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Dmitry Glukhovsky: Metro 2033

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Dmitry Glukhovsky Metro 2033

Metro 2033: краткое содержание, описание и аннотация

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The year is 2033. The world has been reduced to rubble. Humanity is nearly extinct. The half-destroyed cities have become uninhabitable through radiation. Beyond their boundaries, they say, lie endless burned-out deserts and the remains of splintered forests. Survivors still remember the past greatness of humankind. But the last remains of civilisation have already become a distant memory, the stuff of myth and legend. More than 20 years have passed since the last plane took off from the earth. Rusted railways lead into emptiness. The ether is void and the airwaves echo to a soulless howling where previously the frequencies were full of news from Tokyo, New York, Buenos Aires. Man has handed over stewardship of the earth to new life-forms. Mutated by radiation, they are better adapted to the new world. Man's time is over. A few score thousand survivors live on, not knowing whether they are the only ones left on earth. They live in the Moscow Metro – the biggest air-raid shelter ever built. It is humanity's last refuge. Stations have become mini-statelets, their people uniting around ideas, religions, water-filters – or the simple need to repulse an enemy incursion.It is a world without a tomorrow, with no room for dreams, plans, hopes. Feelings have given way to instinct – the most important of which is survival. Survival at any price. VDNKh is the northernmost inhabited station on its line. It was one of the Metro's best stations and still remains secure. But now a new and terrible threat has appeared. Artyom, a young man living in VDNKh, is given the task of penetrating to the heart of the Metro, to the legendary Polis, to alert everyone to the awful danger and to get help. He holds the future of his native station in his hands, the whole Metro – and maybe the whole of humanity.

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Artyom desperately looked around, searching for somewhere to hide. He decided to try the numbers written on the windowsill. Pressing the buttons with the digits in the necessary sequence, he pulled the handle toward him. He’d been right. A dull click was heard inside the lock, and the door gave with difficulty, creaking on its rusty hinges. Artyom wriggled inside, locked himself in and again turned on his light. In a corner, resting with its back to the wall, sat the shrivelled mummy of a woman. It was squeezing a thick felt-tip pen in one hand, and in the other a plastic bottle. The walls were covered with neat female handwriting from top to bottom. An empty tin of pills, bright chocolate wrappers and soda cans lay on the floor, and in a corner stood a half-opened safe. Artyom wasn’t afraid of the corpse. He felt only pity for the unknown girl. For some reason he was sure that it was a girl. The cry of the flying beast was heard once more, and then a powerful blow on the roof shook the kiosk. Artyom fell to the floor, waiting.

The attack was not repeated, and the squeals of the creature began to grow more distant, so he decided to stand up. When it came down to it, he was able to hide as long as he liked in his shelter: the girl’s corpse had not been disturbed all this time, though certainly enough hunters had feasted on those around it. Of course, he might have been able to kill the monster, but he would have had to go outside. And if he missed or the beast turned out to be armoured, a second chance wouldn’t present itself. It was more reasonable to wait for Ulman. If he was still alive.

Artyom began to read the handwriting on the walls to pass the time. ‘I write because I am bored and so I don’t go insane. I’ve been sitting in this stall for three days already and I am afraid to go outside. I have seen ten people who were not able to run into the metro, they suffocated and are lying right in the middle of the street even now. It’s good that I managed to read in the paper how to glue adhesive tape to the seams. I will wait until the wind carries the cloud away. They wrote that there won’t be any more danger after a day. 9 July. I tried reaching the metro. Some kind of iron wall starts beyond the escalator. I wasn’t able to lift it and no matter how much I beat on it, no one opened it. I started feeling really bad after ten minutes, so I came back here. There are many dead around. Everything is horrible, they are all swollen up and they smell. I broke the glass in a grocery stall and took the chocolate and mineral water. Now I won’t starve to death. I have felt terribly weak. I have a safe full of dollars and roubles and nothing to do with them. That’s strange. It turns out they are only bits of paper. 10 July. They have continued bombing. An awful roar was heard all day to the right, from Prospect Mir. I thought no one was left, but yesterday a tank passed at a high speed. I wanted to run out and attract their attention, but I couldn’t. I really miss Mom and Leva. I’ve been throwing up all day. Later I fell asleep. 11 July. A horribly burnt man has passed by. I don’t know where he has been hiding all this time. He was forever crying and wheezing. It was really awful. He went toward the metro, then I heard a loud bang. Most likely he was knocking on that wall, too. Then everything went quiet. Tomorrow I’ll go take a look and see whether they opened it for him or nor.’

