Люциус Шепард: The Best of Lucius Shepard

Ordinarily, Stanky would have retreated from confrontation, but with Liz bearing witness (I inferred by her determined look that she was his partner in this, that she had egged him on), his macho was at stake. “I ought to know everything that’s going on,” he said.

“Nothing’s going on. When something happens, I’ll tell you.”

“It’s my career,” he said in a tone that conveyed petulance, defiance, and the notion that he had been wronged. “I want to be in on it, you know.”

“Your career.” I felt suddenly liberated from all restraint. “Your career consists of my efforts on your behalf and three hours on-stage in Nowhere, Pennsylvania. I’ve fed you, I’ve given you shelter, money, a band. And now you want me to cater to your stupid whims? To run downstairs and give you an update on every little piece of Stanky gossip because it’ll gratify your ego? So you can tell your minions here how great you are? Fuck you! You don’t like how I’m handling things, clear the hell out of my house!”

I walked off several paces and stood on the curb, facing the library. That rough cube of Pennsylvania granite accurately reflected my mood. Patches of snow dappled the lawn. There was a minor hub bub near the science truck, but I was enraged and paid it no mind. Andrea came up next to me and took my arm. “Easy, big fella,” she said.

“That asshole’s been under my roof for what? Two months? It feels like two years. His stink permeates every corner of my life. It’s like living with a goat!”

“I know,” she said. “But it’s business.”

I wondered if she was hammering home an old point, but her face gave no sign of any such intent; in fact, her neutral expression dissolved into one of befuddlement. She was staring at the library, and when I turned in that direction, I saw the library had vanished. An immense rectangle—a window with uneven edges—had been chopped out of the wall of the world, out of the night, its limits demarked by trees, lawn, and sky, and through it poured a flood of blackness, thicker and more sluggish than the Polozny. Thick like molasses or hot tar. It seemed to splash down, to crest in a wave, and hold in that shape. Along the top of the crest, I could see lesser, half-defined shapes, vaguely human, and I had the thought that the wave was extruding an army from its substance, producing a host of creatures who appeared to be men. The temperature had dropped sharply. There was a chill, chemical odor and, close above our heads (five feet, I’d estimate), the stars were coasting. That was how they moved. They glided as though following an unseen track, then were shunted sideways or diagonally or backward. Their altitude never changed, and I suspect now that they were prevented from changing it by some physical limitation. They did not resemble stars as much as they did Crazy Ed’s enhancement: ten or twelve globes studded with longish white spines, the largest some eight feet in diameter, glowing brightly enough to illumine the faces of the people beneath them. I could not determine if they were made of flesh or metal or something less knowable. They gave forth high-frequency squeaks that reminded me, in their static quality, of the pictographs in Rudy’s cartoons, the language of the stars.

I’m not sure how long we stood there, but it could not have been more than seconds before I realized that the wave crest was not holding, it was inching toward us across the lawn. I caught Andrea’s hand and tried to run. She screamed (a yelp, really), and others screamed and tried to run. But the wave flowed around us, moving now like black quicksilver, in an instant transforming the center of town into a flood plain, marooning people on islands of solid ground bounded by a waist-high flood that was coursing swiftly past. As Andrea and I clung together, I saw Stanky and Liz, Pin and Patty, the rest of the kids, isolated beside the statue—there were dozens of such groupings throughout the park. It seemed a black net of an extremely coarse weave had been thrown over us all and we were standing up among its strands. We stared at each other, uncertain of our danger; some called for help. Then something rose from the blackness directly in front of me and Andrea. A man, I think, and fully seven feet tall. An African Negro by the scarifications on his face. His image not quite real—it appeared to be both embedded in the tarry stuff and shifting over its surface, as if he had been rotoscoped. At the same time, a star came to hover over us, so that my terror was divided. I had from it an impression of eagerness—the feeling washed down upon me; I was drenched in it—and then, abruptly, of disinterest, as if it found Andrea and me unworthy of its attention. With the onset of that disinterest, the black man melted away into the tar and the star passed on to another group of stranded souls.

The largest groups were those two clustered about the science van. Figures began to sprout from the tar around them, and not all of these were men. Some were spindly as eels, others squat and malformed, but they were too far away for me to assign them a more particular identity. Stars hovered above the two groups, and the black figures lifted them one by one, kicking and screaming (screams now issued from every corner of the park), and held them up to the stars. They did not, as in Rudy’s cartoons, suck in the meat through one of their spikes; they never touched their victims. A livid arc, fiery black in color, leaped between star and human, visible for a split-second, and then the figure that had lifted the man or woman, dropped him or her carelessly to the ground and melted back into the flood, and the star moved on. Andrea buried her face in my shoulder, but I could not turn away, transfixed by the scene. And as I watched these actions repeated again and again—the figure melting up, lifting someone to a star, and then discarding him, the victim still alive, rolling over, clutching an injured knee or back, apparently not much the worse for wear—I realized the stars were grazing, that this was their harvest, a reaping of seed sown. They were harvesting our genius, a genius they had stimulated, and they were attracted to a specific yield that manifested in an arc of fiery black. The juice of the poet, the canniness of the inventor, the guile of a villian. They failed to harvest the entire crop, only that gathered in the park. The remainder of those affected would go on to create more garden tools and foundation garments and tax plans, and the stars would continue on their way, a path that now and again led them through the center of Black William. I must confess that, amid the sense of relief accompanying this revelation, I felt an odd twinge of envy when I realized that the genius of love was not to their taste.

How did I know these things? I think when the star hovered above us, it initiated some preliminary process, one incidental to the feelings of eagerness and disinterest it projected, and, as it prepared to take its nutrient, its treasure (I haven’t a clue as to why they harvested us, whether we were for them a commodity or sustenance or something else entire), we shared a brief communion. As proof, I can only say that Andrea holds this same view and there is a similar consensus, albeit with slight variances, among all those who stood beneath the stars that night. But at the moment the question was not paramount. I turned toward the statue. The storefronts beyond were obscured by a black rectangle, like the one that had eclipsed the library, and this gave me to believe that the flood was pouring off into an unguessable dimension, though it still ran deep around us. Stanky and Liz had climbed onto the statue and were clinging to Black William’s leg and saddlehorn respectively. Patty was leaning against the base, appearing dazed. Pin stood beside her, taking photographs with his cell phone. One of the kids was crying, and his friends were busy consoling him. I called out, asking if everyone was all right. Stanky waved and then the statue’s double reared from the flood—it rose up slowly, the image of a horse and a rider with flowing hair, blacker than the age-darkened bronze of its likeness. They were so equal in size and posture and stillness, it was as if I were looking at the statue and its living shadow. Its back was to me, and I cannot say if it was laughing. And then the shadow extended an arm and snatched Stanky from his perch. Plucked him by the collar and held him high, so that a star could extract its due, a flash of black energy. And when that was done, it did not let him fall, but began to sink back into the flood, Stanky still in its grasp. I thought it would take him under the tar, that they would both be swallowed and Stanky’s future was to be that of a dread figure rising blackly to terrify the indigents in another sector of the plenum. But Black William—or the agency that controlled him—must have had a change of heart and, at the last second, just as Stanky’s feet were about to merge with that tarry surface, dropped him clear of the flood, leaving him inert upon the pavement.