Guy Kay - Lord of Emperors

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One of the world's foremost masters of fantasy, Guy Gavriel Kay has thrilled readers around the globe with his talent for skillfully interweaving history and Myth, colorful characterization, and a rich sense of time and place. Now, in Lord of Emperors, the internationally acclaimed author of
continues his most powerful work.
In
the first volume in the Sarantine Mosaic, renowned mosaicist Crispin — beckoned by an imperial summons of the Emperor Valerius — made his way to the fabled city of Sarantium. A man who lives only for his craft, who cares little for ambition, less for money, and nothing for intrigue, Crispin now wants only to confront the challenges of his art high upon a dome that will become the emperor's magnificent sanctuary and legacy.
But Crispin's desire for solitude will not be fulfilled. Beneath him the city swirls with rumors of war and conspiracy, while otherworldly fires mysteriously flicker and disappear in the streets at night. Valerius is looking west to Crispin's homeland of Varena to assert his power — a plan that may have dire consequences for the family and friends Crispin left behind. But loyalty to his homeland comes at a high price, for Crispin's fate has become entwined with that of Valerius and his empress, as well as the youthful Queen Gisel, his own monarch who is an exile in Sarantium herself. And now another voyager arrives in Sarantium, a physician determined to earn his fortune amid the shifting currents of loyalty, intrigue, and violence.
Drawing from the twin springs of history and legend,
is also a deeply moving exploration of art, power, and the ways in which people from all walks of life seek to leave an impression that endures long after they are gone. It confirms Kay's place as one of the world's most esteemed masters of fantasy.
Guy Gavriel Kay's distinguished literary career began when he helped complete Tolkien's posthumous masterpiece,
The author of
and
he has been both an Aurora Award winner and a World Fantasy Award nominee. An international bestselling author, his works have been translated into fifteen languages. He lives in Toronto, Canada.

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"Oh, my lady," she whispered. "What are we to do?"

And she took a dagger from her belt, laying it on the floor. Then she wept.

She had long been one of the most trusted women of the Empress Alixana. Took a pleasure in that fact that was almost certainly reprehensible in the eyes of Jad and his clerics. Mortals, especially women, were not to puff themselves up with the sin of pride.

But there it was.

She had been the last person awake in the house, having offered to tend the downstairs fire and put out the lamps before going up to the doctor's bed. She had sat in the front room alone for a time in the dark, watching white moonlight through the high window. Had heard footsteps in the other ground-floor rooms, heard them cease as the others went to their beds. She had remained where she was for a time, anxiously. She had to wait, but feared to wait too long. Finally, she had walked down the main-floor hallway and opened a bedroom door, silently.

She had prepared an excuse-not a good one-if he was still awake.

The steward who ran this house for Plautus Bonosus was an efficient but not an especially clever man. Still, something had been said when the soldiers left-a misunderstanding that could have been amusing but wasn't, at all, with so desperately much at stake. An exchange that might be fatal, if he put the pieces together.

There was a huge reward on offer, incomprehensibly large, in fact, proclaimed by heralds throughout the City all day. What if the steward woke in the night with a blinding thought? If a daemon or ghost came to him carrying a dream? If he realized under the late moons that the soldier at the door hadn't been calling the grey-bearded doctor a whore but had been referring to a woman upstairs? A woman. The steward might wake, wonder, feel the slow licking of curiosity and greed, rise up in the dark house, go down the hallway with a lamp lit from his fire. Open the front door. Call for a guard of the Urban Prefecture, or a soldier.

It was a risk. It was a risk.

She had walked into his room, silent as a ghost herself, looked down upon him where he lay sleeping on his back. Sought a way to make her heart grow hard.

Loyalty, real loyalty, sometimes required a death. The Empress (she would always call her that) was still in the house. It was not a night to take chances. They might trace the steward's murder to her but sometimes the death required was one's own.

"My lady, I could not kill him. I tried, I went to do it, but…"

The girl was weeping. The blade on the floor before her was innocent of blood, Rustem saw. He looked at Alixana.

"I ought to have known better," Alixana murmured, still wrapped in the bed linens, "than to make you a soldier in the Excubitors." And she smiled, faintly.

Elita looked up, biting at her lower lip.

