Стивен Кинг - The Drawing of the Three

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The man in black is dead, and Roland is about to be hurled into 20th-centure America, occupuying the mind of a man running cocaine on the New York/Bermuda shuttle. A brilliant waork of dark fantasy inspired by Browning's romantic poem, "Child Roland to the Dark Tower Came."
Synopsis: Part II an epic saga. Roland, the last gunslinger, encounters three mysterious doorways on the beach. Each one enters into a different person living in New York. Through these doorways, Roland draws the companions who will assist him on his quest to save the Dark Tower.

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Fat Johnny turned around, beginning to blubber. Of course the guy said he wasn't going to, but the smell of mob hit was getting too strong to ignore. He hadn't even been skim­ming that much. His blubbers became choked wails.

"Please, mister, for my mother's sake don't shoot me. My mother's old. She's blind. She's—"

"She's cursed with a yellowgut son," the gunslinger said dourly. "Wrists together."

Mewling, wet pants sticking to his crotch, Fat Johnny put them together. In a trice the steel bracelets were locked in place. He had no idea how the spook had gotten over or around the counter so quickly. Nor did he want to know.

"Stand there and look at the wall until I tell you it's all right to turn around. If you turn around before then, I'll kill you."

Hope lighted Fat Johnny's mind. Maybe the guy didn't mean to hit him after all. Maybe the guy wasn't crazy, just insane.

"I won't. Swear to God. Swear before all of His saints. Swear before all His angels. Swear before all His arch—"

"I swear if you don't shut up I'll put a slug through your neck," the spook said.

Fat Johnny shut up. It seemed to him that he stood facing the wall for an eternity. In truth, it was about twenty seconds.

The gunslinger knelt, put the clerk's gun on the floor, took a quick look to make sure the maggot was being good, then rolled the other two onto their backs. Both were good and out, but not dangerously hurt, Roland judged. They were both breathing regularly. A little blood trickled from the ear of the one called Delevan, but that was all.

He took another quick glance at the clerk, then unbuckled the gunslingers' gunbelts and stripped them off. Then he took off Mort's blue suitcoat and buckled the belts on himself. They were the wrong guns, but it still felt good to be packing iron again. Damned good. Better than he would have believed.

Two guns. One for Eddie, and one for Odetta … when and if Odetta was ready for a gun. He put on Jack Mort's coat again, dropped two boxes of shells into the right pocket and two into the left. The coat, formerly impeccable, now bulged out of shape. He picked up the clerk's .357 Mag and put the shells in his pants pocket. Then he tossed the gun across the room. When it hit the floor Fat Johnny jumped, uttered another wee shriek, and squirted a little more warm water in his pants.

The gunslinger stood up and told Fat Johnny to turn around.

10

When Fat Johnny got another look at the geek in the blue suit and the gold-rimmed glasses, his mouth fell open. For a moment he felt an overwhelming certainty that the man who had come in here had become a ghost when Fat Johnny's back was turned. It seemed to Fat Johnny that through the man he could see a figure much more real, one of those legendary gunfighters they used to make movies and TV shows about when he was a kid: Wyatt Earp, Doc Holliday, Butch Cassidy, one of those guys.

Then his vision cleared and he realized what the crazy nut had done: taken the cops' guns and strapped them around his waist. With the suit and tie the effect should have been ludi­crous, but somehow it wasn't.

"The key to the wristbands is on the counter. When the possemen wake up they'll free you."

He took the wallet, opened it, and, incredibly, laid four twenty dollar bills on the glass before stuffing the wallet back into his pocket.

"For the ammunition," Roland said. "I've taken the bullets from your own gun. I intend to throw them away when I leave your store. I think that, with an unloaded gun and no wallet, they may find it difficult to charge you with a crime."

Fat Johnny gulped. For one of the few times in his life he was speechless.

"Now where is the nearest—" Pause. "—nearest drug­store?"

Fat Johnny suddenly understood—or thought he under­stood—everything. The guy was a junkball, of course. That was the answer. No wonder he was so weird. Probably hopped up to the eyeballs.

"There's one around the corner. Half a block down Forty-Ninth."

"If you're lying, I'll come back and put a bullet in your brain."

"I'm not lying!" Fat Johnny cried. "I swear before God the Father! I swear before all the Saints! I swear on my mother's—"

But then the door was swinging shut. Fat Johnny stood for a moment in utter silence; unable to believe the nut was gone.

Then he walked as rapidly as he could around the counter and to the door. He turned his back to it and fumbled around until he was able to grasp and turn the lock. He fumbled some more until he had managed to shoot the bolt as well.

Only then did he allow himself to slide slowly into a sitting position, gasping and moaning and swearing to God and all His saints and angels that he would go to St. Anthony's this very afternoon, as soon as one of those pigs woke up and let him out of these cuffs, as a matter of fact. He was going to make confession, do an act of contrition, and take com­munion.

Fat Johnny Holden wanted to get right with God.

This had just been too fucking close.

11

The setting sun became an arc over the Western Sea . It narrowed to a single bright line which seared Eddie's eyes. Looking at such a light for long could put a permanent burn on your retinas. This was just one of the many interesting facts you learned in school, facts that helped you get a fulfilling job like part-time bartender and an interesting hobby like the full-time search for street-skag and the bucks with which to buy it. Eddie didn't stop looking. He didn't think it was going to matter much longer if he got eye-burned or not.

He didn't beg the witch-woman behind him. First, it wouldn't help. Second, begging would degrade him. He had lived a degrading life; he discovered that he had no wish to degrade himself further in the last few minutes of it. Minutes were all he had left now. That's all there would be before that bright line disappeared and the time of the lobstrosities came.

He had ceased hoping that a miraculous change would bring Odetta back at the last moment, just as he ceased hoping that Detta would recognize that his death would almost cer­tainly strand her in this world forever. He had believed until fifteen minutes ago that she was bluffing; now he knew better.

Well, it'll be better than strangling an inch at a time, he thought, but after seeing the loathsome lobster-things night after night, he really didn't believe that was true. He hoped he would be able to die without screaming. He didn't think this would be possible, but he intended to try.

"They be comin fo you, honky!" Detta screeched. "Be comin any minute now! Goan be the best dinner those daddies evah had!"

It wasn't just a bluff, Odetta wasn't coming back … and the gunslinger wasn't, either. This last hurt the most, some­how. He had been sure he and the gunslinger had become—well, partners if not brothers—during their trek up the beach, and Roland would at least make an effort to stand by him.

But Roland wasn't coming.

Maybe it isn't that he doesn't want to come. Maybe he can't come. Maybe he's dead, killed by a security guard in a drugstore—shit, that'd be a laugh, the world's last gunslinger killed by a Rent-A-Cop—or maybe run over by a taxi. Maybe he's dead and the door's gone. Maybe that's why she's not running a bluff. Maybe there's no bluff to run.

"Goan be any minute now!" Detta screamed, and then Eddie didn't have to worry about his retinas anymore, because that last bright slice of light disappeared, leaving only afterglow.

He stared at the waves, the bright afterimage slowly fad­ing from his eyes, and waited for the first of the lobstrosities to come rolling and tumbling out of the waves.

12

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