China Miéville: King Rat

The rats and Saul left the relative safety of London’s nightlands and entered the warehouse, the frenzied jaws of Drum and Bass, the domain of smoke and strobe lights and Hardcore, the Piper’s lair, the heart of Darkness, deep in the Jungle.

The wooden boards drummed under Saul’s feet: the dust motes would not settle but hovered instead in an indistinct mist around his ankles. He crept the length of the long attic. In the corner of the great dark space there was a trapdoor.

Saul flattened himself against the floor and tugged at it very gently, raising it slowly away from the surrounding boards. Music and coloured light and the smell of dancers spilled through the slit to which he put his eye.

The lights below spun and changed colours, illuminating and obscuring, bouncing off suspended globes and dissipating throughout the hall. They cut through the darkness, confusing as much as they elucidated.

A long way below him was the dancefloor. It was a hallucinogenic vision, shimmering and metamorphosing like a fractal pattern, feverish bodies moving in a thousand different ways. In the corners lurked the bad boys, nodding their heads, no more than that, no reaction to the overwhelming music. On the floor the hard-steppers, swinging their arms, loose-limbed and syncopated; and those on speed and coke, ludicrously trying to keep up with the BPM, shifting their feet like lunatics; the rudegirls, arms spread wide, winding their hips slowly to the bassline, a barrage of colours and clothes and undress. The dancefloor was tight packed, thronging with bodies, decadent and vibrant, thrilling, communal and brutal.

As he watched, a strobe light kicked in, transforming the room momentarily into a series of frozen tableaux. Saul could investigate individuals almost at his leisure. He was struck by the multiplicity of expressions on the faces below.

The Drum and Bass felt as if it would lift the hatch out of the floor, off into the sky. It was unforgiving, a punishing assault of original Hardcore beats.

A little below him an iron walkway described the edge of the hall. It was deserted. There was a ladder in one corner, tucked up under the walkway and secured with chains. It was designed to swing down to another, similar ledge further down. This lower level was crowded with bodies, people looking down on the dancers ten feet below.

Saul cast his eyes around the hall. There was a tiny movement in the corner opposite him.

Red and green lights swirled around a black shape suspended from the ceiling. Anansi swung gently from one of his ropes. His arms and legs were tucked up impossibly tight. His knuckles were just visible, motionless, and stretched taut from grasping.

He swayed from side to side, buffeted by sonic vibrations. Saul knew that Anansi’s army was with him, around them both, invisible and ready.

Directly below Anansi, Saul saw the stage raised above the dancefloor. His breath quickened a little: there, framed by two colossal speakers, were the decks.

Behind the stage a huge graffito was hung: the same grotesque DJ who had adorned the poster, and the legend Junglist Terror!!! was writ very large. Dwarfed by the unlikely figure on the canvas, the DJ labouring behind the decks paced quickly to and from his record box, a bulky pair of earphones tucked against one ear. He moved with a controlled, feverish energy. Saul did not recognize him. As he watched, the man deftly segued between two tracks. He was good.

Behind him, Saul felt the tentative lick of a rat tongue on his hand. He was no longer alone.

‘Alright,’ he whispered, and stroked the little head without looking backwards. ‘Alright.’

Saul opened the trapdoor. He poked his head upside-down into the hall, breaking the surface tension of the music and immersing himself in it. He lowered himself gently to the iron grille below. The beats were overwhelming. They crept into every crevice of the room. He felt as if he was moving underwater. He was almost afraid to breathe. Out of the corner of his eye he saw Anansi notice him, and he raised his hand.

It was sweltering in the hall, as humid and heavy as a rainforest. The condensed heat of the dancers enveloped him. He pulled off his shirt. Oily dirt coated him. He realized that it was weeks since he had seen his own body. The shirt had become his fur.

He remembered the touch of the rat above, and he reached up to wedge one sleeve of his shirt under the open trapdoor’s hinge. He pulled at the other sleeve until it was stretched taut, tied it to the railing which enclosed the walkway. Almost immediately, two rats scurried along this greasy canvas bridge and leapt onto the iron.

Others would be joining them, thought Saul as he watched them race away along the rampart, finding their way down.

Sweat trickled down his body, cutting channels in the grime which covered him. He felt no shame. His standards had changed.

Saul flattened himself against the wall and crept forward towards the decks, keeping his eyes fixed on the stage below him. He lowered himself as he advanced. By the time he had covered half the length of the wall, he was slithering along the cold iron like a snake. He pushed his face to the gaps in the grille, his eyes darting urgently from side to side. He crawled slowly forward.

Even through the pervasive clouds of cologne and sweat and drugs and sex, Saul could taste rat. The troops were arriving in force, waiting for his signal.

He glanced up. Anansi flickered in and out of existence in the quickfiring lights.

A door opened at the back of the stage.

Saul stiffened. Natasha emerged from the depths of the building, into the sound and fury. Saul caught his breath. He gripped the grille on which he crawled until his fingers hurt. She looked breathtaking. But she was thin, much too thin, and she moved as if she was in a dream.

Where was the Piper? Was she here of her free will? Saul stared at her in consternation. He saw headphones on her ears and was momentarily confused how could she listen to a walkman in the middle of a club? — before he understood. He caught his breath, watching her bob her head, moving to a different rhythm from the rest of the dancers. He knew what she was listening to, he knew whose music it was.

In one hand she held a case full of records, in the other a squat box, some piece of electronics, trailing wires. He could not see what it was. Natasha tapped the DJ on the shoulder. He turned and touched fists with her, shouting animatedly into her ears. As he spoke she busied herself plugging the box into the sound system, nodding occasionally, whether in answer or in response to the music in her ears Saul could not tell.

The DJ removed his huge earphones and placed them over Natasha’s ears, hesitating for her to remove her small walkman earpieces. When she did not, he shrugged and placed the larger ones over the top of them and laughed. He disappeared into the door from which Natasha had emerged.

Natasha rifled through the records she had brought, pulled something out, twirled it elegantly and blew dust from it. She placed it on the turntable and hunched over, spinning it, smoothing it back with her fingers, listening through the tune on her walkman, mixing the beats, until she stood straight, with her fingers poised, and let a burst of piano spill over from the twelve-inch she had selected into the tune now coming to an end.

It was impossible to tell where one started and the other ended, the mixing was seamless. She pulled the record back, let it forward again a little, pulled it back, scratching playfully like an old school rapper, finally releasing her hand and switching off the first tune in a smooth movement, unleashing the new bassline.

She stood back without a trace of a smile on her lips.

Saul knew that he had to get down to her, had to take the phones from her head and make her understand the danger she was in. But this must be exactly what the Piper had in mind for him. The cheese in his trap.