Элейн Каннингем - The Floodgate

Again Matteo recalled a jordaini proverb:

Precaution is the grandchild of disaster. Such careful measures would not be taken to isolate the queen's workshop from the rest of the palace unless the need was real and proven. However, King Zalathorm had dismissed the rumors about Matteo's predecessor, and Matteo could not believe the king had lied.

He fell in with the laborers and nodded to the harried sentry as he passed. The man, recognizing Matteo, raised his fingertips to his forehead in a salute, then rolled his eyes to express his opinion of the goings-on. Matteo nodded in heartfelt agreement.

Inside the queen's workshop, chaos reigned. A smith's forge had been set up in a massive hearth. Hammers clattered as they beat metal into thin, smooth sheets. Metalworkers bent over a long table, shaping heated metal with tiny tools and painstaking care. Stout, hairy-footed halflings from nearby Luiren perched on stools and fitted tiny gears, their clever small hands darting with practiced ease. Off to one side of the room, a trio of artificers argued over a mechanical behir, a twenty-foot crocodilian with twice the number of legs nature usually allotted. As the debate grew more heated, one of the men kicked at the metal beast in frustration, harder than he might have had he not been so distracted by the argument. The ensuing clang rang out loud and long. He howled and limped around in a small circle as his comrades hooted with mirth.

Matteo looked around in growing bewilderment. At least two hundred workers toiled in the vast chamber, and he glimpsed more in the rooms beyond. The results of their labor-clockwork creatures of every size and description-ringed the room like sentinels. They were propped against walls, heaped in piles, stacked on shelves, suspended from the ceiling beams. These mechanical marvels ranged from a life-sized elephant to metallic hawks to monstrous beasts, including fanciful constructs for which there were no living counterparts. Metal renditions of creatures Matteo had never seen and could never begin to imagine stood ready for some unfathomable command.

Matteo went in search of the queen. He found Beatrix in a windowless room lit by a low-hanging chandelier ablaze with candles. The queen stood alone, studying a hideous metal creature with thin, batlike wings and a pointed snout filled with steel fangs. It looked vaguely reptilian but for the bristling mane that ran the length of its spine. Each hair was a metal filament, fine as silken thread.

"It is wondrous, my queen," he said softly, not wishing to startle the woman.

She did not start or turn toward him. "It is a darken-beast," she said in her flat, toneless voice. "The wizards of Thay fashion them from bits of dead flesh."

Matteo wasn't sure how to respond to this odd pronouncement "You use steel. This is a better way, Your Majesty."

Beatrix tipped her head negligently. Her elaborate white and silver wig sparkled in the light of the candles. "Flesh or steel. It matters not. They will both be plentiful on the battlefield."

She spoke with a certainty that chilled him. "Battlefield?"

When the queen did not answer, he took her by the forearms and turned her to face him. He captured her vacant stare and gazed intensely into her kohl-rimmed eyes.

"I hear the future in your voice. Diviners reading auguries in the flight of birds speak with less certainty. What battlefield?"

A flicker of life crept into Beatrix's brown orbs. "I do not know," she whispered. "War is coming. War goes wherever it wills."

Matteo did not dismiss her claim. The queen showed little interest in the world around her, but perhaps she heard things, sensed things others did not. At the moment, she seemed almost lucid.

"I must leave the city and learn more of this coming conflict."

She considered him for a long moment, as if weighing whether or not he might be able to do what he offered. Before she could speak, a loud shriek rose above the clamor in the main room. A fierce clatter followed, then a chorus of screams and a panicked rush for the door.

"By your leave," Matteo said hastily. Though protocol demanded it, he did not await the queen's dismissal. He whirled, drew his weapons, and ran into the main room.

The laborers were pushing toward the exits, trampling anyone who stumbled. One of the halflings lay battered and unmoving. Most of the clockwork creatures stood silent. A few paced unsteadily about, abandoned to their toddling first efforts by their panicked creators.

Matteo heard a metallic creak above him. He glanced up, then dived to one side.

A nightmare creature leaped to the floor from a pile of crates, landing with catlike grace despite the resounding clash of its impact. Its body resembled a suit of plate armor such as a northern warrior might wear. The creature held no weapons and needed none. Each of its four fingers ended in a curving steel talon. Long spikes covered its metal body, and its head suggested the unlikely offspring of an ogre and a shark. A piggish snout bristling with small spikes rose at the end of long, fang-filled jaws. The fangs were even more peculiar-sharp triangles that fit neatly and tightly, like the teeth of a giant piranha.

The clockwork knight snatched a dazed and moaning woman from the floor. It jerked her in close and crushed her to its spiked chest in a deadly embrace. The woman's shriek of agony ended abruptly, and the clockwork monster peeled her corpse away.

There had been no time for Matteo to intervene. He thrust aside a numbing wave of horror and guilt and forced himself to take stock of the battlefield. One thing was immediately apparent: His daggers would be of little use against this foe.

No better weapon lay near at hand. Remembering Tzigone's quick thinking in the icehouse, he glanced up.

A gigantic metal seabird hung from the ceiling, suspended by a pair of thick ropes connected to the tip of each massive wing. The trick Andris had played not long ago lent him inspiration.

Matteo mentally measured the distance from the floor to the avian construct, then noted the angle of the sun streaming through a window high on the walls. He seized the metal fist of an iron centaur and clenched its jointed fingers around one of his daggers. The highly polished metal of the weapon caught the sunlight and reflected it precisely toward one of the ropes.

Now, to stay alive long enough to let the sun do its work!

Matteo lifted his remaining dagger and lunged at the clockwork monster. He struck a ringing, futile blow and then leaped away. The construct dropped the dead woman and swiped at its new foe.

Matteo was gone, running lightly around behind the creature. He kicked its metal backside hard enough to leave a dent. The monster made a ponderous turn and began to stalk Matteo with a slow, heavy tread.

The jordain kept it moving, staying just beyond the reach of the construct's talons and the increasingly frenzied snapping of its piranhalike jaws. All the while, he watched the smoking, fraying rope high above. When the moment was right, he moved into position. Feigning a stumble, he dropped to one knee.

The clockwork beast lumbered in, its hands flexing in anticipation.

The rope snapped overhead, and the giant seabird creaked into motion. The monster's head snapped back, and its glowing red eyes flared suddenly at the sight of the massive wind slashing down toward it.

Matteo dropped flat and rolled aside. The metal bird swung like a pendulum, slamming into the clockwork creature and carrying it along. The enjoined machines crashed heavily into a stack of metal orcs. These came clattering down, rolling like logs off a badly stacked pile of lumber, burying the spiked metal warrior in a steel cairn. The seabird swung free of the mess. Its metal wingtip scraped the ground with a grating screech.