Brent Weeks - Way of Shadows

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For Durzo Blint, assassination is an art - and he is the city's most accomplished artist.
For Kylar Stern, just surviving is a struggle. As a guild rat, he's learned to judge people quickly - and to take risks. Risks like apprenticing himself to Durzo Blint.
But to be accepted, he must turn his back on everything he has ever known.

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Consternation played over her features, but she obviously didn’t like being yelled at.

“Elene,” he said quietly. “I’m sorry I yelled. I’m sorry I hit you—even if it was to save you. I’ve thought I was dying twice in the last few days—maybe I did die, I don’t know. What I do know is that when I thought I was dying, you were my regret. No! Not your scars,” he said as she touched her face. “I regretted that I hadn’t turned myself into the kind of man that you could be with. That it wouldn’t be just for me to be with you, even if you wanted me. Our lives started in the same shit hole, Elene, but somehow you’ve turned into you, and I’ve turned into this. I don’t like what I’ve done. I don’t like who I’ve become. You don’t deserve a fairy tale? I don’t deserve another chance, but I’m asking you for one. You’re afraid that love is too risky? I’ve seen what happens when you don’t risk it. Momma K and my master loved each other, but they were too afraid to risk it and that destroyed them. We risk everything either way.

“I’m willing to risk it to see the world through your eyes, Elene. I want to know you. I want to be worthy of you. I want to look in the mirror and like who I see. I don’t know what’s next, but I know I want to face it with you. Elene, I’m not asking you to fuck. But maybe some day, I’ll earn the right to ask you for something more permanent.” He turned, and facing her was harder than facing thirty highlanders. He extended his hand. “Please, Elene. Will you come with me?”

She scowled fiercely at him, then looked away. Her eyes were shiny with tears, but it could have been from all the ash in the air. She blinked quickly before looking back up at him. She searched his face for a long moment. He met her big brown eyes. He had turned away from them so many times, afraid she would see what he really was. He had turned away, afraid that she couldn’t bear the sight of his filth. Now he met that gaze. He opened himself to it. He didn’t hide his darkness. He didn’t hide his love. He let her gaze go all the way through him.

To his wonder, her eyes filled with something softer than justice, something warmer than mercy.

“I’m so scared, Kylar.”

“Me too,” he said.

She took his hand.

Acknowledgments

It was all downhill after seventh grade. That was the year my English teacher, Nancy Helgath, somehow made me cool when she encouraged me to read Edgar Allan Poe to my classmates at lunch. They sat goggle-eyed as I read “The Pit and the Pendulum,” “Berenice,” and “The Raven.” But I had eyes for only one: the tall, smart girl I had a crush on—and was terrified of—Kristi Barnes.

I soon started my first novel. I would go on to become an English teacher and a writer, and marry Kristi Barnes.

This book wouldn’t have happened without my mother—for more than the obvious reason. I started reading late, and when I did, I hated it. This wasn’t helped by a teacher who shouted “Choppy sentences!” at me for my inability to read aloud smoothly in the first grade. My mom took me out of school for a year to home school me (insert social awkwardness joke here), and her dedication and patience gave me a love for reading.

Thank you to my little sisters, Christa and Elisa, who begged for bedtime stories. An enthusiastic and forgiving audience is a must for a budding teenage storyteller. Any princesses in my books are their fault.

It’s one thing to love reading; it’s another to write. My high school English teacher, Jael Prezeau, is a teacher in a million. She inspired hundreds. She’s the kind of woman who could chew you out, cheer you on, make you work harder than you’ve ever worked for a class, give you a B, and make you love it. She told me I couldn’t break the grammar rules she taught me until I was published. It was a rule up with which I could not put. She tried.

In college, I briefly considered politics. Horror. A few people turned me from disaster. One was an industrial spy I met in Oxford. On reading a story I’d written, he said, “I wish I could do what you do.” Huh? Then my best friend Nate Davis became the editor of our college literary journal and held a contest for the best short story. Wonder of wonders, I won the cash prize, and realized I’d earned slightly better than minimum wage. I was hooked. (It was better than I would do again for a long, long time.) I started a new novel, and whenever I tried to do my homework, I could count on Jon Low to come knocking on my door. “Hey, Weeks, you got another chapter for me yet?” It was irritating and flattering at once. I had no idea I was being prepared for having an editor.

I must thank the Iowa Writers Program for rejecting me. Though I still sometimes wear all black and drink lattes, they helped me decide to write the kind of books I like rather than the books I ought to like.

My debt to my wife, Kristi, cannot be overstated. Her faith kept me going. Her sacrifices awe me. Her wisdom has rescued me from many a story dead end. To get published, you have to defy overwhelming odds; to marry a woman like Kristi, you have to knock them out.

My agent Don Maass has an understanding of story that I’ve not seen rivaled. Don, you’ve been a reality check, a wise teacher, and an encourager. You make me a better writer.

Huge thanks to the amazing editorial team at Orbit. Devi, thanks for your many insights, your enthusiasm, and your guidance ushering me through an unfamiliar process. Tim, thanks for taking a chance on me. Jennifer, you were my first contact at Orbit, and I have to tell you, the fact that I’d e-mail you a question and get an answer the same morning was a big deal. Of course, then you started sending me paperwork—and then I knew I wasn’t dreaming. Alex, thanks for your brilliant Web page design, the beautiful billboards, full page scratch-and-sniff ads in the New York Times, and those nifty little cardboard display stands at Borders. They’re fab. Lauren, thank you for taking my ones and zeros and making something real. Hilary, copyeditor extraordinaire, a special thanks for two words: bollock dagger. They made the novel.

I also want to thank all the other people at Orbit and Hachette who do the real work while we artists sit in cafés wearing black, drinking lattes. I’d mention you by name, but I don’t know your names. However, I do appreciate what you do to take my words and make something out of them. So, layout people, art people (by the way, Wow!), office go-fers, accountants, lawyers, and the mail guy, thanks.

Crazy dreamers need a lot of encouragers. Kevin, your being proud of me is about the best thing a little brother can get. Dad, one of my first memories is of sharing my worry with you about the space shuttle poking holes in the atmosphere and letting out all of Earth’s air. Rather than rushing to correct me, you listened—and still do. Jacob Klein, your encouragement and friendship over the years have been invaluable. You were there at the very beginning (4 A.M. in Niedfeldt, I think). To the Cabin Guys at Hillsdale College (Jon “Missing Link” Low, Nate “My Head Looks Like PK’s Butt” Davis, AJ “My Girlfriend Will Clean It Up” Siegmann, Jason “I Love Butter” Siegmann, Ryan “Mystery Puker” Downey, Peter “GQ” Koller, Charles “Sand Vest” Robison, Matt “No Special Sauce” Schramm), I couldn’t have shared a slum house with better wangs. Dennis Foley, you were the first professional writer who gave me time and guidance. You said you’d tell me if I should give up and get a real job—and that I shouldn’t. Cody Lee, thanks for the unbridled enthusiasm; it still makes me smile. Shaun and Diane McNay, Mark and Liv Pothoff, Scott and Kariann Box, Scott and Kerry Rueck, Todd and Lisel Williams, Chris Giesch, Blane Hansen, Brian Rapp, Dana Piersall, Jeff and Sandee Newville, Keith and Jen Johnson—thanks for believing in us and helping make the years of work and waiting not just tolerable, but fun.

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