Peter Beagle - The Folk Of The Air

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They were playing at time and magic, but time is tricky and magic is dangerous!
When Farrell returned to Avicenna after years away, he found his oldest friend Ben living with an unattractive older woman named Sia. Ben and Farrell’s girlfriend, Julie, were also mixed up with the League for Archaic Pleasures—a group that playacted the events and manners of medieval chivalry, sometimes too seriously.
Nothing was quite as it seemed. Sia’s ancient house developed rooms that impossibly appeared and disappeared. Apparently helpless, Sia still had enormous powers that no human could defy when she chose to exert her will. And some members of the League were not playacting—they
the medieval characters they portrayed. Even mild-mannered Ben was sometimes possessed by a Ninth Century viking, driven to madness by the modern world he could not understand.
Attending a League revel with Julie, Farrell was amused by the claim of fifteen-year-old Aiffe that she was a witch. But later he saw her, attempting to summon a demon, conjure out of air the form of Nicholas Bonner, who had been sent to limbo five centuries before!
With Bonner’s skills added to Aiffe’s talents, the pair soon made chaos of the League’s annual mock war. But Bonner’s real goal was the defeat of Sia, with whom he seemed to have a mysterious connection.
Gradually, Farrell realized that Bonner represented a growing evil such as the Twentieth Century had never known. Only Sia’s powers stood against it. But Sia had retreated into a room that could not exist, hiding in illusion.
Here in his first fantasy novel since
was published in 1968, Peter Beagle again proves his mastery in a tale of magic, illusion, and delusion, mixed with a cast of human characters only he could create.

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Farrell held onto Ben and said, “Wait. We aren’t even here. Wait, Ben.”

Within minutes— are there there minutes anymore ?—the hillside looked more like a beach at low tide, strewn with a raging scatter of branches, bark stripped away in damp, splintery sheets, and shapeless chunks of wood, none bigger than fireplace logs. Aiffe’s spell-given strength had clearly consumed itself. She leaned on the ripped stump of the willow, her splitting velvet gown heavy with sweat, her breath making the same sounds as the murdered tree. When Sia flowered, chuckling, out of a hamburger-sized chip of bark behind her, Aiffe did not turn.

“Child, enough, let it alone.” Sia’s voice was infuriatingly kind and amused, even to Farrell’s hearing. “We have no quarrel, you and I—how can we? You are a witch, a magical technician, and very good you are, too. But what I am has no more to do with magic than eating ice cream or striking a match. What I am does not die, cannot hate or ever be trusted, and cannot be concerned with your skills. My quarrel is with my son, who uses you as a stick to beat me with. When you break, he will throw you away. Let it alone and I will be your friend, as much as an immortal can be anyone’s friend. Let me alone.”

Aiffe had wheeled on Sia before her own breathing was quite under control, so her words burst from her in a wetmouthed splutter of furious contempt. “Immortal? You still think you’re immortal? You fat bitch, you fat old walrus, you’re dead now, I’m standing here watching you rot.” She was slobbering uncontrollably, spitting in Sia’s face. “You want to know who’s immortal? I walked into your house and I found your secret place and I walked right in there, and nobody ever did that to you before, put that up your snotty, fat ass. Oh, you’re gone, you are gone, I’m not going to let you stay anywhere. Nick told me, he showed me how I could take your immortality anytime I got ready. I may be a mere fucking technician, but I’m ready, and you are just gone.”

Sia never flinched from the blasphemous shower; rather, she put her head back and spun on her toes, like a child playing under an open fire hydrant. Aiffe’s saliva became a rainbow mist of jasmine-scented water arching between Sia and herself, even after she covered her mouth with both hands. The mist thickened, hiding Sia completely, caressing and blurring the ruins of the willow tree. Flapping her arms as if she were shooing birds, Aiffe ran straight into it. Her efforts dispersed the haze quickly enough, but Sia and the willow were both indeed gone. Aiffe screamed so loudly that the entire hillside caved in.

Farrell found himself lurching forward, at once leaning on Julie and holding Ben back. The imaginary place where they were went mad around them; the sky was gibbering colors, howling the spectrum; the landscape pulsed from jungle to desert to cow pasture with every shudder of color. There is still the room where we made love, this is where her eyes live . Where the littered hill had been, a deep grotto began to take shape, a pool as bright as a cheap toy winking at its heart. Without hesitation, Aiffe scrambled to the edge, threw off her velvet gown, and leaped in. She swam with an otter’s theatrical suppleness, constantly doubling on herself to dive again and again, hunting Sia in every least concealing shadow.

