Guy Kay - Ysabel

Здесь есть возможность читать онлайн «Guy Kay - Ysabel» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2007, ISBN: 2007, Жанр: Фэнтези, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Ysabel: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Ysabel»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

In this exhilarating, moving new work, Guy Gavriel Kay casts brilliant light on the ways in which history—whether of a culture or a family—refuses to be buried.
Ned Marriner, fifteen years old, has accompanied his photographer father to Provence for a six-week «shoot» of images for a glossy coffee-table book. Gradually, Ned discovers a very old story playing itself out in this modern world of iPods, cellphones, and seven-seater vans whipping along roads walked by Celtic tribes and Roman legions.
On one holy, haunted night of the ancient year, when the borders between the living and the dead are down and fires are lit upon the hills, Ned, his family, and his friends are shockingly drawn into this tale, as dangerous, mythic figures from conflicts of long ago erupt into the present, claiming and changing lives.

Ysabel — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Ysabel», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

He looked at an artist’s sketch of that medieval slum in the book Melanie had given him. He wondered what that would have been like: to live in a world sunken so low, struggling just to stay alive, with the towering evidence of glory all around you, looming above your collapsing little walls and muddy alleys.

You sure wouldn’t have a feeling that the world was progressing or getting better over the years, he decided. The book reported that one time, during a plague outbreak in here, the authorities of Arles had surrounded the arena and had killed anyone trying to get out of the slum.

The world might be a little better than that today, Ned thought. Parts of it, anyhow.

Making his way along the seats, he circled all the way around to the chute where they released the bulls. He was able to get down from there, jumping a barrier onto the sands.

There were people inside the arena—including a big Japanese tour group—but no one seemed inclined to tell him to leave. He saw people taking his picture. He actually thought about that sometimes: how we end up as background faces in some stranger’s photo album or slide show.

Had he been a little younger he might have pretended to be a gladiator or a bullfighter, but not at fifteen with people watching him. He just walked around and enjoyed the sunshine and the size of the place. The Romans were engineers and builders, his father had said on the drive here: roads, temples, aqueducts, arenas. Whatever else you thought about them, you had to give them that.

Ned wondered if Kate Wenger had been here, had seen this place. He thought of calling her, then remembered it was a school day. Besides which, it was too soon, majorly uncool, for that kind of call.

Thinking of her sitting in some classroom made him grin, though. He’d have been in school himself back home at this hour. Without wanting to actually give his father the satisfaction of knowing it, Ned had to admit this was way better.

He took out his own Canon and snapped a couple of pictures. He’d email jpegs to Larry and Vic and ask how biology class had been today and how much homework they had. Maybe he’d get Steve to take a picture of him in the pool at the villa to send. They didn’t need to know it was freezing cold in there. With his friends, you had to grab the moments when you had the upper hand.

Ned considered that for a moment. Grabbing moments with the upper hand: Mr. Drucker would have labelled that a mixed metaphor and probably marked him down for it. Ned smiled to himself. Mr. Drucker was on the other side of the ocean.

They had lunch at a restaurant with a terrace overlooking the Roman theatre ruins, near the edge of the city centre. Oliver Lee, the writer for the book, joined them there. He lived in the countryside to the north.

Lee was in his sixties, tall, rumpled, and stooped, with pale, pouchy eyes, reading glasses on a chain about his neck, and long, not very disciplined silver hair that scattered in various directions and gave him a startled look. Every so often he’d run a hand through it, to mostly negative effect. He wore a jacket and a diagonally striped tie and smoked a pipe. There were ashes on his tie and jacket. It was almost as if he’d been cast as a British author.

He was funny, though, a good storyteller. It seemed like he knew a lot about wine and Provençal food. He also knew the chef, who came hurrying out to greet him with enthusiastic kisses on both cheeks. Lee’s French accent and grammar weren’t good—surprisingly, after thirty years here. He put almost every verb in the present tense. He was rueful about that. Called it Frenglish.

