Holly Black - The Coldest Girl in Coldtown

One of the windows was open, she noticed, curtain fluttering. The party must have gotten too warm, everyone sweating in the small house and yearning for the cool breeze just outside. Then, once the window was open, it would have been easy to forget to close it. There was still the garlic, after all, still the holy water on the lintels. Things like this happened in Europe, in places like Belgium, where the streets teemed with vampires and the shops didn’t open until after dark. Not here. Not in Tana’s town, where there hadn’t been a single attack in more than five years.

And yet it had happened. A window had been left open to the night, and a vampire had crawled through.

She should get her phone and call—call someone. Not her father; there was no way he would be able to deal with this. Maybe the police. Or a vampire hunter, like Hemlok from TV, the huge, bald former wrestler always decked out in leather. He would know what to do. Her little sister had a poster of Hemlok in her locker, right next to pictures of golden-haired Lucien, her favorite Coldtown vampire. Pearl would be so excited if Hemlok came; she could finally get his autograph.

Tana started giggling, which was bad, she knew, and put her hands over her mouth to smother the sound. It wasn’t okay to laugh in front of dead people. That was like laughing at a funeral.

The unblinking eyes of her friends watched her.

On the television, the newscaster was predicting scattered showers later in the week. The Nasdaq was down.

Tana remembered all over again that Pauline hadn’t been at the party, and she was so fiercely, so selfishly glad that she couldn’t even feel bad about it, because Pauline was alive even though everyone else was dead.

From far away in the coatroom, someone’s phone started to ring. It was playing a tinny remix of “Tainted Love.” After a while, it stopped. Then two phones much closer went off almost at the same time, their rings combining into a chorus of discordant sound.

The news turned into a show about three men who lived together in an apartment with a wisecracking skull. The laugh track roared every time the skull spoke. Tana wasn’t sure if it was a real show or if she was imagining it. Time slipped by.

She gave herself a little lecture: She had to get up off the floor and go into the guest room, where jackets were piled up on the bed and root around until she found her purse and her boots and her car keys. Her cell phone was there, too. She’d need that if she was going to call someone.

She had to do it right then—no more sitting.

It occurred to her that there was a phone closer, shoved into the pocket of one of the corpses or pressed between cold, dead skin and the lace of a bra. But she couldn’t bear the idea of searching bodies.

Get up , she told herself.

Pushing herself to stand, she started picking her way across the floor, trying to ignore the way the carpet crunched under her bare feet, trying not to think about the smell of decay blooming in the room. She remembered something from her sophomore-year social studies class—her teacher had told them about the famous raid in Corpus Christi, when Texas tried to close its Coldtown and drove tanks into it during the day. Every human inside who might have been infected got shot. Even the mayor’s daughter was killed. A lot of sleeping vampires were killed, too, rooted out of their hiding places and beheaded or exposed to sunlight. When night fell, the remaining vampires were able to kill the guards at the gate and flee, leaving dozens and dozens of drained and infected people in their wake. Corpus Christi vampires were still a popular target for bounty hunters on television.

Every kid had to do a different project for that class. Tana had made a diorama, with a shoe box and a lot of red poster paint, to represent a news article that she’d cut out of the paper—one about three vampires on the run from Corpus Christi who’d break into a house, kill everyone, and then rest among the corpses until night fell again.

Which made her wonder if there could still be a vampire in this house, the vampire who had slaughtered all these people. Who’d somehow overlooked her, who’d been too intent on blood and butchery to open every door to every hall closet or bathroom, who hadn’t swept aside a shower curtain. It would murder her now, though, if it heard her moving.

Her heart raced, thundering against her rib cage, and every beat felt like a punch in the chest. Stupid , her heart said. Stupid, stupid, stupid.

Tana felt light-headed, her breath coming in shallow gasps. She knew she should sit down again and put her head between her legs—that was what you were supposed to do if you were hyperventilating—but if she sat down, she might never get up. She forced herself to inhale deeply instead, letting the air out of her lungs as slowly as she could.

She wanted to run out the front, race across the lawn, and pound on one of the neighbors’ doors until they let her inside.

But without her boots or phone or keys, she’d be in a lot of trouble if no one was home. Lance’s parents’ farmhouse was out in the country, and all the land behind the house was state park. There just weren’t that many neighbors nearby. And Tana knew that once she walked out the door, no force on earth could make her return.

She was torn between the impulse to run and the urge to curl up like a pill bug, close her eyes, tuck her head beneath her arms, and play the game of since-I-can’t-see-monsters-monsters-can’t-see-me. Neither of those impulses were going to save her. She had to think .

Sunlight dappled the living room, filtered through the leaves of trees outside—late afternoon sun, sure, but still sun. She clung to that. Even if a whole nest of vampires were in the basement, they wouldn’t— couldn’t —come up before nightfall. She should just stick to her plan: Go to the coatroom and get her boots and cell phone and car keys. Then go outside and have the biggest, most awful freak-out of her life. She would allow herself to scream or even faint, so long as she did it in her car, far from here, with the windows up and the doors locked.

Carefully, carefully, she pushed off each of her shining metal bracelets, setting them on the rug so they wouldn’t jangle when she moved.

This time as she crossed the room, she was aware of every creak of the floorboards, every ragged breath she took. She imagined fanged mouths in the shadows; she imagined cold hands cracking through the kitchen linoleum, fingernails scratching her ankles as she was dragged down into the dark. It seemed like forever before she made it to the door of the spare room and twisted the knob.

Then, despite all her best intentions, she gasped.

Aidan was tied to the bed. His wrists and ankles were bound to the posts with bungee cords, and there was silver duct tape over his mouth, but he was alive . For a long moment, all she could do was stare at him, the shock of everything coming over her all at once. Someone had taped garbage bags over the windows, blocking out sunlight. And beside the bed, gagged and in chains, amid the jackets someone had swept to the floor, was another boy, one with hair as black as spilled ink. He looked up at her. His eyes were bright as rubies and just as red.

CHAPTER 2

We all labor against our own cure, for death is the cure of all diseases.

—Sir Thomas Browne

When Tana was six, vampires were Muppets, endlessly counting, or cartoon villains in black cloaks with red polyester linings. Kids would dress up like vampires on Halloween, wearing plastic teeth that fitted badly over their own and smearing their faces with sweet syrup to make mock rivulets of cherry-bright blood.