Jonathan Strahan - The Best Science Fiction & Fantasy of the Year Volume 5 An anthology of stories

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An anthology of stories edited by Jonathan Strahan

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Everything stopped. The ballroom became a sculpture garden, an expressionist swirl of skin and feathers and jewels and silks. Beads of wine from a tipped goblet sparkled like rubies suspended in midair; plucked harp strings hung poised to fling notes like arrows.

“Well done, Timesmith.” Tink turned. Valentine bowed at her. “It is a wonder,” he said, marveling at the motionless dancers. “But I think your wonderment has missed its mark, no?” He pointed: Tink’s clock had made a statue of the statuesque monarch.

Tink swallowed, twice. She found her voice: “The clock is for her. But this,” she said, “is for you.” And me .

Valentine smiled. “I’ve never seen its equal.” He took her hand. Her skin tingled beneath his fingertips. “Thank you.” Her metronome heart skipped another beat when he touched his lips to the back of her hand. But the world had stopped, so nobody noticed.

He asked, “How long will they stay like this?”

“That’s complicated,” said Tink. “But they’re safe.”

The room blurred about them. Merrymakers blinked into new positions around the ballroom. The eternally tipping wine goblet became an ice sculpture of the queen. And her gift, the clockwork circus, became an orrery.

A year had passed.

“I see! I see, I see!” Valentine clapped. He understood, for every moment was the same to him.

“Do you like it?” she asked.

“It’s marvelous,”he said.“Now let me show you something you’ve never known. Dance with me.”

She wanted to waltz with him, but feared to try. She had impressed him. But could that be undone by a single awkward step? Valentine was a graceful creature, accustomed to graceful partners.

“I don’t, that is, I’ve never—”

“Trust me,” he said.

Valentine pulled her to the center of the ballroom. His hand warmed the small of her back. He smelled like clean salt, like the distant sea. Dancing, she discovered, came naturally. It was, after all, a form of rhythm. And what was rhythm but a means of marking time?

The room blurred around them. The orrery became an hourglass. They wove and whirled amongst the motionless dancers. Tink laughed. It was working.

“Look,” said Valentine. “Look at their eyes.”

Masks hid their faces, but not their eyes. She looked upon a man who wore the burgundy cummerbund of a baronet. His eyes glistened with hidden tears. They pirouetted past a countess with a diadem on her brow, butterfly wings affixed to her cheeks, and soul-deep weariness in her eyes.

Valentine asked, “What do you see?”

“Sorrow,” said Tink.

“They’ve lost something. We all have.”

“Three things,” said Tink. For suddenly she knew what Valentine wanted and needed. He didn’t know it himself.

Yet still they danced. It was wonderful; it was magical. But his eyes returned again and again to Perjumbellatrix. He danced with Tink—and what a dancer he was—but his heart and mind were elsewhere.

The final timepiece expended its stolen minute.The bubble of intimacy popped under the assault of music, laughter, and voices raised in tribute to the queen.

“Truly marvelous,” said Valentine. “Thank you for this dance, Timesmith.” With a wink, a bow, and a kiss, he returned to his place beside the queen.

Tink’s feet ached. Her lungs pumped like bellows. Her skin wasn’t quite as smooth as it had been when their dance began. She had aged twenty years in twenty minutes. But it was a small price for the key to somebody’s heart.

She returned to her shop, deep in thought. And so she did not notice how the hands of every clock bowed low to her, like a bashful admirer requesting a dance. Time had seen how she had laughed with joy in Valentine’s arms. It yearned, desperately, to dance with her.

Tink spent months (measured, as always, by the thumping of her heart) holed up in her shop. She labored continuously, pausing only for food and rest. And, on several occasions, to climb a staircase of carved peridot and dip a chalice in the waters atop the aqueduct.

Far above the city, craftsmen and courtiers built an effigy clock atop the Spire. Valentine, Tink knew, was there. She wondered if he ever gazed from that aerie upon the Briardowns, wondered if his thoughts ever turned from queen to clockmaker.

When the Festival of the Leaping Second returned to Nycthemeron, and a crowd again milled outside Tink’s shop, they found it locked and the storefront dark. Her neighbors, the algebraist and the cartographer, told of her forays along the aqueduct and of strange sounds from her workshop: splashing, gurgling, the creak of wooden gears.

By now, of course, the queen had grown quite fond of Tink’s wonderments. And when she heard that the clockmaker had arrived, promising something particularly special for the Festival, she ordered a new riser built for Tink’s work.

There, Tink built a miniature Nycthemeron: nine feet tall at the Spire, six feet wide, encircled by a flowing replica of the river Gnomon, complete with aqueducts, waterwheels, sluices, gates, and even a tiny clockmaker’s shop in a tiny Briardowns. There, a model clockmaker gazed lovelorn at the Spire, where a model Valentine gazed down.

When the revelry culminated in the advance of the effigy, Tink filled the copper reservoir on her water clock. And everybody, including the queen and lovely Valentine at her side, marveled at Tink’s work.

The water flowed backward. It sprang from the waterwheels to leap upon the aqueducts and gush uphill, where special pumps pulled it down to begin again.

It was a wonder, they said. An amazement. A delight.

Only time, and time alone, understood what she had done. Tink had given the people of Nycthemeron something they had lost.

She had given them their past.

Tink went home feeling pleased. Just a few more clocks, just a few more stolen moments, and Valentine would express adoration. But she couldn’t work as many hours at a stretch as she had in her youth. She had to unlock his heart before time rendered her an unlovable crone.

But there were interruptions. People peppered her with strange requests: vague notions they couldn’t express and that Tink couldn’t deliver. The fellow in the scarlet cravat returned, seeking a means of visiting “that place.”

“What place?” Tink asked.

“That—”he waved his hands in frustration, indicating some vague and distant land “—place.” He shrugged. “I see it in my head. I’ve been there, but I don’t know how to return. It’s here, and yet it’s not here, too.”

Tink could not help him. Nor could she help the baroness who requested a clockwork key that would open a door to “that other Nycthemeron.” At first they came in a slow trickle, these odd requests. But the trickle became a torrent. Tink closed her shop so that she could finish the next sequence of birthday clocks for Queen Perjumbellatrix.

Valentine invited Tink for another spin around a ballroom filled with motionless revelers. He was, of course, as handsome as ever. But when he doffed his mask, Tink saw the crease of a frown perched between his cerulean eyes. Her metronome heart did a little jig of concern.

“You look troubled,” she said as he took her hand.

Valentine said, “Troubled? I suppose I am.”

“Perhaps I can help,”said Tink.“After all, my skills are not inconsiderable.”She added what she hoped was a coquettish lilt to these words.

Valentine wrapped his arm around Tink’s waist. They waltzed past a duchess and her lissome lover. “I find my thoughts drifting to a new place. A different Nycthemeron.”

Tink faltered. The dancers blurred into a new configuration. Another precious year had passed.

Valentine danced mechanically. His movements were flawless, but devoid of the grace that had made Tink swoon when first they had danced together. And for her part, her whirring mind couldn’t concentrate on one thing or the other; she stepped awkwardly, without poise or balance.

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