“Stubborn Brits, my generation,” he said. “Still regretting we lost Calais back to the French five hundred years ago, too superior to take the time to learn any language properly. Point of honour, almost, to be ungrammatical.”

“Why move down here, then?” Edward Marriner asked.

He was in a good mood again. The morning had gone well, obviously. He had switched to water after one glass of wine, startling the Englishman, but there was a working afternoon ahead for him.

Oliver Lee gestured towards the gleaming marble of the Roman theatre across the way, pine trees scattered among stones and dark green grass. “Sun and wine, ruins and olive trees. The ancient, all-knowing sea an hour away. And truffles! Have you tasted the truffles here?”

Ned’s father shook his head, laughing.

Lee drained half of his third glass of wine and smiled affably, fiddling with his pipe. “Mostly it was the sun, mind you. Ever lived through a winter in Oxfordshire?”

“Try Montreal!” said Melanie.

Oliver Lee turned to her. “Had you been there to greet me, and had I been even ten years younger, my dear, I’d have willingly tried Montreal.”

Ned blinked, and then did so again. Melanie actually blushed.

“Wow!” said Greg, looking at her. “That was impressive! I’ve never seen her do that.”

“Be quiet, you,” Melanie said, looking down at her plate.

“Interesting,” Ned’s father said, grinning behind a hand, smoothing his moustache. “Green hair streaks do it for you, Oliver? Do people know this about you?”

“Adornment has varied widely over the centuries,” Oliver Lee said airily, waving a hand. “My own ancestors painted themselves blue long ago, with woad. Silly to be wedded—or woaded, shall we say? — to only one look as attractive.” He chuckled at his own joke. “Green hair is entirely a matter of a woman’s style and choice, and when she has eyes like your Melanie, she may make any choice she wants.”

“Wow!” said Greg again. “Um, she’s single, you know. And she’s read some of your books.”

“Shut up, Gregory!” Melanie said fiercely, under her breath, still looking down.

Ned had never thought about Melanie’s eyes. They were green, he realized. He wondered if the stripe in her hair, maybe even her ink colour, had been chosen to match. Women did that, didn’t they?

“Mr. Lee, you are much too nice. You’ll make me lose focus this afternoon,” Melanie said, looking up finally, smiling at the author.

“And that’s bad in photography!” She still looked flushed.

Lee laughed, and shook his shaggy silver mane. “I must doubt that, though it is kind of you to say. I’m just an old man in sunshine among ruins, paying homage to youth and beauty.”

Do people actually say that sort of thing? Ned thought.

Evidently they did, in Oliver Lee’s circles, anyhow. The waiter came for their plates. The others ordered coffee.

“I’ll be heading home, get out of your way,” Lee said to Ned’s father. “Wouldn’t want me tripping over your apparatus or meandering into a photograph.”

Ned decided this was a role the man played, a public pose. Looking at his father, he saw the same assessment there, and amusement.

“You’re welcome to stay,” Edward Marriner said. “Melanie can help keep you from meandering. We’re going over to Saint-Trophime, the cloister.”

“Ah. Good. You’ll want to photograph the eastern and the northern sides,” Oliver Lee said, brisk all of a sudden. “If the other elements…light and such…are right for you, of course. The pillar carvings on those sides are the glory and wonder. There are legends about them.”

“What kind?” Melanie asked, clearly pleased to have the subject changed. Homage to youth and beauty. Ned was going to have to remember that. Ammunition for later, in the war of the ringtones.

“The sculptures there are so lifelike,” Lee was saying, “it was believed at various times that magic was used to make them. That the sculptor had sold his soul and been given a sorcerer’s power to turn real people into stone.”

“The Devil’s work in the cloister of a church? Very nice.” Ned’s father smiled.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Ysabel»

Представляем Вашему вниманию похожие книги на «Ysabel» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Ysabel»

Обсуждение, отзывы о книге «Ysabel» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x