Brent Weeks - Way of Shadows

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For Durzo Blint, assassination is an art - and he is the city's most accomplished artist.
For Kylar Stern, just surviving is a struggle. As a guild rat, he's learned to judge people quickly - and to take risks. Risks like apprenticing himself to Durzo Blint.
But to be accepted, he must turn his back on everything he has ever known.

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Moving constantly, Kylar searched the ceiling for any shadow out of place.

“Scarred Wrable can even throw his voice, or any other sound,” Blint said, from the far corner of the ceiling. “I wonder if you could.”

Kylar saw, or thought he saw, the shadow moving back toward him. He flung a throwing knife at the shadow—and it burst apart, leaving his knife quivering in the wood. It was another illusion. Kylar turned slowly, trying to hear the slightest sound out of place over the pounding of his heart.

The slight brush of cloth hitting the floor behind him made him spin and lash out. But there was nothing there except Blint’s tunic in a pile on the floor. A thump announced Blint himself landing behind Kylar. Kylar spun once more, but something caught his left hand, then his right.

Master Blint stood bare-chested, a dead look in his eyes, his real hands at his sides. Kylar’s wrists were held in the air by magic. Slowly, his arms were pulled apart until he was spread-eagled, then further. Kylar held his silence for as long as he could, then screamed as he felt his joints on the verge of dislocating.

The bonds dropped and Kylar crumpled, defeated.

Durzo shook his head in disappointment—and Kylar attacked. His kick slowed as it approached Durzo’s knee as if it were sinking into a spring, then bounced back, spinning him hard and throwing him in a tangle to the floor.

“Do you see what just happened?” Durzo asked.

“You kicked my ass again,” Kylar said.

“Before that.”

“I almost hit you,” Kylar said.

“You fooled me and you would have destroyed me, but I used my Talent and you still refuse to use yours. Why?”

Because I’m broken. Since meeting Drissa Nile four years ago, Kylar had thought a hundred times about telling Durzo Blint what she’d told him: he didn’t have a conduit, and it couldn’t be fixed. But the rules had always been clear. Kylar became a wetboy, or he died. And as Blint had just proved again, Kylar wouldn’t be a wetboy without the Talent. Telling Blint the truth had always seemed like a quick way to die. Kylar had tried everything to get his Talent to work or to learn about anything that might help, but had found nothing.

Blint breathed deeply. When he spoke again, his voice was calm. “It’s time for some truth, Kylar. You’re a good fighter. Deficient still with pole arms and clubs and crossbows and—” He was starting to lecture but noticed it. “Regardless, you’re as good at hand-to-hand fighting and with those Ceuran hand-and-a-half swords you like as any fighter I’ve seen. Today you would’ve had me. You won’t win next time, but you’ll start winning. Your body knows what to do, and your mind has got it mostly figured out, too. In the next few years, your body will get a bit faster, a bit stronger, and you’ll get cleverer by half. But your weapons training is finished, Kylar. The rest is practice.”

“And?” Kylar asked.

“Follow me. I’ve got something that may help you.”

Kylar followed Blint to his workroom. This one was smaller than the one Azoth had first seen in Blint’s old safe house, but at least this house had doors between the animals’ pens and the work area. It smelled much better. It was also familiar now. The books lining the shelves were like old friends. He and Blint had even added dozens of recipes to them. In the past nine years, he had come to appreciate Blint’s mastery of poisons.

Every wetboy used poisons, of course. Hemlock, and blood flower, and mandrake root, and ariamu were all local and fairly deadly. But Blint knew hundreds of poisons. There were entire pages of his books crossed out, notes scrawled in Durzo’s tight angular hand, “Fool. Dilutes the poison.” Other entries were amended, from how long it took for the poison to take effect to what the best methods for delivery were, to how to keep the plants alive in foreign climes.

Master Blint picked up a box. “Sit.”

Kylar sat at the high table, propping an elbow on the wood and holding his chin. Blint upended the box in front of him.

A white snake slid onto the table with a thump. Kylar barely had time to register what it was before it struck at his face. He saw its mouth open, huge, fangs glittering. He was moving back, but too slowly.

Then the snake disappeared and Kylar was falling backward off the stool. He landed flat on his back but bounced up to his feet in an instant.

Blint was holding the snake behind the head. He had grabbed it out of the air while it was striking. “Do you know what this is, Kylar?”

“It’s a white asp.” It was one of the most deadly snakes in the world. They were small, rarely growing longer than a man’s forearm, but those they bit died within seconds.

“No, it’s the price of failure. Kylar, you fight as well as any non-Talented man I’ve ever seen. But you’re no wetboy. You’ve mastered the poisons; you know the techniques of killing. Your reaction speed is peerless; your instincts are good. You hide well, disguise well, fight well. But doing those things well is shit, it’s nothing. An assassin does those things well. That’s why assassins have targets. Wetboys have deaders. Why do we call them deaders? Because when we take a contract, the rest of their short lives is a formality. You have the Talent, Kylar, but you aren’t using it. Won’t use it. You’ve seen a little of what I have to teach you, but I can’t teach it to you until you tap your Talent.”

“I know. I know,” Kylar said, refusing to meet his master’s gaze.

“The truth is, Kylar, I didn’t need an apprentice when you came along. Never did. But I heard a rumor that an ancient artifact was hidden in Cenaria: the silver ka’kari. They say Ezra the Mad himself made it. It’s a small silver ball, but when you bond it, it makes you impervious to any blade and it extends your life indefinitely. You can still be killed any way that doesn’t involve metal, but immortality, Kylar! And then you came along. Do you know what you are? Did that maja Drissa Nile tell you?”

Durzo knew about Drissa Nile? “She said I was broken.”

“The ka’kari were made for people ‘broken’ like you are. There’s supposed to be an attraction between people who are vastly Talented but don’t have a conduit and the ka’kari. You were supposed to call it, Kylar. You don’t know how to bond it, so you’d call it, hand it over, and I’d be immortal.”

“And I’d still be broken,” Kylar said bitterly.

“Once I had it, we could have Drissa study it. She’s a great healer. Even if it took her a few years, it would have been fine. But we’re running out of time,” Durzo said. “Do you know why I can’t just let you be an assassin? ” Even now he sneered.

Kylar had wondered a hundred times, of course, but he’d always figured it was because Blint’s pride wouldn’t let him have a failed apprentice.

“Our Talent allows us to swear a magically binding oath of service to the Shinga. It keeps the Shinga safe, and it keeps us above suspicion. It’s a weak compulsion, but to break it a wetboy would have to submit himself to a mage or a meister, and all the mages in this city work for the Sa’kagé and only an idiot would submit to a meister. You’ve become a skilled assassin, Kylar, and it’s making the Shinga nervous. He doesn’t like being nervous.”

“Why would I ever do anything against the Shinga? It would be signing my own death warrant.”

“That’s not the point. Shingas who aren’t paranoid don’t live long.”

“How could you never tell me all this?” Kylar demanded. “All the times you’ve beaten me for not using my Talent—it’s like beating a blind man because he can’t read!”

“Your desperation to use your Talent is what calls the ka’kari. I was helping you. And I’m going to help you some more.” He gestured to the snake in his hand. “This is motivation. It’s also the kindest poison I know.” Master Blint held Kylar with his eyes. “Getting that ka’kari has always been your final test, boy. Get it. Or else.”

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