Absurd old songs and proverbs straggled through Farrell’s head as he watched her. He chanted, “Oh, what a time I had with Aiffe the mermaid, down at the bottom of the sea,” and announced earnestly to Ben, “What that is, that’s Neptune’s park, ribbed and paled in with rocks unscalable and roaring waters.” Ben looked at him with Egil Eyvindsson’s face.

Ben whispered, “Oh, God, she never could resist going back to stone.”

For all the racket of their fall, the stone fragments had not raised even a handful of foam or caused the tiniest eddy. Now, however, as Aiffe splashed and sported in overwhelming triumph, a deep, slow swirl began to move in the pool, far below her joyously kicking feet, turning the water deep green, then red, then orange, spreading steadily, picking up speed until the entire grotto hummed and sang and thrilled to a yawning note that the three watching could only feel in their teeth and bones. Aiffe understood too late; she clung to a rock and screamed unbearably for control, but the waterspout swept her aside as it surged to full height, spinning so fast now that the immense wind of it tore white holes in the mad sky and hurled Aiffe completely out of the pool. At the top of the spout Sia danced on one foot, whirling against the cyclone’s rotation, her arms bent sharply across her breasts and face. Farrell knew that she was singing again, though he could not hear her.

Naked, dripping, half-stunned, Aiffe was already up on her hands and knees, doggedly crawling in a circle, counterclockwise, muttering like a bag lady and scratching blurry marks wherever she found a patch of soft earth. She did not turn when the high, leathery fins and great rough backs began to break the pool’s surface. Nor did she move even when the rippling necks with scales as big as bricks lifted jaws that turned themselves almost inside-out trying to snatch Sia down. Only when the waterspout caught fire, blazing up with the breathy hiss of newspaper did she stand and look, gradually raising both fists to hail the impossible castle of flame that hid Sia from her once more.

Her cry was wearily implacable. “On your way, old bitch! I told you I’d never let you rest anywhere! On your way, just keep moving!”

At the sound of her voice, the waterspout billowed out into something momentarily like a human shape traced in fireworks—all sparkling hips and Catherine-wheel belly—before toppling silently in on itself and vanishing, taking the fire with it. Only the wind remained, and it was a different wind altogether, alluringly mischievous as Sia’s eyes, playful as Briseis with her trusted beach towel. Like Briseis, in fact, this wind had a toy of its own, one last living ember, no bigger than a penny at that height, but caressed and cozened by the breeze into a tiny nova, soaring over the shattered grotto. Tossed up, carelessly dropped, captured again, it grew brighter and brighter, the brilliance of its little life almost as painful to look at as Aiffe’s cries of rage had been to hear.

Far below, Aiffe stood very quietly now, watching the dancing spark for a long time before she began to dance again, very slowly, her movements strangely clumsy, slurred with menace. She kept turning her head far back over her right shoulder as she danced, snapping her jaws.

Farrell had in his life seen more shape-changing than most people. Each time he handled the experience less well; it always left him feeling as wrenched and disoriented as if he were the one who had passed through the sweet, nauseating shudder in the molecules, to stumble into moonlight on four feet. He looked away, as always, when it happened with Aiffe, but not quickly enough. Her shoulders hunched and bulked, neck and legs shortening so quickly that she seemed to fall to her knees. The metamorphosis of her head was frightening enough—the bones visibly hollowing and streamlining, but the face itself plunging forward, not into a raptor’s hooked beak, but becoming a kind of feathered muzzle, drooling through gray lips. The arms were the worst. They jolted up and out in electrical spasms, achieving magical angles, and Farrell heard them grinding in their sockets as they yanked Aiffe off the ground, even before rust-and-lichen-colored feathers had fully formed. Her feet had turned to huge, yellow-gray talons, arthritically gnarled by their own massiveness. Even the scales on them looked like miniature claws.

Farrell heard Ben laugh and almost failed to recognize the sound. The Aiffe-bird gained altitude like a helicopter, but the very power of its approach blew its bright prey constantly out of reach as it tried to close in. No swallow could have veered and cornered more neatly in pursuit of a gnat, but the ember drifted on, fanned to near-white heat now by furious wingbeats just behind it. The great claws clutched futilely; the slobbering mouth snapped and snapped; and on the ground, Ben whispered, almost pityingly, “ Fool .”

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