Стивен Кинг - The Drawing of the Three

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The man in black is dead, and Roland is about to be hurled into 20th-centure America, occupuying the mind of a man running cocaine on the New York/Bermuda shuttle. A brilliant waork of dark fantasy inspired by Browning's romantic poem, "Child Roland to the Dark Tower Came."
Synopsis: Part II an epic saga. Roland, the last gunslinger, encounters three mysterious doorways on the beach. Each one enters into a different person living in New York. Through these doorways, Roland draws the companions who will assist him on his quest to save the Dark Tower.

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"Why don't you just put that thing away, you little scuzz?" Eddie asked. "Or do you maybe want Balazar to send someone down here and cut your eyes out of your head with a rusty knife?"

The sallow thing smiled. The gun was gone like magic; in its place was a small envelope. He handed it to Eddie. "Just a little joke, you know."

"If you say so."

"I see you Sunday night."

He turned toward the door.

"I think you better wait."

The sallow thing turned back, eyebrows raised. "You think I won't go if I want to go?"

"I think if you go and this is bad shit, I'll be gone tomor­row. Then you'll be in deep shit."

The sallow thing turned sulky. It sat in the room's single easy chair while Eddie opened the envelope and spilled out a small quantity of brown stuff. It looked evil. He looked at the sallow thing.

"I know how it looks, it looks like shit, but that's just the cut," the sallow thing said. "It's fine."

Eddie tore a sheet of paper from the notepad on the desk and separated a small amount of the brown powder from the pile. He fingered it and then rubbed it on the roof of his mouth. A second later he spat into the wastebasket.

"You want to die? Is that it? You got a death-wish?"

"That's all there is." The sallow thing looked more sulky than ever.

"I have a reservation out tomorrow," Eddie said. This was a lie, but he didn't believe the sallow thing had the resources to check it. "TWA. I did it on my own, just in case the contact happened to be a fuck-up like you. I don't mind. It'll be a relief, actually. I wasn't cut out for this sort of work."

The sallow thing sat and cogitated. Eddie sat and concen­trated on not moving. He felt like moving; felt like slipping and sliding, hipping and bopping, shucking and jiving, scratching his scratches and cracking his crackers. He even felt his eyes wanting to slide back to the pile of brown powder, although he knew it was poison. He had fixed at ten that morning; the same number of hours had gone by since then. But if he did any of those things, the situation would change. The sallow thing was doing more than cogitating; it was watching him, trying to calculate the depth of him.

"I might be able to find something," it said at last.

"Why don't you try?" Eddie said. "But come eleven, I turn out the light and put the DO NOT DISTURB sign on the door, and anybody that knocks after I do that, I call the desk and say someone's bothering me, send a security guy."

"You are a fuck," the sallow thing said in its impeccable British accent.

"No," Eddie said, "a fuck is what you expected. I came with my legs crossed. You want to be here before eleven with something that I can use―it doesn't have to be great, just something I can use―or you will be one dead scuzz."

7

The sallow thing was back long before eleven; he was back by nine-thirty. Eddie guessed the other stuff had been in his car all along.

A little more powder this time. Not white, but at least a dull ivory color, which was mildly hopeful.

Eddie tasted. It seemed all right. Actually better than all right. Pretty good. He rolled a bill and snorted.

"Well, then, until Sunday," the sallow thing said briskly, getting to its feet.

"Wait," Eddie said, as if he were the one with the gun. In a way he was. The gun was Balazar. Emilio Balazar was a high-caliber big shot in New York 's wonderful world of drugs.

"Wait?" the sallow thing turned and looked at Eddie as if he believed Eddie must be insane. "For what?"

"Well, I was actually thinking of you," Eddie said. "If I get really sick from what I just put into my body, it's off. If I die, of course it's off. I was just thinking that, if I only get a little sick, I might give you another chance. You know, like that story about how some kid rubs a lamp and gets three wishes."

"It will not make you sick. That's China White."

"If that's China White," Eddie said, "I'm Dwight Gooden."

"Who?"

"Never mind."

The sallow thing sat down. Eddie sat by the motel room desk with the little pile of white powder nearby (the D-Con or whatever it had been had long since gone down the John). On TV the Braves were getting shellacked by the Mets, courtesy of WTBS and the big satellite dish on the Aquinas Hotel's roof. Eddie felt a faint sensation of calm which seemed to come from the back of his mind … except where it was really coming from, he knew from what he had read in the medical journals, was from the bunch of living wires at the base of his spine, that place where heroin addiction takes place by causing an unnatural thickening of the nerve stern.

Want to take a quick cure? he had asked Henry once. Break your spine, Henry. Your legs stop working, and so does your cock, but you stop needing the needle right away.

Henry hadn't thought it was funny.

In truth, Eddie hadn't thought it was that funny either. When the only fast way you could get rid of the monkey on your back was to snap your spinal cord above that bunch of nerves, you were dealing with one heavy monkey. That was no capuchin, no cute little organ grinder's mascot; that was a big mean old baboon.

Eddie began to sniffle.

"Okay," he said at last. "It'll do. You can vacate the premises, scuzz."

The sallow thing got up. "I have friends,'' he said. “They could come in here and do things to you. You'd beg to tell me where that key is."

"Not me, champ," Eddie said. "Not this kid." And smiled. He didn't know how the smile looked, but it must not have looked all that cheery because the sallow thing vacated the premises, vacated them fast, vacated them without looking back.

When Eddie Dean was sure he was gone, he cooked.

Fixed.

Slept.

8

As he was sleeping now.

The gunslinger, somehow inside this man's mind (a man whose name he still did not know; the lowling the prisoner thought of as "the sallow thing'' had not known it, and so had never spoken it), watched this as he had once watched plays as a child, before the world had moved on … or so he thought he watched, because plays were all he had ever seen. If he had ever seen a moving picture, he would have thought of that first. The things he did not actually see he had been able to pluck from the prisoner's mind because the associations were close. It was odd about the name, though. He knew the name of the prisoner's brother, but not the name of the man himself. But of course names were secret things, full of power.

And neither of the things that mattered was the man's name. One was the weakness of the addiction. The other was the steel buried inside that weakness, like a good gun sinking in quicksand.

This man reminded the gunslinger achingly of Cuthbert.

Someone was coming. The prisoner, sleeping, did not hear. The gunslinger, not sleeping, did, and came forward again.

9

Great, Jane thought. He tells me how hungry he is and I fix something up for him because he's a little bit cute, and then he falls asleep on me.

Then the passenger―a guy of about twenty, tall, wearing clean, slightly faded bluejeans and a paisley shirt―opened his eyes a little and smiled at her.

"Thankee sai," he said―or so it sounded. Almost archaic … or foreign. Sleep-talk, that's all, Jane thought.

"You're welcome." She smiled her best stewardess smile, sure he would fall asleep again and the sandwich would still be there, uneaten, when it was time for the actual meal service.

Well, that was what they taught you to expect, wasn't it?

She went back to the galley to catch a smoke.

She struck the match, lifted it halfway to her cigarette, and there it stopped, unnoticed, because that wasn't all they taught you to expect.

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