Guy Kay - Lord of Emperors

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One of the world's foremost masters of fantasy, Guy Gavriel Kay has thrilled readers around the globe with his talent for skillfully interweaving history and Myth, colorful characterization, and a rich sense of time and place. Now, in Lord of Emperors, the internationally acclaimed author of
continues his most powerful work.
In
the first volume in the Sarantine Mosaic, renowned mosaicist Crispin — beckoned by an imperial summons of the Emperor Valerius — made his way to the fabled city of Sarantium. A man who lives only for his craft, who cares little for ambition, less for money, and nothing for intrigue, Crispin now wants only to confront the challenges of his art high upon a dome that will become the emperor's magnificent sanctuary and legacy.
But Crispin's desire for solitude will not be fulfilled. Beneath him the city swirls with rumors of war and conspiracy, while otherworldly fires mysteriously flicker and disappear in the streets at night. Valerius is looking west to Crispin's homeland of Varena to assert his power — a plan that may have dire consequences for the family and friends Crispin left behind. But loyalty to his homeland comes at a high price, for Crispin's fate has become entwined with that of Valerius and his empress, as well as the youthful Queen Gisel, his own monarch who is an exile in Sarantium herself. And now another voyager arrives in Sarantium, a physician determined to earn his fortune amid the shifting currents of loyalty, intrigue, and violence.
Drawing from the twin springs of history and legend,
is also a deeply moving exploration of art, power, and the ways in which people from all walks of life seek to leave an impression that endures long after they are gone. It confirms Kay's place as one of the world's most esteemed masters of fantasy.
Guy Gavriel Kay's distinguished literary career began when he helped complete Tolkien's posthumous masterpiece,
The author of
and
he has been both an Aurora Award winner and a World Fantasy Award nominee. An international bestselling author, his works have been translated into fifteen languages. He lives in Toronto, Canada.

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Then the rising sun finally burst above those low clouds east, appearing right behind the distant City, dazzlingly bright, and he had to shield his eyes, avert his gaze, and when he looked back again, blinking, Sarantium was gone, it had left him, and there was only the sea.

EPILOGUE

An old man in a chapel doorway, not far from the walls of Varena. Once he would have been engaged in considering the present colour of those walls, somewhere between honey and ochre, pondering ways of using glass and stone and light to accomplish that hue as it appeared in this particular late-spring sunshine. Not any more. Now, he is content to simply enjoy the day, the afternoon. He is aware, in the way that sometimes creeps up on the aged, that there are no assurances of another spring.

He is virtually alone here, only a few other men about, somewhere in the yard or in the unused old chapel adjacent to the expanded sanctuary. The sanctuary is not in use now, either, though a king is buried here. Since an assassination attempt in the autumn, the clerics have refused to conduct services, or even remain in their dormitory, despite substantial pressure from those currently governing in the palace. The man in the doorway has views on this, but for the moment he simply enjoys the quiet as he waits for someone to arrive. He has been coming here for some days now, feeling more impatient than an old man really should, he tells himself, if the lessons of a long life had been properly absorbed.

He tilts the stool on which he sits, leans back against the wood of the doorway (an old habit), and slides forward the remarkably shapeless hat he wears. He is irrationally fond of the hat, enduring all jests and gibes it provokes with perfect equanimity. For one thing, the headgear-absurd even when new-saved his life almost fifteen years ago when an apprentice, fearful in a darkened chapel at evening, thought he was a thief approaching without a light. The blow from a staff that the young fellow (broad-shouldered, even back then) had intended to bring crashing down on an intruder's head was averted at the last instant when the hat was seen and known.

Martinian of Varena, at his ease in the spring light, looks off down the readjust before allowing himself to fall asleep.

He saw that same apprentice coming. Or, more accurately, these long years later, he saw his one-time apprentice, now his colleague and partner and awaited friend, Caius Crispus, approaching along the path leading to the wide, low wooden gate that fenced in the sanctuary yard and its graves.

"Rot you, Crispin," he said mildly. 'Just as I was about to nap." Then he considered the fact that he was quite alone, that no one was listening to him, and he allowed himself an honest response, quickly tilting the stool back forward, aware of the sudden hard beating of his heart.

He felt wonder, anticipation, very great happiness.

