Caitlin Kiernan - Beowulf

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Beowulf: краткое содержание, описание и аннотация

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Who will come to the aid of beleaguered King Hrothgar, whose warriors have become the prey of the vengeful outcast monster Grendel?
A grand and glorious story that has endured for centuries, the ageless classic adventure takes on a breathtaking new life in a remarkable new version for a modern era. Brilliantly reimagined by acclaimed, award-winning author Caitlín R. Kiernan, based on the screenplay by #1
bestseller Neil Gaiman and Academy Award®-winning screenwriter Roger Avary, it is the tale of a noble liege and a terrible creature who has cursed his kingdom with death, blood, and destruction—and of the great hero, Beowulf, who is called to a land of monsters to triumph where so many have failed…or to die as so many of the brave before him.
Caitlín Rebekah Kiernan (born May 26, 1964 in Skerries, Dublin, Ireland) is the author of many science fiction and dark fantasy works, including six novels, many comic books, more than one hundred published short stories, novellas, and vignettes, and numerous scientific papers. About the Author

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The four thanes nearest to the door charge the beast, and it immediately seizes one of them and uses the man as a living cudgel with which to pummel the other three, sending two of them crashing backward into chairs and tables. The third is flung high, helpless as a doll, and sails the full length of the hall, through the swirling tower of flame and over the heads of those still seated or huddled on the dais before his body smashes limply against the wall behind Hrothgar’s and Wealthow’s thrones.

“My sword!” the king shouts, tottering to his feet. “Bring me my sword!”

Still gripping the fourth warrior by a broken ankle, the monster pauses only long enough to gaze down at his half-conscious, blood-slicked face, only long enough that the man may, in turn, look up into its face and fully comprehend his doom and the grave consequences of his bravery. Then, having no further use of the man, the creature tosses him into the inferno of the fire pit. And the flames shine even brighter than before, seeming grateful as they devour the screaming warrior. Again the monster cries out, assaulting the air and the ears of everyone trapped in Heorot Hall with that booming, doomsday voice.

Aesher takes Queen Wealthow’s hand and leads her quickly from the dais. When they come to an overturned table, he pushes her onto the floor behind it.

“Stay down, my lady,” he says. “Hide here and do not move. Do not look.”

But she does look, as she has never been one to cower or shy away from the countenance of terrible things. As soon as Aesher releases his grip on her, Wealthow peers over the edge of the table, squinting painfully through the glare from the pit. But she cannot see the beast or the thanes struggling against it, only their distorted shadows stretched across the firelit walls. Their forms move to and fro like some grisly parody of the bedtime shadow plays her mother once performed for her. She watches in horror as men are thrown aside and broken like playthings, their bodies ripped apart, skewered, impaled on their own weapons.

“What evil…” she whispers. “What misfortune has brought this upon our house?”

Stay down ,” Aesher says again, but at that moment another body is hurled through the roaring flames, igniting and passing mere inches above the queen’s head. She ducks as the dead and burning man lands in the midst of a group of women crouched together against the wall. The fire leaps eagerly from the corpse to the clothes and hair of the screaming women, and before Aesher can move to stop her, Wealthow grabs a pitcher of mead and hurries over to them, dousing the flames. Aesher curses and shouts her name, but as she turns back toward the sheltering table, a battle-ax slices the air between them, so close she can feel the wind off the blade. The empty pitcher slips from the queen’s fingers and shatters upon the floor. Then Aesher has her by the wrists and is pulling her roughly down, shoving her into the lee of the overturned table.

“Did you see that?” she says. “The ax…”

“Yes, my lady, the ax. I saw that it almost took your damned head off.”

“No, not that. Did you see it hit the monster ? It just…it bounced off . How can that be ?”

