Guy Kay - Sailing to Sarantium

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Sailing to Sarantium: краткое содержание, описание и аннотация

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Valerius the Trakesian has great ambition. Rumored to be responsible for the ascension of the previous Emperor, his uncle, amid fire and blood, Valerius himself has now risen to the Golden Throne of the vast empire ruled by the fabled city, Sarantium.
Valerius has a vision to match his ambition: a glittering dome that will proclaim his magnificence down through the ages. And so, in a ruined western city on the far distant edge of civilization, a not-so-humble artisan receives a call that will change his life forever.
Crispin is a mosaicist, a layer of bright tiles. Still grieving for the family he lost to the plague, he lives only for his arcane craft, and cares little for ambition, less for money, and for intrigue not at all. But an imperial summons to the most magnificent city in the world is a difficult call to resist.
In this world still half-wild and tangled with magic, no journey is simple; and a journey to Sarantium means a walk destiny. Bearing with him a and a Queen's seductive promise, Crispin sets out for the fabled city from which none return unaltered, guarded only by his own wits and a bird soul talisman from an alchemist's treasury.
In the Aldwood he encounters a great beast from the mythic past, and in robbing the zubir of its prize he wins a woman's devotion and a man's loyalty-and loses a gift he didn't know he had until it was gone.
In Sarantium itself, where rival Factions vie in the streets and palaces and chariot racing is as sacred as prayer, Crispin will begin his life anew. In an empire ruled by intrigue and violence, he must find his own source of power. And he does: high on the scaffolding of the greatest art work ever imagined, while struggling to deal with the dangers-and the seductive lures-of the men and women around him.
Guy Gavriel Kay's magnificent historical fantasies draw from the twin springs of history and legend to create seamless worlds as vibrant as any in literature. Sailing to Sarantium begins THE SARANTINE MOSAIC, a new and signal triumph by today's most esteemed master of high fantasy.

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He managed another smile. "If you find me an inappropriate conversationalist on military matters-and I can see why you might-why would you imagine we ought to discuss my work in the Sanctuary? Tesserae and their designs? How much do you know or care to know about tinting glass? Or cutting it? What have you decided about the merits and methods of angling tesserae in the setting bed? Or the composition and layers of the setting bed itself? Have you any firm views on the use of smooth stones for the flesh of human figures?"

The other man was eyeing him gravely, expressionless. Crispin paused, modulated his tone. "We each have our areas of endeavour, my lord. Yours matters rather more, I would say, but mine might. last longer. We'd likely do best conversing-should you honour me-about other matters entirely. Were you at the Hippodrome yesterday?"

Leontes shifted a little on his bench; his white sheet settled around his hips. There was a vivid diagonal scar running from his collarbone to his waist in a reddened line like a seam. He leaned over and poured another ewer of water on the stones. Steam cloaked the room for a moment.

"Siroes had no difficulty telling us about his designs and intentions," the Strategos said.

Us, Crispin thought. "Your lady wife was his sponsor, I understand," he murmured. "He also did some private work for you, I believe."

"Trees and flowers in mosaic, yes. For our nuptial chambers. Deer at a stream, boars and hounds, that sort of thing. I have no difficulty at all with such images, of course." His tone was very earnest.

"Of course. Fine work, I'm sure," Crispin said mildly.

There was a little silence.

"I wouldn't know," said Leontes. "I imagine it is competent." His teeth flashed briefly again. "As you say, I could no more judge it than you could appraise a general's tactics."

"You sleep in the room," Crispin replied, perversely abandoning his own argument. "You look at it every night."

"Some nights," said Leontes briefly. "I don't pay much attention to the flowers on the wall."

"But you worry enough about the god in a sanctuary to arrange this encounter?"

The other man nodded. "That is different. Do you intend to render an image of Jad on the ceiling?"

"The dome. I rather suspect that is what is expected of me, my lord. In the absence of instruction otherwise from the Emperor, or the Patriarchs, as you say, I should think I have to."

"You don't fear the taint of heresy?"

"I have been rendering the god since I was an apprentice, my lord. If this has formally become heresy instead of a matter of current debate, no one has informed me of the change. Has the army taken to shaping clerical doctrine? Shall we now discuss how to breach enemy walls with chanted Invocations of Jad? Or launch Holy Fools in catapults?"

He'd gone too far, it seemed. Leontes's expression darkened. "You are impertinent, Rhodian."