"I don't think we need his death, my dear. If the man somehow wakes in the night with a vision and goes for the door and a guard… you can run them through with a sword."

"My lady. I don't have"

"I know, child. I am telling you we need not murder to defend against this chance. If he were going to rethink that conversation, he'd have done it by now."

Rustem, who knew a little of sleep and dreams, was less sure, but said nothing.

Alixana looked at him. "Doctor, will you let two women share your bed? I fear it will be less exciting than the words suggest."

Rustem cleared his throat. "You must sleep, my lady. Lie in the bed. I will take a chair, and Elita can have a pillow by the fire."

"You need rest as well, physician. People's lives will depend on you in the morning."

"And I will do what I can do. I have spent nights in chairs before."

It was true. Chairs, worse places. Stony ground with an army in Ispahani. He was bone-weary. Saw that she was, as well.

"I am taking your bed from you," she murmured, lying down. "I ought not to do that."

She was asleep when she finished the sentence.

Rustem looked at the servant who had been on the edge of murdering for her. Neither of them spoke. He gestured at one of the pillows and she took it and went to the hearth and lay down. He looked at the bed, and crossed there and covered the sleeping woman with one blanket, then took another and carried it to the girl by the fire. She looked up at him. He draped it over her.

He went back to the window. Looked out, saw the trees in the garden below made silver by the white moon. He closed the window, drew the curtains. The breeze was strong now, the night colder. He sank down in the chair.

It came to him, with finality, that he was going to have to change his life again, what he had thought was to be his life.

He slept. When he woke, both women were gone.

A greyness was filtering palely through the curtains. He drew them back and looked out. It was almost day, but not quite, the hovering hour before dawn. There was a knocking at the door. He realized that was what had awakened him. He looked over, saw that the door was unlocked, as was usual.

He was about to call for whoever it was to come in when he remembered where he was.

He rose quickly. Elita had replaced her pillow and blanket on the bed. Rustem crossed there. Climbed in and under the sheets. There was a scent, faint as a dream receding, of the woman who was gone.

"Yes?" he called. He had no idea where she was, or if he ever would know.

Bonosus's steward opened the door, impeccably dressed already, composed and calm as ever, dry in his manner as a bone. Rustem had seen a knife in this room last night, meant for this man's heart while he slept. He had been that close to dying. So had Rustem, a different way-if a deception had failed.

The steward paused deferentially on the threshold, hands clasped before him. There was an odd look in his eye, however. "My deepest apologies, but some people are at the door, doctor." His voice was practised, murmurous. "They say they are your family."

He broke stride only long enough to throw on a robe. Dishevelled, unshaven, still bleary-eyed, he bolted past the startled man and tore down the hallway and then the stairs in a manner worlds removed from anything resembling dignity.

He saw them from the first landing, where the stairway doubled back, and he stopped, looking down.

They were all in the front hallway. Katyun and Jarita, one visibly anxious, the other hiding the same apprehension. Issa in her mother's arms. Shaski was a little ahead of the others. He was gazing up fixedly, eyes wide, an intent, frightening expression on his features that only changed, only melted away-Rustem saw it-when his father appeared on the stairs. And Rustem knew, in that moment he knew as surely as he knew anything on earth, that Shaski was the reason, the only reason, the four of them were here and the knowledge hit him in the heart like nothing ever had.

He went the rest of the way down to the ground floor and stood gravely before the boy, hands clasped in front of himself, very like the steward, in fact.

Shaski looked up at him, his face white as a flag of surrender, the small, thin body taut as a bowstring. ( We must bend, my little one, we must learn to bend or we break.) He said, his voice quivering, "Hello, Papa. Papa, we can't go home."

"I know," said Rustem softly.

Shaski bit his lip. Stared at him. Huge eyes. Hadn't expected this. Had expected punishment, very likely. (We must learn to be easier, little one.) 'Or… or to Kabadh? We can't go there."

"I know," said Rustem again.

He did know. He also understood, after what he'd learned in the night, that Perun and the Lady had intervened here beyond any possible measure of his worthiness. There was something constricting in his chest, a pressure needing release. He knelt down on the floor and he opened his arms.

"Come to me," he said. "It is all right, child. It will be all right."

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