Люциус Шепард - The Best of Lucius Shepard

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The Best of Lucius Shepard: краткое содержание, описание и аннотация

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Lucius Shepard writes from the darkest, truest heart of America—not the heart of the United States or of North America, but all of America—and he writes of it with rare passion, honesty and intelligence. His earliest stories, the ones that made his name a quarter of a century ago were set in the jungles of South America and filled with creatures dark and fantastical. Stories like “Salvador”, “The Jaguar Hunter”, and the excoriatingly brilliant “R&R” deconstructed war and peace in South America, in both the past and the future, like no other writer of the fantastic.
A writer of great talent and equally great scope, Shepard has also written of the seamier side of the United States at home in classic stories like “Life of Buddha” and “Dead Money”, and in “Only Partly Here” has written one of the finest post-9/11 stories yet. Perhaps strangest of all, Shepard created one of the greatest sequence of “dragon” stories we’ve seen in the tales featuring the enormous dragon, Griaule.
The Best of Lucius Shepard is the first ever career retrospective collection from one of the finest writers of the fantastic to emerge in the United States over the past quarter century. It contains nearly 300,000 words of his best short fiction and is destined to be recognized as a true classic of the field. From Publishers Weekly

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“Teo! Donde estas?”

Mingolla had no good choices, but he realized it would be far more dangerous to hang back than to take the initiative. He grunted “Aqui!” and walked out into the tunnel, making lots of noise with his heels.

“Dete fmsa, hombre!”

Mingolla opened fire as he rounded the curve. The two Cubans were standing by the entrance to the auxiliary tunnel. Their rifles chattered briefly, sending a harmless spray of bullets off the walls; they whirled, flung out their arms and fell. Mingolla was too shocked by how easy it had been to feel relief. He kept watching, expecting them to do something. Moan, or twitch.

After the echoes of the shots had died, though he could hear the big guns jolting and the crackle of firelights, a heavy silence seemed to fill in through the tunnel, as if his bullets had pierced something that had dammed silence up. The silence made him aware of his isolation. No telling where the battle lines were drawn… if, indeed, they existed. It was conceivable that small units had infiltrated every level, that the battle for the Ant Farm was in microcosm the battle for Guatemala: a conflict having no patterns, no real borders, no orderly confrontations, but like a plague could pop up anywhere at any time and kill you. That being the case, his best bet would be to head for the computer center, where friendly forces were sure to be concentrated.

He walked to the entrance and stared at the two dead Cubans. They had fallen blocking his way, and he was hesitant about stepping over them, half-believing they were playing possum, that they would reach up and grab him. The awkward attitudes of their limbs made him think they were holding a difficult pose, waiting for him to try. Their blood looked purple in the red glow of the emergencies, thicker and shinier than ordinary blood. He noted their moles and scars and sores, the crude stitching of their fatigues, gold fillings glinting from their open mouths. It was funny, he could have met these guys while they were alive and they might have made only a vague impression; but seeing them dead, he had catalogued their physical worth in a single glance. Maybe, he thought, death revealed your essentials as life could not. He studied the dead men, wanting to read them. Couple of slim, wiry guys. Nice guys, into rum and the ladies and sports. He’d bet they were baseball players, infielders, a double-play combo. Maybe he should have called to them, Hey, I’m a Yankee fan. Be cool! Meet’cha after the war for a game of flies and grounders. Fuck this killing shit. Let’s play some ball.

He laughed, and the high, cracking sound of his laughter startled him. Christ! Standing around here was just asking for it. As if to second that opinion, the thing inside his hand exploded into life, eeling and frisking about. Swallowing back his fear, Mingolla stepped over the two dead men, and this time, when nothing clutched at his trouser legs, he felt very, very relieved.