But now the creature has turned toward the table where she and Aesher are hiding, and toward the throne, as well, distracted from its attacks upon the thanes by the hurled ax. In one long stride it steps past the halo of the fire pit, and finally Wealthow can see it clearly, the thing itself and not merely its shadow or silhouette. The monster stops to inspect the unscathed patch of skin where the steel blade struck it, then narrows its furious blue-gray eyes and bares fangs grown almost as long as the tusks of a full-grown bull walrus. It moves with a speed Wealthow would never have thought possible for anything so large, rushing forward and seizing Aesher in its talons, raising him high above its head.

“Run, my lady. Run ,” he cries out, but she cannot move, much less run. She can only watch helplessly as the creature sinks its claws deep into Aesher’s body and tears him in two as easily as a child might tear apart a bundle of twigs. His blood falls around her like rain, drenching the head and shoulders of the beast and spattering Queen Wealthow’s upturned face, sizzling and hissing as it spills into the fire pit.

“My sword!” Hrothgar bellows, and at that the monster hurls Aesher’s legs and lower torso at the king. The gruesome missile misses its target and strikes Unferth, instead, knocking him sprawling to the floor. Disappointed, the beast drops the rest of Aesher’s body onto the overturned table, and the lifeless thane’s eyes stare up at Wealthow.

Now I will scream, she thinks. Now I won’t ever be able to stop screaming . But she covers her mouth with both hands, forcing back the shrill voice of her own fear, certain enough that she’ll be the creature’s next victim without screaming and attracting its attention.

And then she sees her husband, stumbling down from his throne, his body wrapped in no more armor than what a bedsheet might offer, his broadsword clenched tightly in his fists and gleaming dully in the firelight. She also sees Unferth, who does not rise to come to the aid of his king, but scrambles away on his hands and knees, fleeing into the shadows beyond the dais.

“No!” Wealthow shouts at her husband, and the monster turns toward her, snatching away the protective barrier of the table with one enormous, knobby hand. The same claws that ripped Aesher apart sink into solid oak as though it were no more substantial than flesh and blood. It lifts the table above her, wielding it like a club.

“Fight me!” howls King Hrothgar, trembling violently and waving his sword at the invader’s back. “Leave her alone , damn you! Fight me !”

And all around them, the hall seems to grow still, no fight left in the surviving thanes, more terror gathered in this hall now than heroes. The beast bares its teeth again and glares triumphantly down at Queen Wealthow, but still she cannot move. Still she can only stand, watching her husband and waiting for the blow that will crush her and release her from this world where such demons may freely roam the night.

“I said fight me , you son of a bitch,” Hrothgar yells, and strikes the creature, but his blade glances harmlessly off and does not even break its skin. “Surely, you did not come all this way to murder women . Fight me !”

And now Wealthow can see that there are tears streaming down Hrothgar’s cheeks, and the monster turns slowly away from her and toward the king. Suddenly, facing Hrothgar, the thing begins to wail and moan, shrieking in pain as its whole body is wracked by some strange convulsion. Its muscles twitch and spasm, and its joints pop loud as the limbs of great trees caught in a fierce Mörsugur gale.

Yes ,” roars Hrothgar. “That’s it. Fight me.”

The creature takes two faltering steps backward, retreating from the king of Heorot Hall, from a fat old man, drunk and tangled in his bedclothes. Now it stands directly over Wealthow, its legs forming an archway high above her head. It whimpers, and drool the color of pus drips from its lips and forms a puddle at her feet. Again the monster roars, but this time there is more hurt and dismay than anything else in that appalling sound.

“Me,” Hrothgar says, brandishing his sword, and he closes half the distance between himself and the monster, between himself and Lady Wealthow.

“NNNNAAAAaaaaaaaaaay!” the beast cries out, its foul breath hurling that one word with enough force that Hrothgar is pushed backward and falls, losing his sheet and landing naked on his ass, his sword clattering to the floor. And then with its right hand, the creature seizes two of the fallen thanes and leaps into the air, vanishing up the chimney above the fire pit. In its wake, there is a terrific gust of wind, and for an instant, the fire flares yet more brightly—a blinding, blistering flash of heat and light—and then the wind snuffs it out, and the hall goes dark, the winter night rushing in to fill the emptiness left behind.

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