Чарли Андерс - Nebula Awards Showcase 2018

The Lord of the Dead wouldn’t have lied to her, he wouldn’t . He loved her.

He did.

“Because hope is a knife that can cut through the foundations of the world,” said Sumi. Her voice was suddenly crystalline and clear, with none of her prior whimsy. She looked at Nancy with calm, steady eyes. “Hope hurts . That’s what you need to learn, and fast, if you don’t want it to cut you open from the inside out. Hope is bad. Hope means you keep on holding to things that won’t ever be so again, and so you bleed an inch at a time until there’s nothing left. Ely-Eleanor is always saying ‘don’t use this word’ and ‘don’t use that word,’ but she never bans the ones that are really bad . She never bans hope.”

“I just want to go home,” whispered Nancy.

“Silly ghost. That’s all any of us want. That’s why we’re here,” said Sumi. She turned to Nancy’s suitcase and began poking through the clothes. “These are pretty. Too small for me. Why do you have to be so narrow ? I can’t steal things that won’t fit, that would be silly, and I’m not getting any smaller here. No one ever does in this world. High Logic is no fun at all.”

“I hate them,” said Nancy. “Take them all. Cut them up and make streamers for your tree, I don’t care, just get them away from me.”

“Because they’re the wrong colors, right? Somebody else’s rainbow.” Sumi bounced off the bed, slamming the suitcase shut and hauling it after her. “Get up, come on. We’re going visiting.”

“What?” Nancy looked after Sumi, bewildered and beaten down. “I’m sorry. I’ve just met you, and I really don’t want to go anywhere with you.”

“Then it’s a good thing I don’t care, isn’t it?” Sumi beamed for a moment, bright as the hated, hated sun, and then she was gone, trotting out the door with Nancy’s suitcase and all of Nancy’s clothes.

Nancy didn’t want those clothes, and for one tempting moment, she considered staying where she was. Then she sighed, and stood, and followed. She had little enough to cling to in this world. And she was eventually going to need clean underpants.

Charlie Jane Anders is the author of All the Birds in the Sky, which won the Nebula, Locus and Crawford awards and was on Time magazine’s list of the ten best novels of 2016. Her Tor.com story “Six Months, Three Days” won a Hugo Award and appears in a new short story collection called Six Months, Three Days, Five Others . Her short fiction has appeared in Tor.com, Wired Magazine, Slate, Tin House, Conjunctions, Boston Review, Asimov’s Science Fiction, The Magazine of Fantasy & Science Fiction, McSweeney’s Internet Tendency, ZYZZYVA, and several anthologies. She was a founding editor of io9, a site about science fiction, science, and futurism, and she organizes the monthly Writers with Drinks reading series. Her first novel, Choir Boy, won a Lambda Literary Award.

When Patricia was six years old, she found a wounded bird. The sparrow thrashed on top of a pile of wet red leaves in the crook of two roots, waving its crushed wing. Crying, in a pitch almost too high for Patricia to hear. She looked into the sparrow’s eye, enveloped by a dark stripe, and she saw its fear. Not just fear, but also misery—as if this bird knew it would die soon. Patricia still didn’t understand how the life could just go out of someone’s body forever, but she could tell this bird was fighting against death with everything it had.

Patricia vowed with all her heart to do everything in her power to save this bird. This was what led to Patricia being asked a question with no good answer, which marked her for life.

She scooped up the sparrow with a dry leaf, very gently, and laid it in her red bucket. Rays of the afternoon sun came at the bucket horizontally, bathing the bird in red light so it looked radioactive. The bird was still whipping around, trying to fly with one wing.

“It’s okay,” Patricia told the bird. “I’ve got you. It’s okay.”

Patricia had seen creatures in distress before. Her big sister, Roberta, liked to collect wild animals and play with them. Roberta put frogs into a rusty Cuisinart that their mom had tossed out, and stuck mice into her homemade rocket launcher, to see how far she could shoot them. But this was the first time Patricia looked at a living creature in pain and really saw it, and every time she looked into the bird’s eye she swore harder that this bird was under her protection.

“What’s going on?” Roberta asked Patricia, smashing through the branches nearby.

Both girls were pale, with dark brown hair that grew super-straight no matter what you did and nearly button noses. But Patricia was a wild, grubby girl, with a round face, green eyes, and perpetual grass stains on her torn overalls. She was already turning into the girl the other girls wouldn’t sit with, because she was too hyper, made nonsense jokes, and wept when anybody’s balloon (not just her own) got popped. Roberta, meanwhile, had brown eyes, a pointy chin, and absolutely perfect posture when she sat without fidgeting in a grown-up chair and a clean white dress. With both girls, their parents had hoped for a boy and picked out a name in advance. Upon each daughter’s arrival, they’d just stuck an a on the end of the name they already had.

“I found a wounded bird,” Patricia said. “It can’t fly, its wing is ruined.”

“I bet I can make it fly,” Roberta said, and Patricia knew she was talking about her rocket launcher. “Bring it here. I’ll make it fly real good.”

“No!” Patricia’s eyes flooded and she felt short of breath. “You can’t! You can’t!” And then she was running, careening, with the red bucket in one hand. She could hear her sister behind her, smashing branches. She ran faster, back to the house.

Their house had been a spice shop a hundred years ago, and it still smelled of cinnamon and turmeric and saffron and garlic and a little sweat. The perfect hardwood floors had been walked on by visitors from India and China and everywhere, bringing everything spicy in the world. If Patricia closed her eyes and breathed deeply, she could imagine the people unloading wooden foil-lined crates stamped with names of cities like Marrakesh and Bombay. Her parents had read a magazine article about renovating Colonial trade houses and had snapped up this building, and now they were constantly yelling at Patricia not to run indoors or scratch any of the perfect oak furnishings, until their foreheads showed veins. Patricia’s parents were the sort of people who could be in a good mood and angry at almost the same time.

Patricia paused in a small clearing of maples near the back door. “It’s okay,” she told the bird. “I’ll take you home. There’s an old birdcage, in the attic. I know where to find it. It’s a nice cage, it has a perch and a swing. I’ll put you in there, I’ll tell my parents. If anything happens to you, I will hold my breath until I faint. I’ll keep you safe. I promise.”

“No,” the bird said. “Please! Don’t lock me up. I would prefer you just kill me now.”

“But,” Patricia said, more startled that the bird was refusing her protection than that he was speaking to her. “I can keep you safe. I can bring you bugs or seeds or whatever.”

“Captivity is worse than death for a bird like me,” the sparrow said. “Listen. You can hear me talking. Right? That means you’re special. Like a witch! Or something. And that means you have a duty to do the right thing. Please.”