Andrzej Sapkowski - Blood of Elves

'Magic' – Yennefer, her eyes fixed on the sky above the hills, rested her hands on the pommel of her saddle – 'is, in some people's opinion, the embodiment of Chaos. It is a key capable of opening the forbidden door. The door behind which lurk nightmares, fear and unimaginable horrors, behind which enemies hide and wait, destructive powers, the forces of pure Evil capable of annihilating not only the one who opens the door but with them the entire world. And since there is no lack of those who try to open the door, someone, at some point, is going to make a mistake and then the destruction of the world will be forejudged and inevitable. Magic is, therefore, the revenge and the weapon of Chaos. The fact that, following the Conjunction of the Spheres, people have learned to use magic, is the curse and undoing of the world. The undoing of mankind. And that's how it is, Ciri. Those who believe that magic is Chaos are not mistaken.'

Spurred on by its mistress's heels, the magician's black stallion neighed lengthily and slowly made his way into the heather. Ciri hastened her horse, followed in Yennefer's tracks and caught up with her. The heather reached to their stirrups.

'Magic,' Yennefer continued after a while, 'is, in some people's opinion, art. Great, elitist art, capable of creating beautiful and extraordinary things. Magic is a talent granted to only a chosen few. Others, deprived of talent, can only look at the results of the artists' works with admiration and envy, can admire the finished work while feeling that without these creations and without this talent the world would be a poorer place. The fact that, following

the Conjunction of the Spheres, some chosen few discovered talent and magic within themselves, the fact that they found Art within themselves, is the blessing of beauty. And that's how it is. Those who believe that magic is art are also right.'

On the long bare hill which protruded from the heath like the back of some lurking predator lay an enormous boulder supported by a few smaller stones. The magician guided her horse in its direction without pausing her lecture.

'There are also those according to whom magic is a science. In order to master it, talent and innate ability alone are not enough. Years of keen study and arduous work are essential; endurance and self-discipline are necessary. Magic acquired like this is knowledge, learning, the limits of which are constantly stretched by enlightened and vigorous minds, by experience, experiments and practice. Magic acquired in such a way is progress. It is the plough, the loom, the watermill, the smelting furnace, the winch and the pulley. It is progress, evolution, change. It is constant movement. Upwards. Towards improvement. Towards the stars. The fact that following the Conjunction of the Spheres we discovered magic will, one day, allow us to reach the stars. Dismount, Ciri.'

Yennefer approached the monolith, placed her palm on the coarse surface of the stone and carefully brushed away the dust and dry leaves.

'Those who consider magic to be a science,' she continued, 'are also right. Remember that, Ciri. And now come here, to me.'

The girl swallowed and came closer. The enchantress put her arm around her.

'Remember,' she repeated, 'magic is Chaos, Art and Science. It is a curse, a blessing and progress. It all depends on who uses magic, how they use it, and to what purpose. And magic is everywhere. All around us. Easily accessible. It is enough to stretch out one's hand. See? I'm stretching out my hand.'

The cromlech trembled perceptibly. Ciri heard a dull, distant noise and a rumble coming from within the earth. The heather undulated, flattened by the gale which suddenly gusted across the hill. The sky abruptly turned dark, covered with clouds scudding

across it at incredible speed. The girl felt drops of rain on her face. She narrowed her eyes against the flash of lightning which suddenly flared across the horizon. She automatically huddled up to the enchantress, against her black hair smelling of lilac and gooseberries.

'The earth which we tread. The fire which does not go out within it. The water from which all life is born and without which life is not possible. The air we breathe. It is enough to stretch out one's hand to master them, to subjugate them. Magic is everywhere. It is in air, in water, in earth and in fire. And it is behind the door which the Conjunction of the Spheres has closed on us. From there, from behind the closed door, magic sometimes extends its hand to us. For us. You know that, don't you? You have already felt the touch of that magic, the touch of the hand from behind that door. That touch filled you with fear. Such a touch fills everyone with fear. Because there is Chaos and Order, Good and Evil in all of us. But it is possible and necessary to control it. This has to be learnt. And you will learn it, Ciri. That is why I brought you here, to this stone which, from time immemorial, has stood at the crossing of veins of power pulsating with force. Touch it.'

The boulder shook, vibrated, and with it the entire hill vibrated and shook.

'Magic is extending its hand towards you, Ciri. To you, strange girl, Surprise, Child of the Elder Blood, the Blood of Elves. Strange girl, woven into Movement and Change, into Annihilation and Rebirth. Destined and destiny. Magic extends its hand towards you from behind the closed door, towards you, a tiny grain of sand in the workings of the Clock of Fate. Chaos extends its talons towards you, still uncertain if you will be its tool or an obstacle in its design. That which Chaos shows you in your dreams is this very uncertainty. Chaos is afraid of you, Child of Destiny. But it wants you to be the one who feels fear.'

There was a flash of lightning and a long rumble of thunder. Ciri trembled with cold and dread.

'Chaos cannot show you what it really is. So it is showing you the future, showing you what is going to happen. It wants you to be afraid of the coming days, so that fear of what is going to

happen to you and those closest to you will start to guide you, take you over completely. That is why Chaos is sending you those dreams. Now, you are going to show me what you see in your dreams. And you are going to be frightened. And then you will forget and master your fear. Look at my star, Ciri. Don't take your eyes from it!'

A flash. A rumble of thunder.

'Speak! I command you!'

Blood. Yennefer's lips, cut and crushed, move silently, flow with blood. White rocks flitter past, seen from a gallop. A horse neighs. A leap. Valley, abyss. Screaming. Flight, an endless flight. Abyss…

In the depth of the abyss, smoke. Stairs leading down.

Va'esse deireadh aep eigean… Something is coming to an end… What?

Elaine blath, Feainnewedd… Child of the Elder Blood? Yennefer's voice seems to come from somewhere afar, is dull, awakens echoes amidst the stone walls dripping with damp. Elaine blath-

'Speak!'

The violet eyes shine, burn in the emaciated, shrivelled face, blackened with suffering, veiled with a tempest of dishevelled, dirty black hair. Darkness. Damp. Stench. The excruciating cold of stone walls. The cold of iron on wrists, on ankles…

Abyss. Smoke. Stairs leading down. Stairs down which she must go. Must because… Because something is coming to an end. Because Tedd Deireadh, the Time of End, the Time of the Wolf's Blizzard is approaching. The Time of the White Chill and White Light…

The Lion Cub must die! For reasons of state!

'Let's go,' says Geralt. 'Down the stairs. We must. It must be so. There is no other way. Only the stairs. Down!'

His lips are not moving. They are blue. Blood, blood everywhere… The whole stairs in blood… Mustn't slip… Because the witcher trips just once… The flash of a blade. Screams. Death. Down. Down the stairs.