Caitlin Kiernan - Beowulf

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Beowulf: краткое содержание, описание и аннотация

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Who will come to the aid of beleaguered King Hrothgar, whose warriors have become the prey of the vengeful outcast monster Grendel?
A grand and glorious story that has endured for centuries, the ageless classic adventure takes on a breathtaking new life in a remarkable new version for a modern era. Brilliantly reimagined by acclaimed, award-winning author Caitlín R. Kiernan, based on the screenplay by #1
bestseller Neil Gaiman and Academy Award®-winning screenwriter Roger Avary, it is the tale of a noble liege and a terrible creature who has cursed his kingdom with death, blood, and destruction—and of the great hero, Beowulf, who is called to a land of monsters to triumph where so many have failed…or to die as so many of the brave before him.
Caitlín Rebekah Kiernan (born May 26, 1964 in Skerries, Dublin, Ireland) is the author of many science fiction and dark fantasy works, including six novels, many comic books, more than one hundred published short stories, novellas, and vignettes, and numerous scientific papers. About the Author

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“Only a glimpse,” Beowulf replies. “Now, do what I need you to do. Make haste for Heorot. Ride as though Loki’s wargs were on your ass, and do not look back.”

Wiglaf lingers a few seconds more at his king’s side, peering through the settling dust as the dragon wheels and dips just above the tops of the tallest trees. There is a dreadful majesty in the rise and fall of those vast wings, a fearful grace in the motions of its unhurried flight.

“He’s going to kill you,” Wiglaf sighs. “You know that, right?”

“There is an old score to be settled this day,” Beowulf says. “An old debt, friend Wiglaf, and it is none of yours. Now ride . Do not make me ask you a third time.”

“Very well. But I’m warning you, there’ll be Hel to pay if you reach the gates of Valhalla before me. How’s that going to look to Hondshew and Afi and the rest, me staggering in last of all?”

“I’ll be along soon,” Beowulf tells him, and Wiglaf frowns and gives the reins a firm shake, urging his horse forward again. Soon, Beowulf is alone at the edge of the shadowy wood, and Wiglaf is only a distant, dusty smudge.

Riding along beneath the canopy of the old trees, it isn’t difficult for Beowulf to keep an eye on the slowly circling dragon. There are enough gaps in between the boughs, and so many of them are completely bare of leaves in this dead month of Frermánudr that he only occasionally loses sight of the creature. His horse’s hooves seem to clop unnaturally loud against the forest floor as Beowulf picks his way between the immense boles of ash and spruce and oak, larch and birch and fir. There is no trail here, except the indistinct paths made by deer and auroch and wild boars, and more than once he has to backtrack to get around a deadfall. He fears that the dragon might choose to follow Wiglaf, that it might take note of his dash back to Heorot and choose to pursue instead of waiting for Beowulf to catch up. But no, the dragon is waiting. This has been its plan all along. Beowulf understands that it, and its wicked mother, want him to miss none of the coming devastation. And were it to gain the keep before him, Beowulf might arrive too late and only see the aftermath. Overhead, the fyrweorm beats its wings, a sound that reminds the Geat of a storm wind whipping at canvas sails, and Beowulf glances up at the beast.

“Be patient,” he says. “I am coming, worm. Do not fear that your previous hatred will be misspent.”

Before very much longer, Beowulf has ridden far enough into the wood that the dragon passes directly overhead. His horse whinnies and staunchly refuses to go any farther.

“Fair enough,” he tells the horse, and pats its withers and the strong crest of its neck. Then, very carefully, he gets to his feet and stands upright in the saddle, a trick he learned when he was still a boy in Geatland. Though his balance isn’t what it once was, he only wobbles a little. There’s a low oak limb within reach, and he uses it to pull himself into the tree. Beowulf straddles the limb and stares up as the dragon soars past once again, trailing smoke and embers. Below him, the horse snorts.