Below Level Six, there was a good deal of mist in the auxiliary tunnel, and from this Mingolla understood that the Cubans had penetrated the hillside, probably with a borer mine. Chances were the hole they had made was somewhere close, and he decided that if he could find it he would use it to get the hell out of the Farm and hide in the jungle. On Level Seven the mist was extremely thick; the emergency lights stained it pale red, giving it the look of surgical cotton packing a huge artery. Scorchmarks from grenade bursts showed on the walls like primitive graphics, and quite a few bodies were visible beside the doorways. Most of them Americans, badly mutilated. Uneasy, Mingolla picked his way among them, and when a man spoke behind him, saying, “Don’t move,” he let out a hoarse cry and dropped his rifle and spun around, his heart pounding.

A giant of a man—he had to go six-seven, six-eight, with the arms and torso of a weightlifter—was standing in a doorway, training a forty-five at Mingolla’s chest. He wore khakis with lieutenant’s bars, and his babyish face, though cinched into a frown, gave an impression of gentleness and stolidity: he conjured for Mingolla the image of Ferdinand the Bull weighing a knotty problem. “I told you not to move,” he said peevishly.

“It’s okay,” said Mingolla. “I’m on your side.”

The lieutenant ran a hand through his thick shock of brown hair; he seemed to be blinking more than was normal. “I’d better check,” he said. “Let’s go down to the storeroom.”

“What’s to check?” said Mingolla, his paranoia increasing.

“Please!” said the lieutenant, a genuine wealth of entreaty in his voice. “There’s been too much violence already.”

The storeroom was a long, narrow L-shaped room at the end of the level; it was ranged by packing crates, and through the gauzy mist the emergency lights looked like a string of dying red suns. The lieutenant marched Mingolla to the corner of the L, and turning it, Mingolla saw that the rear wall of the room was missing. A tunnel had been blown into the hillside, opening onto blackness. Forked roots with balls of dirt attached hung from its roof, giving it the witchy appearance of a tunnel into some world of dark magic; rubble and clods of earth were piled at its lip. Mingolla could smell the jungle, and he realized that the big guns had stopped firing.

Which meant that whoever had won the battle of the summit would soon be sending down mop-up squads. “We can’t stay here,” he told the lieutenant. “The Cubans’11 be back.”

“We’re perfectly safe,” said the lieutenant. “Take my word.” He motioned with the gun, indicating that Mingolla should sit on the floor.

Mingolla did as ordered and was frozen by the sight of a corpse, a Cuban corpse, lying between two packing crates opposite him, its head propped against the wall. “Jesus!” he said, coming back up to his knees.

“He won’t bite,” said the lieutenant. With the lack of self-consciousness of someone squeezing into a subway seat, he settled beside the corpse; the two of them neatly filled the space between the crates, touching elbow to shoulder.

“Hey,” said Mingolla, feeling giddy and scattered. “I’m not sitting here with this fucking dead guy, man!”

The lieutenant flourished his gun. “You’ll get used to him.”

Mingolla eased back to a sitting position, unable to look away from the corpse. Actually, compared to the bodies he had just been stepping over, it was quite presentable. The only signs of damage were blood on its mouth and bushy black beard, and a mire of blood and shredded cloth at the center of its chest. Its beret had slid down at a rakish angle to cover one eyebrow; the brass scorpion pin was scarred and tarnished. Its eyes were open, reflecting glowing red chips of the emergency lights, and this gave it a baleful semblance of life. But the reflections made it appear less real, easier to bear.

“Listen to me,” said the lieutenant.

Mingolla rubbed at the blood on his shaking hand, hoping that cleaning it would have some good effect.

“Are you listening?” the lieutenant asked.

Mingolla had a peculiar perception of the lieutenant and the corpse as dummy and ventriloquist. Despite its glowing eyes, the corpse had too much reality for any trick of the light to gloss over for long. Precise crescents showed on its fingernails, and because its head was tipped to the left, blood had settled into that side, darkening its cheek and temple, leaving the rest of the face pallid. It was the lieutenant, with his neat khakis and polished shoes and nice haircut, who now looked less than real.

“Listen!” said the lieutenant vehemently. “I want you to understand that I have to do what’s right for me!” The bicep of his gun arm bunched to the size of a cannonball.

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