Люциус Шепард - The Best of Lucius Shepard

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Lucius Shepard writes from the darkest, truest heart of America—not the heart of the United States or of North America, but all of America—and he writes of it with rare passion, honesty and intelligence. His earliest stories, the ones that made his name a quarter of a century ago were set in the jungles of South America and filled with creatures dark and fantastical. Stories like “Salvador”, “The Jaguar Hunter”, and the excoriatingly brilliant “R&R” deconstructed war and peace in South America, in both the past and the future, like no other writer of the fantastic.
A writer of great talent and equally great scope, Shepard has also written of the seamier side of the United States at home in classic stories like “Life of Buddha” and “Dead Money”, and in “Only Partly Here” has written one of the finest post-9/11 stories yet. Perhaps strangest of all, Shepard created one of the greatest sequence of “dragon” stories we’ve seen in the tales featuring the enormous dragon, Griaule.
The Best of Lucius Shepard is the first ever career retrospective collection from one of the finest writers of the fantastic to emerge in the United States over the past quarter century. It contains nearly 300,000 words of his best short fiction and is destined to be recognized as a true classic of the field. From Publishers Weekly

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Mingolla flattened against the wall. The dim red lighting caused the bubbled surfaces of the tunnel to appear as smooth as a chamber in a gigantic nautilus, and this resemblance intensified his sense of helplessness, making him feel like a child trapped in an evil undersea palace. He couldn’t think clearly, picturing the chaos around him. Muzzle flashes, armies of ant-men seething through the tunnels, screams spraying blood, and the big guns bucking, every shellburst kindling miles of sky. He would have preferred to keep going up, to get out into the open where he might have a chance to hide in the jungle. But down was his only hope. Pushing away from the wall, he ran full-tilt, arms waving, skidding around corners, almost falling, past Level Four, Level Five. Then, halfway between Levels Five and Six, he nearly tripped over a dead man: an American lying curled up around a belly wound, a slick of blood spreading beneath him and a machete by his hand. As Mingolla stooped for the machete, he thought nothing about the man, only about how weird it was for an American to be defending himself against Cubans with such a weapon. There was no use, he decided, in going any farther. Whoever had killed the man would be somewhere below, and the safest course would be to hide out in one of the rooms on Level Five. Holding the machete before him, he moved cautiously back up the tunnel.

Levels Five through Seven were officer country, and though the tunnels were the same as the ones above—gently curving tubes eight feet high and ten feet wide—the rooms were larger and contained only two cots. The rooms Mingolla peered into were empty, and this, despite the sounds of battle, gave him a secure feeling. But as he passed beyond the tunnel curve, he heard shouts in Spanish from his rear. He peeked back around the curve. A skinny black soldier wearing a red beret and gray fatigues was inching toward the first doorway; then, rifle at the ready, he ducked inside. Two other Cubans—slim bearded men, their skins sallow-looking in the bloody light—were standing by the arched entranceway to the auxiliary tunnel; when they saw the black soldier emerge from the room, they walked off in the opposite direction, probably to check the rooms at the far end of the level.

Mingolla began to operate in a kind of luminous panic. He realized that he would have to kill the black soldier. Kill him without any fuss, take his rifle and hope that he could catch the other two off-guard when they came back for him. He slipped into the nearest room and stationed himself against the wall to the right of the door. The Cuban, he had noticed, had turned left on entering the room; he would have been vulnerable to someone positioned like Mingolla. Vulnerable for a split-second. Less than a count of one. The pulse in Mingolla’s temple throbbed, and he gripped the machete tightly in his left hand. He rehearsed mentally what he would have to do. Stab; clamp a hand over the Cuban’s mouth; bring his knee up to jar loose the rifle. And he would have to perform these actions simultaneously, execute them perfectly.

Perfect execution.

He almost laughed out loud, remembering his paunchy old basketball coach saying, “Perfect execution, boys. That’s what beats a zone. Forget the fancy crap. Just set your screens, run your patterns and get your shots down.”

Hoops am ‘t nothm’ but life in short pants, huh, Coach?

