Anne McCaffrey: Dragondrums

As they fed the fire lizards, the rest of the Hall began to stir: the drudges in the kitchen were roused to breakfast efforts by Silvina and Abuna; in the junior and senior dormitories, occasional shouts punctuated random noises; and shutters on the journeyman’s quarters were being opened to let in the fresh morning air.

Once the fire lizards had wheeled up for their morning stretch of wings, Piemur, Menolly and Camo separated: Camo, with a push from Menolly, was sent back to the kitchen; then she and Piemur went up the main steps of the Harper Hall to the dining room.

Piemur’s first class that morning was chorus, for they were, as usual at this time of the Turn, rehearsing the spring music for Lord Groghe’s feast. Master Domick had collaborated with Menolly this year and produced an uncommonly singable score for his ballad about Lessa and her golden queen dragon, Ramoth.

Piemur was to sing the part of Lessa. For once, he didn’t object to having to sing a female role. In fact, that morning he waited eagerly for the chorus to finish the passage before his first entrance. The moment came, he opened his mouth, and to his amazement no sound emerged.

“Wake up, Piemur,” said Master Domick, irritably rapping his stick on the music stand. He alerted the chorus. “We’ll repeat the measure before the entrance… if you’re now ready, Piemur?”

Usually Piemur could ignore Master Domick’s sarcasm, but since he had been ready to sing, he flushed uncertainly. He took a breath and hummed against his closed teeth as the chorus began again. He had tone, and his throat wasn’t sore, so he wasn’t coming down with a stuffed head.

The chorus gave him his entrance again, and he opened his mouth. The sound that emerged ranged from one octave to another, neither of which were in the score he held.

A complete and awed silence fell. Master Domick frowned at Piemur, who was now swallowing against a fear that froze his feet to one spot and crept up his bones to his heart.

“Piemur?”

“Sir?”

“Piemur, sing a scale in C.”

Piemur attempted to, and on the fourth note, though he had hardened his middle to iron for support, his voice again broke. Master Domick put down his stick and regarded Piemur. If there was any expression in the Composition Master’s face, it was compassion, tinged with resigned irritation.

“Piemur, I think you had best see Master Shonagar. Tilgin, you’ve been understudying the role?”

“Me, sir? I haven’t so much as glanced at it. Not with Piemur…” The startled apprentice’s voice trailed off as Piemur, slowly and with feet he could barely force to move, left the chorus hall and walked across the court toward Master Shonagar’s room.

He tried to close his ears to the sound of Tilgin’s tentative voice. Scorn gave him momentary relief from his cold fear. His had been a much better voice than Tilgin’s would ever be. Had been? Maybe he was just coming down with a cold. Piemur coughed experimentally, but knew even as he did so that no phlegm congested his lungs and throat. He trudged on to Master Shonagar, knowing the verdict and hoping against vain hope that somehow the flaw in his voice was transitory, that he’d manage to keep his soprano range long enough to sing Master Domick’s music. Scuffing up the steps, he paused briefly in the threshold to accustom his eyes to the gloom within.

Master Shonagar would only just have arisen and breakfasted. Piemur knew his master’s habits intimately. But Shonagar was already in his customary position, one elbow on the wide table, propping up his massive head, the other arm cocked against the columnar thigh.

“Well, it’s sooner than we might have expected, young Piemur,” the Master said in a quiet tone, which nonetheless seemed to fill the room. “But the change was bound to come sometime.” A wealth of sympathy tinged the Master’s rich, mellow bass voice. The propping hand came away from the head and brushed aside the tones now issuing from the chorus hall. “Tilgin will never come up to your measure.”

“Oh, sir, what do I do now my voice is gone? It’s all I had!”

Master Shonagar’s surprised contempt startled Piemur. “All you had? Perhaps, my dear Piemur, but by no means all you have! Not after five Turns as my apprentice. You probably know more about vocal production than any journeyman in the Craft.”

“But who would want to learn from me?” Piemur gestured to his slight adolescent frame, his voice cracking dramatically. “And how could I teach when I’ve no voice to demonstrate?”

“Ah, but the distressing condition of your singing voice heralds other alterations that will remedy those minor considerations.” Master Shonagar waved aside that argument, and then regarded Piemur through narrowed eyelids. “This occasion has not caught me …” the thick fingers tapped against the bulging chest “…unprepared.” Now a gusty sigh escaped Master Shonagar’s full lips. “You have been without doubt or contradiction the most troublesome and ingenious, the laziest, the most audacious and mendacious of the hundreds of apprentices and voice students it has been my tiresome task to train to some standard. Despite yourself, you have achieved some measure of success. You ought to have achieved even more.” Master Shonagar affected a point. “I find it altogether too perverse, if completely in character, for you to decide on puberty before singing Domick’s latest choral work. Undoubtedly one of his best, and written with your abilities in mind. Do not hang your head in my presence, young man!” The Master’s bellow startled Piemur out of his self-pitiful reflections. “Young man! Yes, that’s the crux. You are becoming a young man. Young men must have young-manly tasks.”

“What?” In the single word, Piemur expressed his disbelief and distress.

“That, my young man, is for the Harper to tell you!” Master Shonagar’s thick forefinger pointed first at Piemur and then swung toward the front of the building, indicating Master Robinton’s window.

Piemur did not dare permit the hope that began to revive in him to blossom. Yet, Master Shonagar wouldn’t lie for any reason, certainly not to give him false hope.

Then they both winced as Tilgin erred in his sight reading. Instinctively glancing at his Master, Piemur saw the pained expression on Master Shonagar’s face.

“Were I you, young Piemur, I’d stay out of Domick’s sight as much as possible.”

Despite his depression, Piemur grinned, wryly aware that the brilliant Composition Master might well decide that Piemur had elected to thwart his musical ambition in this untimely voice change.

Master Shonagar sighed heavily. “I do wish you’d have waited a trifle longer, Piemur.” His groan was wistful as well as resigned. “Tilgin is going to require much coaching to perform creditably. Now, don’t you repeat that, young Piemur!” The thick forefinger pointed unwaveringly at Piemur, who affected innocent shock that such an admonition might be needed. “Away with you!”

Obediently, Piemur turned, but he’d gone no more than a few paces to the door when a second shock stopped him. He whirled toward the Voice Master.

“You mean, just now, sir, don’t you?”

“ ‘Just now, sir?’ Of course, I mean now, not this afternoon or tomorrow, but now.”

“Now…and always?” asked Piemur uncertainly. If he could no longer sing, Master Shonagar would take on another special apprentice to perform those personal and private duties for him that Piemur had been undertaking in the past Turns. Not only was Piemur reluctant to lose the privilege of being Master Shonagar’s special lad, he honestly didn’t wish to end the very rewarding association with the Master. He liked Shonagar, and those services he had performed for his Master had stemmed from that liking rather than a sense of duty. He had enjoyed above all the droll humor and florid speech of his Master, of being teased for his bold behavior and called to task by a man he had never managed to deceive for an instant with any of his stratagems or ploys.