Jonathan Strahan - Swords & Dark Magic - The New Sword and Sorcery

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Swords & Dark Magic: The New Sword and Sorcery: краткое содержание, описание и аннотация

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A truly breathtaking new anthology edited by Jonathan Strahan and Lou Anders,
offers stunning new tales of sword and sorcery action, romance, and dark adventure written by some of the most respected, bestselling fantasy writers working today—from Joe Abercrombie to Gene Wolfe. An all-new Elric novella from the legendary Michael Moorcock and a new visit to Majipoor courtesy of the inimitable Robert Silverberg are just two of the treasures offered in
—a fantasy lover’s dream.
Elric…the Black Company…Majipoor. For years, these have been some of the names that have captured the hearts of generations of readers and embodied the sword and sorcery genre. And now some of the most beloved and bestselling fantasy writers working today deliver stunning all-new sword and sorcery stories in an anthology of small stakes but high action, grim humor mixed with gritty violence, fierce monsters and fabulous treasures, and, of course, swordplay. Don’t miss the adventure of the decade!
Swords & Dark Magic
New York Times
Cover illustration © by Benjamin Carré
Seventeen original tales of sword and sorcery penned by masters old and new

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“Then she is a sorceress,” Malmury said, sliding the dagger back into its sheath.

“After a fashion,” the barmaid told her, and slowly removed her grip upon Malmury’s shoulder. “She’s the last priestess of the Old Ways, and still pays tribute to those beings who came before the gods. I’ve heard her called Grímhildr, and also Gunna, though none among us recall her right name. She is powerful, and treacherous, but know that she has also done great good for Invergó and all the people along the coast. When there was plague, she dispelled the sickness—”

“What did she mean, to ask after the coming of the troll and its daughter?”

“These are not questions I would answer,” the barmaid replied, and turned suddenly away. “You must take them to the elders. They can tell you these things.”

Malmury nodded and sipped from her cup, her eyes wandering about the tavern, which she saw was now emptying out into the morning-drenched street. The crone’s warnings had left them in no mood for tales of monsters, and had ruined their appetite for the stranger’s endless boasting and bluster. No matter, Malmury thought. They’d be back come nightfall, and she was weary, besides, and needed sleep. There was now a cot waiting for her upstairs, in the loft above the kitchen, a proper bed complete with mattress and pillows stuffed with the down of geese, even a white bearskin blanket to guard against the frigid air that blew in through the cracks in the walls. She considered going before the council of elders, after she was rested and only hungover, and pressing them for answers to the crone’s questions. But Malmury’s head was beginning to ache, and she only entertained the proposition in passing. Already, the appearance of the old woman and what she’d said was beginning to seem less like something that had actually happened, and Malmury wondered, dimly, if she was having trouble discerning where the truth ended and her own generous embroidery of the truth began. Perhaps she’d invented the hag, feeling the tale needed an appropriate epilogue, and then, in her drunkenness, forgotten that she’d invented her.

Soon, the barmaid—whose name was Dóta—returned to lead Malmury up the narrow, creaking stairs to her small room and the cot, and Malmury forgot about sea trolls and witches and even the gold she had coming. For Dóta was a comely girl, and free with her favors, and the stranger’s sex mattered little to her.

The daughter of the sea troll lived among the jagged, windswept highlands that loomed above the milky blue-green bay and the village of Invergó. Here had she dwelt for almost three generations, as men reckoned the passing of time, and here did she imagine she would live until the long span of her days was at last exhausted.

Her cave lay deep within the earth, where once had been only solid basalt. But over incalculable eons, the glacier that swept down from the mountains, inching between high volcanic cliffs as it carved a wide path to the sea, had worked its way beneath the bare and stony flesh of the land. A ceaseless trickle of meltwater had carried the bedrock away, grain by igneous grain, down to the bay, as the perpetual cycle of freeze and thaw had split and shattered the stone. In time (and then, as now, the world had nothing but time), the smallest of breaches had become cracks, cracks became fissures, and intersecting labyrinths of fissures collapsed to form a cavern. And so, in this way, had the struggle between mountain and ice prepared for her a home, and she dwelt there, alone, almost beyond the memory of the village and its inhabitants, which she despised and feared and avoided when at all possible.

However, she had not always lived in the cave, nor unattended. Her mother, a child of man, had died while birthing the sea troll’s daughter, and, afterwards, she’d been taken in by the widowed conjurer who would, so many years later, seek out and confront a stranger named Malmury who’d come up from the southern kingdoms. When the people of Invergó had looked upon the infant, what they’d seen was enough to guess at its parentage. And they would have put the mother to death, then and there, for her congress with the fiend, had she not been dead already. And surely, likewise, would they have murdered the baby, had the old woman not seen fit to intervene. The villagers had always feared the crone, but also they’d had cause to seek her out in times of hardship and calamity. So it gave them pause, once she’d made it known that the infant was in her care, and this knowledge stayed their hand, for a while.

In the tumbledown remains of a stone cottage, at the edge of the mudflats, the crone had raised the infant until she was old enough to care for herself. And until even the old woman’s infamy, and the prospect of losing her favors, was no longer enough to protect the sea troll’s daughter from the villagers. Though more human than not, she had the creature’s blood in her veins. In the eyes of some, this made her a greater abomination than her father.

Finally, rumors had spread that the girl was a danger to them all, and, after an especially harsh winter, many became convinced that she could make herself into an ocean mist and pass easily through windowpanes. In this way, it was claimed, had she begun feeding on the blood of men and women while they slept. Soon, a much-prized milking cow had been found with her udders mutilated, and the farmer had been forced to put the beast out of its misery. The very next day, the elders of Invergó had sent a warning to the crone that their tolerance of the half-breed was at an end, and she was to be remanded to the constable forthwith.

But the old woman had planned against this day. She’d discovered the cave high above the bay, and she’d taught the sea troll’s daughter to find auk eggs and mushrooms and to hunt the goats and such other wild things as lived among the peaks and ravines bordering the glacier. The girl was bright, and had learned to make clothing and boots from the hides of her kills, and also had been taught herb lore, and much else that would be needed to survive on her own in that forbidding, barren place.

Late one night in the summer of her fourteenth year, she’d fled Invergó, and made her way to the cave. Only one man had ever been foolish enough to go looking for her, and his body was found pinned to an iceberg floating in the bay, his own sword driven through his chest to the hilt. After that, they left her alone, and soon the daughter of the sea troll was little more than legend, and a tale to frighten children. She began to believe, and to hope, that she would never again have cause to journey down the slopes to the village.

But then, as the stranger Malmury, senseless with drink, slept in the arms of a barmaid, the crone came to the sea troll’s daughter in her dreams, as the old woman had done many times before.

“Your father has been slain,” she said, not bothering to temper the words. “His corpse lies desecrated and rotting in the village square, where all can come and gloat and admire the mischief of the one who killed him.”

The sea troll’s daughter, whom the crone had named Saehildr, for the ocean, had been dreaming of stalking elk and a shaggy herd of mammoth across a meadow. But the crone’s voice had startled her prey, and the dream animals had all fled across the tundra.

The sea troll’s daughter rolled over onto her back, stared up at the grizzled face of the old woman, and asked, “Should this bring me sorrow? Should I have tears, to receive such tidings? If so, I must admit it doesn’t, and I don’t. Never have I seen the face of my father, not with my waking eyes, and never has he spoken unto me, nor sought me out. I was nothing more to him than a curious consequence of his indiscretions.”

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