“Aye, it is a long damn climb,” he says to the horse. And then Beowulf claps his hands together loudly, and the startled animal turns and gallops back toward the moors. Beowulf sits on the limb a moment, watching the horse go and getting his breath, then he begins to climb the oak. The limbs are large and spaced closely together, and it proves an easier undertaking than expected. Halfway up the tree, he remembers that this day is Yule, the day after Beowulf’s Day, and that it is also Christmond, the day the followers of the Roman Christ Jesus have claimed as their own. Either way, he should by rights be sitting on his throne in the horned hall, feasting on roast pig and drinking mead and marking the turning of the wheel of the year toward spring, not climbing this bloody huge tree to confront a dragon intent upon destroying his kingdom. He’s certain that it’s no accident that the dragon—this creature born of his union with the merewife thirty years ago—has chosen this day over all others to make itself known.

When he has climbed more than halfway up the oak, higher now than the tops of most of the trees in the forest, there’s a horrendous screeching from the sky. Beowulf looks up to see the dragon swooping low, coming in close this time around, its jaws agape and steaming with noxious vitriol. He wraps one arm tightly about the tree, then uses his free hand to tug the bearded ax from his belt.

“Let’s make an end to this!” he shouts, as the monster comes skimming across the treetops, decapitating a spruce with the leading edge of its left wing. But at the last possible moment, it veers sharply away, and Beowulf realizes that it means to make a game of this, to toy with him as long as possible. On its next pass, however, he’s ready, and when the dragon swoops down, he pushes off from the tree, lunging toward the monster and managing to snag the spiked blade of his ax upon one of its hooked talons. An instant later and Beowulf is soaring above the forest, carried aloft below the beast’s armored belly. He clings tightly to the ax handle and tries not to think about how far the fall would be if he loses his grip.

“So be it,” growls Beowulf. “If it’s sport you’re after, you’ll have sport. But know this , bastard, that the game will end in your death.”

When the dragon realizes what Beowulf has done, it roars and spits rivers of fire into the trees, setting them alight. Its gigantic wings rise and fall more swiftly now and with more force, gathering speed, and its barbed tail whips viciously from side to side, tearing away many of the uppermost branches in its path and scattering them like so much kindling. Once or twice, Beowulf is very nearly dashed against those tallest limbs, but then, suddenly, the forest is behind them, and the dragon is racing out over the moorlands. In the distance, through the fog, Beowulf can make out the charcoal column of smoke rising from the ruined village coming into view, and he can also see the two spires of the keep and the causeway connecting them.

No !” he says. “You will not have them, you ugly son of a whore, not this day nor any other,” and he cranes his head to get a better view of the monster’s gleaming underside. However, it resembles nothing so much as a heavily cobbled street paved over with gold, and Beowulf can scarcely imagine the blade has been forged that might pierce that hide.

But then the dragon belches flame again, scorching the grass and bracken far below, and this time Beowulf sees a distinct reddish glow from a fist-sized patch of skin near the base of its long neck. And he recalls the ruby set into the throat of the dragon on the golden drinking horn, also he remembers what Hrothgar once told him— There’s a soft spot just under the neck, you know. You go in close with a knife or a dagger…it’s the only way you can kill one of the bastards.

The dragon dives lower, and when Beowulf looks down again he can see the deep gorge dividing Heorot from the moors and the wooden bridge that spans it. The dragon is making for the bridge, he realizes, and a moment later he hears a man shouting from somewhere below, one of his commanders giving his archers the order to fire. And then Beowulf sees the soldiers rising up from the tall grass near the edge of the gorge, their longbows charged.

Now! ” cries the commander, and a volley of arrows is loosed and rises up, whistling through the cold evening air to greet the creature. But it incinerates most of them with another blast of its incandescent breath, and the rest bounce harmlessly off their target. The dragon sprays bright fire toward the archers, even as they release a second hail of arrows. One whizzes past Beowulf’s right ear and another grazes his left leg just below the knee, and he wonders if this is how he shall die, slain by his own soldiers.

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