Mingolla drew a deep breath and let it sigh out through his nostrils. He couldn’t believe he was going to die. He had spent the past nine months worrying about death, but when it got right down to it, when the circumstances arose that made death likely, it was hard to take that likelihood seriously. It didn’t seem reasonable that a skinny black guy should be his nemesis. His death should involve massive detonations of light, special Mingolla-killing rays, astronomical portents. Not some scrawny little shit with a rifle. He drew another breath and for the first time registered the contents of the room. Two cots; clothes strewn everywhere; taped-up polaroids and pornography. Officer country or not, it was your basic Ant Farm decor; under the red light it looked squalid, long-abandoned. He was amazed by how calm he felt. Oh, he was afraid all right! But fear was tucked into the dark folds of his personality like a murderer’s knife hidden inside an old coat on a closet shelf. Glowing in secret, waiting its chance to shine. Sooner or later it would skewer him, but for now it was an ally, acting to sharpen his senses. He could see every bubbled pucker on the white walls, could hear the scrape of the Cuban’s boots as he darted into the room next door, could feel how the Cuban swung the rifle left-to-right, paused, turned…

He could feel the Cuban! Feel his heat, his heated shape, the exact position of his body. It was as if a thermal imager had been switched on inside his head, one that worked through walls.

The Cuban eased toward Mingolla’s door, his progress tangible, like a burning match moving behind a sheet of paper. Mingolla’s calm was shattered. The man’s heat, his fleshy temperature, was what disturbed him. He had imagined himself killing with a cinematic swiftness and lack of mess; now he thought of hogs being butchered and piledrivers smashing the skulls of cows. And could he trust this freakish form of perception? What if he couldn’t? What if he stabbed too late? Too soon? Then the hot, alive thing was almost at the door, and having no choice, Mingolla timed his attack to its movements, stabbing just as the Cuban entered.

He executed perfectly.

The blade slid home beneath the Cuban’s ribs and Mingolla clamped a hand over his mouth, muffling his outcry. His knee nailed the rifle stock, sending it clattering to the floor. The Cuban thrashed wildly. He stank of rotten jungle air and cigarettes. His eyes rolled back, trying to see Mingolla. Crazy animal eyes, with liverish whites and expanded pupils. Sweat beads glittered redly on his brow. Mingolla twisted the machete, and the Cuban’s eyelids fluttered down. But a second later they snapped open, and he lunged. They went staggering deeper into the room and teetered beside one of the cots. Mingolla wrangled the Cuban sideways and rammed him against the wall, pinning him there. Writhing, the Cuban nearly broke free. He seemed to be getting stronger, his squeals leaking out from Mingolla’s hand. He reached behind him, clawing at Mingolla’s face; he grabbed a clump of hair, yanked it. Desperate, Mingolla sawed with the machete. That tuned the Cuban’s squeals higher, louder. He squirmed and clawed at the wall. Mingolla’s clamped hand was slick with the Cuban’s saliva, his nostrils full of the man’s rank scent. He felt queasy, weak, and he wasn’t sure how much longer he could hang on. The son of a bitch was never going to die, he was deriving strength from the steel in his guts, he was changing into some deathless force. But just then the Cuban stiffened. Then he relaxed, and Mingolla caught a whiff of feces.

He let the Cuban slump to the floor, but before he could turn loose of the machete, a shudder passed through the body, flowed up the hilt and vibrated his left hand. It continued to shudder inside his hand, feeling dirty, sexy, like a post-coital tremor. Something, some animal essence, some oily scrap of bad life, was slithering around in there, squirting toward his wrist. He stared at the hand, horrified. It was gloved in the Cuban’s blood, trembling. He smashed it against his hip, and that seemed to stun whatever was inside it. But within seconds it had revived and was wriggling in and out of his fingers with the mad celerity of a tadpole.

“Tea!” someone called. “Vamos!”

Electrified by the shout, Mingolla hustled to the door. His foot nudged the Cuban’s rifle. He picked it up, and the shaking of his hand lessened—he had the idea it had been soothed by a familiar texture and weight.

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