Стивен Кинг - The Drawing of the Three

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The man in black is dead, and Roland is about to be hurled into 20th-centure America, occupuying the mind of a man running cocaine on the New York/Bermuda shuttle. A brilliant waork of dark fantasy inspired by Browning's romantic poem, "Child Roland to the Dark Tower Came."
Synopsis: Part II an epic saga. Roland, the last gunslinger, encounters three mysterious doorways on the beach. Each one enters into a different person living in New York. Through these doorways, Roland draws the companions who will assist him on his quest to save the Dark Tower.

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Also, he appeared to be on fire.

13

Roland ignored Mort's increasing shrieks of pain as his shirt, undershirt, and jacket began to burn more briskly, as the silver of the lighter began to melt and run down his midsection to his belly in burning tracks.

He could smell dirty moving air, could hear the roar of an oncoming train.

This was almost the time; the moment had almost come around, the moment when he would draw the three or lose it all. For the second time he seemed to feel worlds tremble and reel about his head.

He reached the platform level and tossed the .38 aside. He unbuckled Jack Mort's pants and pushed them casually down, revealing a pair of white underdrawers like a whore's panties. He had no time to reflect on this oddity. If he did not move fast, he could stop worrying about burning alive; the bullets he had purchased would get hot enough to go off and this body would simply explode.

The gunslinger stuffed the boxes of bullets into the underdrawers, took out the bottle of Keflex, and did the same with it. Now the underdrawers bulged grotesquely. He stripped off the flaming suit-jacket, but made no effort to take off the flaming shirt.

He could hear the train roaring toward the platform, could see its light. He had no way of knowing it was a train which kept the same route as the one which had run over Odetta, but all the same he did know. In matters of the Tower, fate became a thing as merciful as the lighter which had saved his life and as painful as the fire the miracle had ignited. Like the wheels of the oncoming train, it followed a course both logical and crushingly brutal, a course against which only steel and sweetness could stand.

He hoicked up Mort's pants and began to run again, barely aware of the people scattering out of his way. As more air fed the fire, first his shirt collar and then his hair began to burn. The heavy boxes in Mort's underdrawers slammed against his balls again and again, mashing them; excruciating pain rose into his gut. He jumped the turnstile, a man who was becoming a meteor. Put me out! Mort screamed. Put me out before I burn up!

You ought to burn, the gunslinger thought grimly. What's going to happen to you is more merciful than you deserve.

What do you mean? WHAT DO YOU MEAN?

The gunslinger didn't answer; in fact turned him off entirely as he pelted toward the edge of the platform. He felt one of the boxes of shells trying to slip out of Mort's ridiculous panties and held it with one hand.

He sent out every bit of his mental force toward the Lady. He had no idea if such a telepathic command could be heard, or if the hearer could be compelled to obey, but he sent it just the same, a swift, sharp arrow of thought:

THE DOOR! LOOK THROUGH THE DOOR! NOW! NOW!

Train-thunder filled the world. A woman screamed "Oh my God he's going to jump!" A hand slapped at his shoulder, trying to pull him back. Then Roland pushed the body of Jack Mort past the yellow warning line and dove over the edge of the platform. He fell into the path of the oncoming train with his hands cupping his crotch, holding the luggage he would bring back … if, that was, he was fast enough to get out of Mort at just the right instant. As he fell he called her— them— again:

ODETTA HOLMES! DETTA WALKER ! LOOK NOW!

As he called, as the train bore down upon him, its wheels turning with merciless silver speed, the gunslinger finally turned his head and looked back through the door.

And directly into her face.

Faces!

Both of them, I see both of them at the same time—

NOO—! Mort shrieked, and in the last split second before the train ran him down, cutting him in two not above the knees but at the waist, Roland lunged at the door … and through it.

Jack Mort died alone.

The boxes of ammunition and the bottle of pills appeared beside Roland's physical body. His hands clenched spasmodi­cally at them, then relaxed. The gunslinger forced himself up, aware that he was wearing his sick, throbbing body again, aware that Eddie Dean was screaming, aware that Odetta was shrieking in two voices. He looked—only for a moment—and saw exactly what he had heard: not one woman but two. Both were legless, both dark-skinned, both women of great beauty. Nonetheless, one of them was a hag, her interior ugliness not hidden by her outer beauty but enhanced by it.

Roland stared at these twins who were not really twins at all but negative and positive images of the same woman. He stared with a feverish, hypnotic intensity.

Then Eddie screamed again and the gunslinger saw the lobstrosities tumbling out of the waves and strutting toward the place where Detta had left him, trussed and helpless.

The sun was down. Darkness had come.

14

Detta saw herself in the doorway, saw herself through her eyes, saw herself through the gunslinger's eyes, and her sense of dislocation was as sudden as Eddie's, but much more violent.

She was here.

She was there, in the gunslinger's eyes.

She heard the oncoming train.

Odetta! she screamed, suddenly understanding every­thing: what she was and when it had happened.

Detta ! she screamed, suddenly understanding everything: what she was and who had done it.

A brief sensation of being turned inside out … and then a much more agonizing one.

She was being torn apart.

15

Roland shambled down the short slope to the place where Eddie lay. He moved like a man who has lost his bones. One of the lobster-things clawed at Eddie's face. Eddie screamed. The gunslinger booted it away. He bent rustily and grabbed Eddie's arms. He began to drag him backwards, but it was too late, his strength was too little, they were going to get Eddie, hell, both of them—

Eddie screamed again as one of the lobstrosities asked him did-a-chick? and then tore a swatch of his pants and a chunk of meat to go along with it. Eddie tried another scream, but nothing came out but a choked gargle. He was strangling in Detta's knots.

The things were all around them, closing in, claws click­ing eagerly. The gunslinger threw the last of his strength into a final yank … and tumbled backwards. He heard them coming, them with their hellish questions and clicking claws. Maybe it wasn't so bad, he thought. He had staked everything, and that was all he had lost.

The thunder of his own guns filled him with stupid wonder.

16 The two women lay face to face bodies raised like snakes about to strike - фото 15

16

The two women lay face to face, bodies raised like snakes about to strike, fingers with identical prints locked around throats marked with identical lines.

The woman was trying to kill her but the woman was not real, no more than the girl had been real; she was a dream created by a falling brickbut now the dream was real, the dream was clawing her throat and trying to kill her as the gunslinger tried to save his friend. The dream-made-real was screeching obscenities and raining hot spittle into her face. "I took the blue plate because that woman landed me in the hospital and besides I didn't get no forspecial plate an I bust it cause it needed bustin an when I saw a white boy I could bust why I bust him too I hurt the white boys because they needed hurtin I stole from the stores that only sell things that are forspecial to whitefolks while the brothers and sisters go hungry in Harlem and the rats eat their babies, I'm the one, you bitch, I'm the one, III!

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