Roger Zelazny - A Night in the Lonesome October

From somewhere within his cloak, the vicar removed the pentacle bowl, which he placed on the ground before him. Then he withdrew the Alhazred Icon, which he propped against a rock to his left, facing the glowing stone. Nightwind moved to a new position, back behind the pentacle. The openers always begin things, as the closers' work is purely reactive.

Jack's satchel, to his right, was already open, from the removal of various ingredients for the banefire, but he leaned and spread its mouth fully, for easy access.

MacCab knelt and spread a piece of white cloth upon the ground before him. As it was windy, he weighted its corners with small stones. Then, from an ornate sheath which hung from his belt beneath his jacket, he drew a long, thin blade which looked to me like a sacrificial knife, and he placed this upon the cloth, point toward the altar.

Then the moon went out. We all looked upward as a dark shape covered it, descending, rushing toward us. Morris shrieked shrilly as it fell, changing shape as if dark veils swam about it. And then the moon shone again, and the piece of midnight sky which had fallen came to earth beside Jack, and I saw that vision-twisting transformation of which Graymalk had spoken, here, there, a twist, a swirl, a dark bending, and the Count stood at Jack's side, smiling a totally evil smile. He laid his left hand, the dark ring visible upon it, upon Jack's right shoulder.

«I stand with him,» he said, «to close you out.»

Vicar Roberts stared at him and licked his lips.

«I would think one of your sort more inclined to our view in this matter,» the vicar stated.

«I like the world just the way it is,» said the Count. «Pray, let us begin.»

The vicar nodded.

«We shall,» he said, «to its proper conclusion, with the Gate thrown wide.»

The Count tossed a twig and a small parcel into the flames. The fire moved in its colorful dance, crackling and chiming, burning a hole in the night, through which the voices, now chanting, emerged. Shadows constantly moved past us, over the altar, and across the face of the stone. I heard the howl again, much nearer.

I looked at the vicar and saw him flinch. But he straightened and performed an opening gesture. He spoke a word of power, deeply, slowly. It hung in the air and resonated afterwards.

The inscription on the stone began to glow a little more brightly, and now, very faintly, I could discern the formation of the door-like rectangle come to frame it, that configuration which earlier had sucked Graymalk and me through to our Dreamworld adventure.

The vicar repeated the word and the rectangle came clear.

Within the chanting, I could now hear faintly «Ia! Shub-Niggurath!» being repeated, as if in response. Ahead of me, Graymalk had risen to her feet and was standing very stiffly.

The vicar turned then, rather than proceeding to the next phase, and moved slowly to the cloth on which the sacrificial blade rested. To his rear, I noted that the Alhazred Icon had also begun to glow. He knelt and raised the blade with both hands, bringing it to his lips and kissing it. Then he rose and turned toward the altar, Tekela still upon his shoulder.

And there came a movement from my right, beyond Jack and the Count. Another dark shape was moving to join us.

The vicar had taken but a single step ahead when a great, gray wolf moved into the firelight and rushed past him toward the altar. Larry Talbot had arrived, apparently in reasonable control of his faculties.

He seized hold of the girl's left shoulder with his teeth and dragged her down from the altar. With that rapid backing motion I had seen him employ before, he dragged her quickly before us toward the north, whence he had come, to my right.

The report of a gunshot filled the air and Larry staggered, a dark blot appearing and spreading high upon his left shoulder. The vicar held a smoking revolver, pointed in his direction. Larry continued moving almost immediately, however, and the vicar fired again.

This time there was blood on the top of Larry's head, and he uttered a moaning sound as his jaws fell open and Lynette dropped to the ground. Larry slumped forward then, and the shiftings of firelight and shadow swam over him. The chanting continued…”Ia! Shub-Niggurath!”…against the strange music. The vicar pulled the trigger again. There followed a clicking sound from the pistol, but no discharge. Immediately, he drew it near and worked the hammer. Suddenly, as he released it, there was a sharp report and the round kicked up dirt near the south end of the altar. The vicar hurled the weapon to the ground, perhaps having cast only three rounds. Homemade bullets… .

«Get her back onto the altar!» the vicar ordered. Morris and MacCab immediately departed their positions and moved toward the supine girl. Larry's sides were still heaving heavily, and his eyes were closed. There was a lot more blood, on his head, neck, shoulder, now.

«Stop!» the Count said. «Players are forbidden to move a sacrifice once the ceremony is in progress!»

The vicar stared at him. Morris and MacCab halted, looked back and forth from the vicar to the Count.

«I never heard of such a restriction,» the vicar said.

«It is a part of the tradition,» Jack stated. «There must always be a small, even if only symbolic, exit open to a sacrifice in this. They may go as far as they can. They may be stopped. The place where they fall becomes the new altar. Do otherwise and you destroy the pattern we have created. The results could be disastrous.»

The vicar pondered for a moment, then said, «I don't believe you. You're outnumbered. It's a closer's bluff, to make things more awkward for me. Morris! MacCab! Put her back!»

The Count stepped forward as they advanced.

«In a case such as this,» he said, «the opposing parties are permitted to resist the desecration.»

I heard heavy, clumping footsteps in the distance, but they seemed to be passing the hill rather than approaching it.

Morris and MacCab had hesitated but then they moved forward, reaching for Lynette.

The Count flowed forward. No single limb seemed to stir, but suddenly he was there beside them. Then he raised his arms, out to the sides, his cloak dependent therefrom; and he moved them forward, completely engulfing the men within its folds. He stood thus for only an instant, arms across his chest, before a succession of snapping sounds could be heard.

He opened his arms and they fell to the earth, to lie at odd angles, blood emerging from their ears, noses, and mouths. Their eyes were wide. They did not breathe.

«You dare?» the vicar cried. «You dare to touch my people?»

The Count turned his head slowly, raising his arms again.

«You presume,» he said, «to address me so.»

He flowed toward the vicar, but much more slowly. The music came clearer and clearer, the chanting louder, the inscription brighter. And as he moved, I beheld a silent form in the shadows to my right, whose presence had first reached me in the form of his scent, which I recognized from an encounter in a wood by moonlight. He approached soundlessly, the stranger wolf.

The vicar's hand snaked out from beneath his cloak, casting something toward the Count. Immediately, the flowing ceased and the Count stiffened. In the meantime, shielded from the vicar's view by the Count's body, the stranger wolf entered the firelight, took hold of Lynette's shoulder and continued what Larry had begun, dragging her back into the darkness.

The Count was suddenly less than graceful. He swayed. He took an awkward step toward the vicar, whose hand dipped beneath his own cloak to emerge and repeat whatever he had done.

«What, is it?» the Count asked, reeling toward the vicar, who retreated before him.

Then the Count fell.