"I hope not, my lord. I am indicating that I find your chosen subject intrusive. I am not a Sarantine, my lord. I am a Rhodian citizen of Batiara, invited here as a guest of the Empire."

Unexpectedly, Leontes smiled again. "True enough. Forgive me. You made a… dramatic entry among us last night, and I have to confess I felt easier about the decorations being planned, knowing Siroes was doing them and my wife was privy to his concepts. He was intending a design that did not. incorporate the rendered image of Jad."

"I see," said Crispin quietly.

This was unexpected, and solved another part of the puzzle. "I had been told his dismissal might distress your lady wife. I see it is also a matter of concern to you, for different reasons."

Leontes hesitated. "I approach matters of faith with seriousness."

Crispin's anger was gone. He said, "A prudent thing to do, my lord. We are all children of the god and must do him honour… in our own way."

He felt a certain weariness now. All he'd come east to do was put pain a little way behind him, seek solace in important work. The tangled complexities of the world here in Sarantium seemed extremely… enveloping.

On the facing bench, Leontes leaned back, not replying. After a moment he reached over and tapped on the door. At that signal it was pulled open by someone, letting in another rush of air, and then it closed. Only one man seemed to have been waiting to enter. He shuffled, favouring one foot, past the Strategos to take a seat opposite Crispin.

"No attendant?" he growled.

"He's allowed a few moments to cool down, "Leontes said politely. "Ought to be back shortly, or a different one will come. Shall I pour for you?"

"Go ahead," the other man said, indifferently.

He was, Crispin realized, evidently unaware who had just volunteered to serve as a bathhouse servant for him. Leontes picked up the ewer, dipped it in the trough, and poured water over the hot stones, once and then again. The steam sizzled and crackled. A wave of moist heat washed over Crispin like something tangible, thick in the chest, blurring sight.

He looked wryly at the Strategos. "A second employment?"

Leontes laughed. "Less dangerous. Less rewarding, mind you. I ought to leave you to your peace. You will come to dine one night, I hope? My wife would enjoy speaking with you. She. collects clever people."

"I've never been part of a collection before," Crispin murmured.

The third man sat mute, ignoring them, close-wrapped in his sheet. Leontes glanced over at him briefly then stood. In this small chamber he seemed even taller than he had in the palace the night before. Other scars showed along his back, and corded ridges of muscle. At the doorway, he turned.

"Weapons are forbidden here," he said gravely. "If you surrender the blade under your foot you will have committed only a minor offence to this point. If you do not, you will lose a hand to the courts, or worse, when tried on my evidence."

Crispin blinked. Then he moved extremely fast.

He had to. The man on the bench opposite had reached down with a snarl and ripped a paper-thin blade free from under the sole of his left foot. He held it deftly, the back of his hand up, and slashed straight at Crispin, without challenge or warning.

Leontes stood motionless by the door, watching with what seemed to be a detached interest.

Crispin lurched to one side, sweeping his sheet from his shoulders, to catch the thrusting blade. The man across from him swore viciously. He ripped the knife upwards through the fabric, trying to wrench it free, but Crispin sprang from his bench, wrapping the great sheet in a sweeping movement like a death shroud about the other man's arms and torso. Without thought-or space for thought-but with an enormous, choking fury in his chest, he hammered an elbow viciously into the side of the man's head. He heard a dull grunt. The trammelled blade fell to the floor with a thin sound. Crispin pivoted for leverage, then swung his left arm in a backhanded arc that smashed the side of his fist full into the man's face. He felt teeth shatter like small stones, heard the breaking of bone, and gasped at a surge of pain in his hand.

The other man fell to his knees with a weak, coughing sound. Before he could grapple for the dropped knife, Crispin kicked him twice, in the ribs and then, as his assailant slid sideways on the wet floor, in the head. The man lay there and he did not move.

Crispin, breathing raggedly, slumped back naked onto the stone bench. He was dripping wet, slick with perspiration. He closed his eyes then opened them again. His heart was pounding wildly. He looked over at Leontes, who had made no movement at all from his position by the door.

"So kind… of you… to assist," Crispin gasped. His left hand was already swelling up. He glared at the other man through the eddying mist and the wet heat.

The golden-haired soldier smiled. A light sheen of perspiration glistened all along his perfect body. "It is important for a man to be able to defend himself. And pleasing to know one can. Don't you feel better, having dealt with him yourself?"

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