Watching, shadowed in the doorway, he saw Crispin-hair and beard shorter than when he'd left, but not otherwise discernibly altered- unhook the gate latch and enter the yard. Martinian lifted his voice and called to the other men waiting. They weren't apprentices or artisans: no work was being done here now. Two of those men came striding quickly around the corner of the building. Martinian pointed towards the gate.

"There he is. Finally. I couldn't tell you if he's in a temper, but it is generally safer to assume as much."

Both men swore, much as he had, though with more genuine feeling, and started forward. They had been in Varena nearly two weeks, waiting with increasing irritation. Martinian was the one who had suggested the odds were good that the traveller, when he did come, would stop at this chapel outside the walls. He is pleased to have been correct, though not happy about what the other man will find here.

In his doorway, he watched two strangers go forward, the first souls to greet a traveller on his return from far away. Both of them are easterners, ironically. One is an Imperial Courier, the other an officer in the army of Sarantium. The army that was supposed to have been invading this spring and wasn't, now.

That being the largest change of all.

Some time later, after the two Sarantines had formally conveyed whatever messages they had lingered to deliver and had gone away, along with the soldiers who had been here on guard with them, Martinian decided that Crispin had been sitting alone by the gate long enough, whatever the tidings had been. He rose slowly and walked forward, nursing the usual ache in his hip.

Crispin had his back to him, seemed immersed in the documents he'd been given. It was not good to surprise a man, Martinian had always felt, so he called the other's name while still a distance away.

"I saw your hat," Crispin said, not looking up. "I only came home to burn it, you understand."

Martinian walked up to him.

Crispin, sitting on the large moss-covered boulder he'd always liked, looked over at him. His eyes were bright, remembered. "Hello," he said. "I didn't think to find you here."

Martinian had also intended some kind of jest, but found himself incapable of one, just then. Instead, he bent forward, wordlessly, and kissed the younger man on the forehead, in benediction. Crispin stood up, and put his arms around him and they embraced.

"My mother?" the younger man asked, when they stepped back. His voice was gruff.

"Is well. Awaiting you."

"How did you all…? Oh. The courier. So you knew I was on the way?"

Martinian nodded. "They arrived some time ago."

"I had a slower boat. Walked from Mylasia."

"Still hate horses?"

Crispin hesitated. "Riding them." He looked at Martinian. His eyebrows met when he frowned; Martinian remembered that. The older man was trying to sort out what else he was seeing in the traveller's face. Differences, but hard to pin down.

Crispin said, "They brought the tidings from Sarantium? About the changes?"

Martinian nodded. "You'll tell me more?"

"What I know."

"You are… all right?" A ridiculous question, but in some ways the only one that mattered.

Crispin hesitated again. "Mostly. A great deal happened."

"Of course. Your work… it went well?"

Another pause. As if they were fumbling their way back towards easiness. "It went very well, but…" Crispin sat down on the rock again. "It is coming down. Along with others, everywhere." 'What?

"The new Emperor has… beliefs about renderings of Jad."

"Impossible. You must be wrong. That-"

Martinian stopped.

Crispin said, "I wish I was. Our work will be coming down here, too, I suspect. We'll be subject to Sarantine edicts, if all goes as the Empress intends."

The Empress. They knew about this. A miracle of the god, some had already named it. Martinian thought there might be more earthly explanations. "Gisel?"

"Gisel. You heard?"

"Word came from other couriers on the same ship." Martinian sat down himself now, on the facing rock. So many times, they'd sat here together, or on the tree stumps beyond the gate.

Crispin looked over his shoulder at the sanctuary. "We're going to lose this. What we did here."

Martinian cleared his throat. Something needed to be said. "Some of it has been lost, already."

"So soon? I didn't think…"

"Not for that reason. They… scraped down Heladikos in the spring."

Crispin said nothing. Martinian remembered this expression, too, however.

"Eudric was trying to earn support from the Patriarch in Rhodias, with the invasion looming. Backing away from the heresy of the Antae."

Heladikos and his torch had been the very last thing Crispin had done before he'd gone away. The younger man sat very still. Martinian was trying to read him, see what had changed, what had not. It felt odd not to understand Crispin intuitively, after so many years. People went away and they changed; hard on those who remained behind.

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