Люциус Шепард: The Best of Lucius Shepard

The harvest continued several minutes more (the event lasted twenty-seven minutes in all) and then the flood receded, again with quicksilver speed, to form itself into a wave that was poised to splash down somewhere on the far side of that black window. And when the window winked out, when the storefronts snapped back into view, the groaning that ensued was much louder and more articulated than that we’d heard a month previously. Not a sound of holy woe, but of systemic stress, as if the atoms that composed the park and its surround were complaining about the insult they had incurred. All across the park, people ran to tend the injured. Andrea went to Liz, who had fallen from the statue and tearfully declared her ankle broken. Patty said she was dizzy and had a headache, and asked to be left alone. I knelt beside Stanky and asked if he was okay. He lay propped on his elbows, gazing at the sky.

“I wanted to see,” he said vacantly. “They said…”

“They?” I said. “You mean the stars?”

He blinked, put a hand to his brow. As ever, his emotions were writ large, yet I don’t believe the look of shame that washed over his face was an attempt to curry favor or promote any agenda. I believe his shame was informed by a rejection such as Andrea and I experienced, but of a deeper kind, more explicit and relating to an opportunity lost.

I made to help him up, intending to question him further; but he shook me off. He had remembered who he was, or at least who he had been pretending to be. Stanky the Great. A man of delicate sensibilities whom I had offended by my casual usage and gross maltreatment. His face hardened, becoming toadlike as he summoned every ounce of his Lilliputian rage. He rolled up to his knees, then got to his feet. Without another word to me, he arranged his features into a look of abiding concern and hurried to give comfort to his Liz.

In the wider world, Black William has come to be known as “that town full of whackos” or “the place where they had that hallucination,” for as with all inexplicable things, the stars and our interaction with them have been dismissed by the reasonable and responsible among us, relegated to the status of an aberration, irrelevant to the big picture, to the roar of practical matters with which we are daily assailed. I myself, to an extent, have dismissed it, yet my big picture has been enlarged somewhat. Of an evening, I will sit upon the library steps and cast my mind out along the path of the stars and wonder if they were metaphoric or literal presences, nomads or machines, farmers or a guerrilla force, and I will question what use that black flash had for them, and I will ponder whether they were themselves evil or recruited evil men to assist them in their purpose simply because they were suited to the task. I subscribe to the latter view; otherwise, I doubt Stanky would have wanted to go with them… unless they offered a pleasurable reward, unless they embodied for him the promise of a sublime perversion in exchange for his service, an eternal tour of duty with his brothers-in-arms, dreaming in that tarry flood. And what of their rejection of him? Was it because he was insufficiently evil? Too petty in his cruelty? Or could it have been he lacked the necessary store of some brain chemical? The universe is all whys and maybes. All meanings coincide, all answers are condensed to one or none. Nothing yields to logic.

Since the coming of the stars, Black William has undergone a great renewal. Although in the immediate aftermath there was a hue and cry about fleeing the town, shutting it down, calmer voices prevailed, pointing to the fact that there had been no fatalities, unless one counted the suicides, and but a single disappearance (Colvin Jacobs, who was strolling through the park that fateful night), and it could be better understood, some maintained, in light of certain impending charges against him (embezzlement, fraud, solicitation). Stay calm, said the voices. A few scrapes and bruises, a smattering of nervous breakdowns—that’s no reason to fling up your hands. Let’s think this over. Colvin’s a canny sort, not one to let an opportunity pass. At this very moment he may be developing a skin cancer on Varadero Beach or Ipanema (though it is my belief that he may be sojourning in a more unlikely place). And while the town thought it over, the tourists began to arrive by the busload. Drawn by Pin’s photographs, which had been published around the world, and later by his bestselling book (co-authored by the editor of the Gazette ), they came from Japan, from Europe, from Punxsutawney and Tuckhannock, from every quarter of the globe, a flood of tourists that resolved into a steady flow and demanded to be housed, fed, Tshirted, souvenired, and swindled. They needed theories upon which to hang their faith, so theory-making became a cottage industry and theories abounded, both supernatural and quasi-scientific, each having their own battery of proponents and debunkers. A proposal was floated in the city council that a second statue be erected to commemorate Black William’s visitation, but the ladies of the Heritage Committee fought tooth and nail to perserve the integrity of the original, and now can be seen twice a year lavishing upon him a vigorous scrubbing.

Businesses thrived, mine included—this due to the minor celebrity I achieved and the sale of Stanky and his album to Warner Brothers (David Geffen never called). The album did well and the single, “Misery Loves Company,” climbed to No. 44 on the Billboard charts. I have no direct contact with Stanky, but learned from Liz, who came to the house six months later to pick up her clothes (those abandoned when Stanky fled my house in a huff), that he was writing incidental music for the movies, a job that requires no genius. She carried tales, too, of their nasty breakup, of Stanky’s increasing vileness, his masturbatory displays of ego. He has not written a single song since he left Black William—the stars may have drained more from him than that which they bred, and perhaps the fact that he was almost taken has something to do with his creative slump. Whatever his story, I think he has found his true medium and is becoming a minor obscenity slithering among the larger obscenities that serve a different kind of star, anonymous beneath the black flood of the Hollywood sewer.

The following March, I went fishing with Andrea at Kempton Pond. She was reluctant to join me, assuming that I intended to make her a standin for Rudy, but I assured her this was not the case and told her she might enjoy an afternoon out of the office, some quiet time together. It was a clear day, and cold. Pockets of snow lay in the folds and crinkles of the Bittersmiths, but the crests were bare, and there was a deeper accumulation on the banks than when Rudy and I had fished the pond in November. We had to clear ourselves a spot on which to sit. The sun gilded the birch trunks, but the waters of the pond were as Stygian and mysterious as ever.

We cast out our lines and chatted about doings in her office, my latest projects—Lesion (black metal) and a post-rock band I had convinced to call themselves Same Difference. I told her about some loser tapes that had come my way, notably a gay Christian rap outfit with a song entitled “Cruisin’ For Christ (While Searching For The Heavenly City).” Then we fell silent. Staring into the pond, at the dark rock walls and oily water, I did not populate the depths with fantasies, but thought instead of Rudy. They were memorial thoughts untainted by grief, memories of things said and done. I had such a profound sense of him, I imagined if I turned quickly enough, I would have a glimpse of a bulky figure in a parka, wool cap jammed low on his brow, red-cheeked and puffing steam; yet when I did turn, the figure in the parka and wool cap was more clearly defined, ivory pale and slender, her face a living cameo. I brushed a loose curl from her eyes. Touching her cheek warmed my fingertip. “This is kind of nice,” she said, and smiled. “It’s so quiet.”