A new blow shook the booth – the monster wasn’t giving up on its catch. Artyom staggered and nearly fell on the dead body, barely able to hold himself up by grabbing onto the counter. Bending down, he waited another minute, then continued reading.

‘12 July. I’m not able to leave. I’m shivering, I don’t understand whether I am sleeping or not. I was talking to Leva for an hour today and he said he will marry me soon. Then Mom arrived and her eyes were flowing. Then I was left alone again. I’m so lonely. When it all ends, when will they rescue us? Some dogs are here and are eating the corpses. Finally, thank you. I have been throwing up. 13 July. There’s still some canned food, chocolate and mineral water, but I don’t want it any more. It’ll be another year before life returns to normal. The Great Patriotic War went on for 5 years. Nothing can be longer. Everything will be OK. They will find me. 14 July. I don’t want it any more. I don’t want it any more. Bury me the human way, I don’t want to be in this damned iron box… It’s cramped. Thanks for the Phenazepam. Good night.’

Alongside was some more handwriting, but ever more incoherent and ragged, and drawings: imps, young girls in large hats or bows, human faces. ‘Obviously she was hoping that the nightmare that she survived would soon be over,’ Artyom thought. ‘A year or two, and everything would come full circle, everything would be as it was before. Life would go on and everyone would forget about what had happened. How many years have passed since then? Mankind has only further distanced itself from returning to the surface during this time. Did she dream that only those who managed to get down into the metro would survive?’

Artyom thought about himself. He had always wanted to believe that once people were able to get out of the metro in order to live again as they had before, they would be able to restore the majestic buildings erected by their ancestors, and settle down in them so as not to squint at the rising sun and to breathe not the tasteless mixture of oxygen and nitrogen filtered by gas masks, but to swallow with delight the air suffused with the fragrances of plants… He didn’t know how they smelled before, but it was supposed to be wonderful. His mother had reminisced about flowers. But, looking at the shrivelled body of the unknown girl who didn’t live to see the cherished day when her nightmare ended, he began to doubt that he would. How did his hope to see the return of a previous life differ from hers? During the years of existence in the metro, man had not amassed the strength to climb the steps of the shining escalator leading to his past glory and splendour in triumph. On the contrary, he was reduced, becoming used to the darkness. Most people had already forgotten the absolute authority mankind had once had over the world, others pined for it, and a third group cursed it.

A horn sounded from outside and Artyom threw himself to the window. A very unusual vehicle stood on a patch of ground in front of the kiosks. He had seen automobiles before: in his distant childhood, then in pictures and photographs in books and, finally, during his previous climb to the surface. But not one of them looked like this. The huge six-wheeled truck was painted red. Behind its cab, which had two rows of seats, the metal body of the truck had a white line along the side, and some pipes piled on the roof. Two rotating blue lights blinked. Instead of struggling out of the booth, he shone his flashlight through the glass, waiting for an answering signal. The truck’s headlights flashed on and off several times, but Artyom was unable to leave the kiosk: two huge shadows were diving headlong one after the other. The first grabbed the roof of the truck with its talons and was trying to lift the vehicle up, but it was too heavy. Lifting the vehicle’s body a half metre from the ground, the monster tore off both pipes, squealed with displeasure and dropped them. The second creature struck the automobile in the side with a screech, counting on turning it over. A door swung open, and a man in a protective suit jumped to the asphalt with a bulky machine gun in his hands. Lifting the barrel, he waited several seconds, evidently allowing the monster to come closer, and then let loose a spray of bullets. Offended chirring was heard from overhead. Artyom hastily opened the lock and ran outside. One of the winged monsters was describing a wide circle about thirty metres above their heads, preparing to strike again but the other couldn’t be seen anywhere.

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