Guy Kay - A Song for Arbonne

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Arbonne is a lush, fertile land near the sea, and its people revere music and the Goddess Rian. In Gorhaut, the God Corannos and war are the only considerations. These two countries are on a collision course, which ends in a war where brother fight father — and a life-long friendship ends in death.

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Rosala does not move. He is not going to hurt her. She knows that. A kind of reckless giddiness rises in her, a surge of hatred she cannot quite master. "Forgive me my ignorance, and that of my family," she says. "You are clearly to be deferred to in these matters, my lord. You know so much about helping women survive childbirth." A dangerous cut, one she might truly be made to pay for later. Galbert's first wife died, hours after giving birth to Blaise, and two subsequent wives did not survive their first confinements in this castle, with the children stillborn.

She has meant to wound, wisely or no, but nothing in his face shows that she has done so. "As I said," he murmurs, still smiling, "a whipping may be given at any time."

"Of course," she replies. "I live entirely at the mercy of your kindness, my lord. Though indeed, if you wound and scar me too greatly it might spoil the king's pleasure when he chooses to send for me, might it not?"

She hadn't planned to say anything like that; it has slipped out. She isn't sorry though, now that the words are spoken. The thought, and the fear behind it, are never far from her.

She sees the High Elder react for the first time. She wasn't even thought to have been aware of this aspect of things, she realizes. It is almost amusing: women are imagined to troop like so many sheep through the court, eyes down, dull minds shuttered, oblivious to whatever nuances might be passing about them. She could laugh, were her fears not so tangible.

Galbert de Garsenc's smile deepens now, the smooth-shaven, fleshy face creasing into something truly unpleasant. "You are hungry for that moment, I see. You are already in lust. You would prefer to kill the child that you might come panting and hot to Ademar's bed the sooner, would you not? You have all the vile corruption of women in you, especially those of your lineage. I knew it when first I ever saw you."

Rosala stiffens. She feels dizzy suddenly. The walk uphill, the bright sunlight overhead, and now this foul, streaming torrent of abuse. She actually wishes Ranald were home; his presence might have served to temper or at least deflect onto himself some of Galbert's viciousness. She has brought this upon herself, she thinks shakily. Better to have swallowed pride, to have meekly gone within. How can she, alone and at his mercy, possibly fight this man?

She looks up at him, a sickness within her. Her family is as good as this one, she tells herself fiercely, or so very nearly as to make no difference. She knows what has to be said now. Fighting for self-control, she speaks.

"Hear me. I will kill myself before I let him touch me. Do not ever doubt that this is so. And do not try to deny that you have encouraged the king's shameful thoughts, contemptuous of your son or any true sense of family honour, seeking only to bind a weak man more tightly to your use with whatever tools you may find. My lord, I am not a tool that will ever fit your hand. I will die before Ademar ever lies with me."

She watches his face narrowly, and adds, "Or you, my lord High Elder of Corannos. I will end my life before I suffer you to lay a hand or a lash upon this white flesh you dream about in the dark of the god's house at night." A shaft loosed wildly that one, but she sees it hit, squarely. Galbert's ruddy face goes suddenly white, his eyes creasing to slits and flicking away from hers for the first time. Rosala feels no triumph, only a renewed wave of nausea.

She turns abruptly away and begins to walk across the drawbridge into the forecourt. The corans have stopped their duelling, their attention caught by something in the manner of the two of them here outside the walls. She holds her head high and walks with what composure she can achieve.

"My lady Rosala." Galbert says from behind her, his voice raised slightly. She had known he would call her. He would need to have the final word. His nature will not permit otherwise. She thinks of not turning, of continuing on, but the corans have heard him call her. What she might do at some risk privately she dares not do in public: she might defy him to a certain point, but open shame he will not allow. A woman can be killed for that in Gorhaut.

She stops on the drawbridge and turns slowly back to look at him. After, she will remember that moment, the sun high, a breeze stirring the red and golden leaves of the chestnut trees along the avenue, birdsong in the branches, the stream beyond, glinting blue. A glorious autumn day.

"I wonder," says Galbert de Garsenc, lowering his voice, moving the horse nearer, "has your dear husband told you of our latest agreement? He has probably neglected to, in that forgetful way of his. We have decided that if you should bear a son it is mine. Ah! You seem surprised, Lady Rosala! It is just as I thought, the careless lad has not informed you. A boy is promised to Corannos, a daughter you may keep; a daughter is no use to me immediately, though I am sure I will devise a purpose for her later."

Rosala is actually afraid she is going to faint. The sun swings in an erratic arc in the blue sky. She takes a stumbling, sidelong step to keep her balance. Her heart is a thudding hammer in her breast. She tastes blood; she has bitten through her lip.

"You… you would deprive your family of an heir?" she stammers, her brain stunned, refusing to believe what she has just heard.

"No, no, no, not necessarily." He chuckles now, all benign good humour for the watching eyes of those inside the forecourt. "Though we need another Elder in our family at least as much as we need an heir in this castle. Ranald's brother" — he never speaks Blaise's name—"was to have followed me to the god. A great deal of our future depended upon that. His refusal has marred my planning, put me in a difficult position, but if you present me with a boy matters may yet be remedied. I will, of course, delay final consecration for a time, to judge how best to make use of the child—here at Garsenc or in the god's house. There will be many matters to be considered, but I daresay you will help me by having other children, dear daughter-in-law. And if you do not—seeing as it did take some time to conceive this one—why then I imagine Ranald could find a second wife who will. I am not greatly concerned on that score. And I must confess, I am looking forward to attending to a grandson's education and upbringing personally. I pray you, do not disappoint me, lady Rosala. Bear a strong boy child for me to take back to Corannos."

She can say nothing at all. She seems to have lost the power of speech. She can scarcely stand. She feels suddenly exposed, naked in this place to the indifferent or mildly curious scrutiny of her household corans and the serfs of the estate.

"You really ought to go in now," says Galbert kindly. "You do not look well at all. You ought to be in your bed, my child. I would escort you there myself but I am afraid I have no time to linger for such domestic intimacies. The press of affairs demands my attention back at court. I do trust you have taken my meaning, though, and I will not have to come again?"

He turns, not waiting for any reply, lifting one hand to her that the corans might note his salute; it is the hand that holds his whip, though. That will not be an accident; nothing with this man is an accident. She sees that he is smiling as he rides away.

Inside the castle a short time later, alone in her suite of rooms, white-knuckled hands gripping each other, Rosala de Garsenc realizes, without knowing the actual moment of making her decision, that she is going to leave.

Galbert made a mistake, she thinks. He never meant to tell her about these plans, he must have known how she would feel about them; she had angered him though, revealed an awareness of his thoughts, and he replied rashly, to frighten and wound her, to have the final word.

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