to the doorway just in time to grab the arm of a pretty little Indian girl — Eastern Indian, not American Indian — who was half-naked and in hysterics. Her clothes had never been good, or warm enough for the night, though somewhere she’d gotten some lace-up boots and a man’s coat too big for her, and now they was wet through and shredded. All she had on else was a ripped-up shift all stained across the bosom, and I could tell she weren’t wearing nothing under it.

She was turned around, tugging something — another girl’s arm, poking out frontward between Crispin and Miss Francina where they were half-dragging her. She had a fine hand, which was all I could see of her, and the rain dripped pink off her sallow fingers. Once they got both girls inside in the light, Effie lunged forward and slammed the door. I handed her the shotgun and went to see to the girls.

“Here, Karen,” Crispin said in his big slow-molasses voice. “You take this little one. Bring her after. I’ll get Miss Merry here upstairs to the sickroom.”

Miss Francina stepped back and I could see that the girl between them was somebody I knowed, at least by reputation. Not a girl, really. A woman, a Chinese woman.

“Aw, shit,” Effie said. Not only can she shoot, but Effie’s not real well-spoken. “That’s Merry Lee.”

Merry Lee, which was as close as most American tongues could get to her real name, I guess, was half-conscious and half-fighting, batting at Crispin’s hands while he swung her up into his arms. Miss Francina stuck her own hands in there to try to hold her still, where they looked very white against all the red on Merry Lee’s face and arms.

Effie said, “She’s gun shot. I guess all that running around busting out Chinatown crib whores finally done caught up with her. You know’d it was sooner or later going to.”

“You hush about things you know nothing about,” Miss Francina said, so Effie drew back, chastened like, and said, “I didn’t mean nothing by it.”

“Go and watch the door, Effie,” Miss Francina said. Effie hefted that shotgun and did, not sulking at all. Effie talks without thinking sometimes, but she’s a good girl. Madame Damnable don’t tolerate them what ain’t.

The girl in my arms was as cold skinned as she was slick with rain, and all she wanted was to twist loose of me. She pulled away once and threw herself at Crispin, but Miss Francina caught her and gave her back, and honest, she was mostly too light and skinny to put up a good fight once I had a grip on her. I tried to talk to her, tell her she was safe and we were going to take care of her and Merry Lee both. I could hear her teeth chatter when I got close. I didn’t think then she understood a word of it, but I found out later her English was better’n mine, so I think it was mostly that she couldn’t hardly of been more upset. But something got through to her, because after a minute of twisting her wrists and getting blood all over my good pink flannel she stood still, shivering and dripping, her long face sad as a wet filly’s. She let me bundle her up the stairs after Crispin and Merry Lee while Miss Francina went to fetch Miss Lizzie.

We followed them down the long rose-painted hall to the sickroom door. Crispin wanted to take Merry Lee in without the Indian girl, but the girl weren’t having none of it. She leaned against my arms and keened through the doorway, and finally Crispin just looked at me helplessly and said, “Karen honey, you better bring that child in here before she cries down the roof.”

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