Guy Kay - The Summer Tree

They danced it all, with stylized, ritual gestures. The women, their hair loose and flowing, were the eltor, and the boys mimed the Riders they would one day be. It was beautifully done, even to the individual quirks and traits of the hunters. Dave recognized the characteristic head tilt of the second Rider in the boy who imitated him. There was enthusiastic applause for that, then there was laughter as another boy danced Navon’s flashy failure. It was indulgent laughter, though, and even the other two misses were greeted with only brief regret, because everyone knew what was coming.

Tabor had untied his hair for this. He looked older, more assured—or was it just the role, Dave wondered, as he saw Ivor’s younger son dance, with palpable pride and surprisingly graceful restraint, his older brother’s kill.

Seeing it again in the dance, Dave cheered as loudly as everyone else when the young woman dancing the lead eltor fell at Tabor’s feet, and all the other women streamed around him, turning at the edge of the circle defined by the fires to form a whirling kaleidoscope of movement about the still figure of Tabor dan Ivor. It was well done, Dave thought, really well done. A head taller than everyone there, he could see it all. When Tabor glanced at him across the massed people in between, Dave gave him a high, clenched-fist gesture of approval. He saw Tabor, despite his role, flush with pleasure. Good kid. Solid.

When it ended, the crowd grew restive again; the dancing seemed to be over. Dave looked at Tore and mimed a drinking motion. Tore shook his head and pointed.

Looking back, Dave saw that Liane had entered the circle of fire.

She was dressed in red and had done something to her face; her color was high and striking. She wore golden jewelry on each arm and about her throat; it glinted and flashed in the firelight as she moved, and it seemed to Dave as if she had suddenly become a creature of flame herself.

The crowd grew quiet as she waited. Then Liane, instead of dancing, spoke. “We have cause to celebrate,” she sang out. “The kill of Levon dan Ivor will be told at Celidon this winter, and for many winters after.” There was a roar of approval; Liane let it die down. “That kill,” she said, “may not be the brightest deed we have reason to honor tonight.” The crowd hushed in perplexity. “There was another act of courage done,” Liane continued, “a darker one, in the night wood, and it should be known and celebrated by all of the third tribe.”

What? Dave thought. Uh-oh .

It was all he had time for. “Bring forth Tore dan Sorcha,” cried Liane, “and with him Davor, our guest, that we may honor them!”

“Here they are!” a high voice cried from behind Dave, and suddenly goddamn Tabor was pushing him forward, and Levon, smiling broadly, had Tore by the arm, and the two sons of Ivor led them through the parting crowd to stand beside the Chieftain.

With excruciating self-consciousness, Dave stood exposed in the light of the fires, and heard Liane continue in the rapt silence.

“You do not know,” she cried to the tribe, “of what I speak, so I will dance it for you.” Oh, God , Dave thought. He was, he knew, beet-red. “Let us do them honor,” Liane said, more softly, “and let Tore dan Sorcha no more be named Outcast in this tribe, for know you that these two killed an urgach in Faelinn Grove two nights ago.”

They hadn’t known, Dave realized, wishing he could find a place to disappear, knowing Tore felt the same. From the electric response of the tribe, it was clear that they hadn’t had a clue.

Then the music began, and gradually his color receded, for no one was looking at him anymore: Liane was dancing between the fires.

She was doing it all, he marveled, spellbound, doing it all herself. The two sleeping boys in the wood, Tore, himself, the very texture, the mood of Faelinn Grove at night—and then somehow, unbelievably, whether it was alcohol or firelight or some alchemy of art, he saw the urgach again, huge, terrifying, swinging its giant sword.

But there was only a girl in the ring of fire, only a girl and her shadow, dancing, miming, becoming the scene she shaped, offering it to all of them. He saw his own instinctive leap, then Tore’s, the urgach’s brutal blow that had sent Tore smashing into a tree…

She had it dead-on, he realized, astonished. Then he smiled, even through his wonder and stirring pride: of course, she’d listened in while they told Ivor. He felt like laughing suddenly, like crying, like some kind, any kind of articulation of emotion as he watched Liane dance his own desperate parry of the urgach’s sword, and then, finally, Tore’s hurled dagger—she was Tore, she was the blade, and then the toppling, like a mighty tree, of the beast. She was all of it, entire, and she wasn’t a stupid girl after all.

Ivor saw the urgach sway and fall, and then the dancer was herself again, Liane, and she was whirling between the fires, her bare feet flying, jewelry flashing on her arms, moving so fast her hair, short as it was, lifted behind her as she exploded in a wild celebration of dance, of the deed in the night wood, of this night, and the next, and the days, all of them, of everything there was before the hour came that knew your name.

With a lump in his throat he saw her slow, the motion winding down until she stopped, her hands across her breasts, her head lowered, motionless, the still point between the fires; between the stars, it seemed to him.

A moment the third tribe was still with her, then there came an explosion of cheering that must have rocketed beyond the camp, Ivor thought, beyond the lights of men, far out into the wide dark of the night plain.

He looked for Leith in that moment, and saw her standing among the women on the other side of the fires. No tears for her; she was not that sort of woman. But he knew her well enough after so many years to read the expression on her face. Let the tribe think the Chieftain’s wife cool, efficient, unruffled; he knew better. He grinned at her, and laughed when she flushed and looked away, as if unmasked.

The tribe was still buzzing with the catharsis of the dance and the killing that had led to it. Even in this, Liane had been wilful, for he was not at all sure this was how he would have chosen to tell them of the urgach, and it was his place to decide. It couldn’t be kept hidden, for the auberei would have to take word on their ride to Celidon tomorrow, but once more, it seemed, his middle child had gone her own way.

How could he be angry, though, after this? It was always so hard, Ivor found, to stay angry with Liane. Leith was better at it. Mothers and daughters; there was less indulgence there.

She had judged it rightly, though, he thought, watching her walk over to Tore and the stranger and kiss them both. Seeing Tore redden, Ivor decided that not the least cause for joy this night might be the reclaiming of the outcast by this tribe. And then Gereint rose.

It was remarkable how tuned the tribe was to him. As soon as the blind shaman moved forward into the space between the fires, some collective thread of instinct alerted even the most intoxicated hunter. Gereint never had to gesture or wait for silence.

He’d looked silly before, Ivor reflected, watching the shaman move unassisted between the flames. Not anymore. However he might look with eltor juice dripping from his chin, when Gereint rose in the night to address the tribe, his voice was the voice of power.

He spoke for Ceinwen and Cernan, for the night wind and the dawn wind, all the unseen world. The hollowed sockets of his eyes gave testimony. He had paid the price.

“Cernan came to me with the greyness of dawn,” Gereint said quietly. Cernan , thought Ivor, god of the wild things, of wood and plain, Lord of the eltor, brother and twin to Ceinwen of the Bow.