Стивен Кинг - The Drawing of the Three

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The man in black is dead, and Roland is about to be hurled into 20th-centure America, occupuying the mind of a man running cocaine on the New York/Bermuda shuttle. A brilliant waork of dark fantasy inspired by Browning's romantic poem, "Child Roland to the Dark Tower Came."
Synopsis: Part II an epic saga. Roland, the last gunslinger, encounters three mysterious doorways on the beach. Each one enters into a different person living in New York. Through these doorways, Roland draws the companions who will assist him on his quest to save the Dark Tower.

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So far.

Roland had gone yesterday, and although that made today Eddie's turn, the gunslinger had gone again, shoulder­ing the hide water-skins and walking off without a word. Eddie found this queerly discreet. He didn't want to be touched by the gesture―by anything about Roland, for that matter―and found he was, a little, just the same.

She listened attentively to Eddie, not speaking at all, her eyes fixed on his. At one moment Eddie would guess she was five years older than he, at another he would guess fifteen. There was one thing he didn't have to guess about: he was falling in love with her.

When he had finished, she sat for a moment without saying anything, now not looking at him but beyond him, looking at the waves which would, at nightfall, bring the lobsters and with their alien, lawyerly questions. He had been particularly careful to describe them. Better for her to be a little scared now than a lot scared when they came out to play. He supposed she wouldn't want to eat them, not after hearing what they had done to Roland's hand and foot, not after she got a good close look at them. But eventually hunger would win out over did-a-chick and dum-a-chum.

Her eyes were far and distant.

"Odetta?" he asked after perhaps five minutes had gone by. She had told him her name. Odetta Holmes. He thought it was a gorgeous name.

She looked back at him, startled out of her revery. She smiled a little. She said one word.

"No."

He only looked at her, able to think of no suitable reply. He thought he had never understood until that moment how illimitable a simple negative could be.

"I don't understand," he said finally. "What are you no-ing?"

"All this." Odetta swept an arm (she had, he'd noticed, very strong arms―smooth but very strong), indicating the sea, the sky, the beach, the scruffy foothills where the gunslinger was now presumably searching for water (or maybe getting eaten alive by some new and interesting monster, something Eddie didn't really care to think about). Indicating, in short, this entire world.

"I understand how you feel. I had a pretty good case of the unrealities myself at first."

But had he? Looking back, it seemed he had simply accepted, perhaps because he was sick, shaking himself apart in his need for junk.

"You get over it."

"No," she said again. "I believe one of two things has happened, and no matter which one it is, I am still in Oxford , Mississippi . None of this is real."

She went on. If her voice had been louder (or perhaps if he had not been falling in love) it would almost have been a lecture. As it was, it sounded more like lyric than lecture.

Except, he had to keep reminding himself, bullshit's what it really is, and you have to convince her of that. For her sake.

"I may have sustained a head injury," she said. "They are notorious swingers of axe-handles and billy-clubs in Oxford Town ."

Oxford Town .

That produced a faint chord of recognition far back in Eddie's mind. She said the words in a kind of rhythm that he for some reason associated with Henry … Henry and wet diapers. Why? What? Didn't matter now.

"You're trying to tell me you think this is all some sort of dream you're having while you're unconscious?"

"Or in a coma," she said. "And you needn't look at me as though you thought it was preposterous, because it isn't. Look here."

She parted her hair carefully on the left, and Eddie could see she wore it to one side not just because she liked the style. The old wound beneath the fall of her hair was scarred and ugly, not brown but a grayish-white.

"I guess you've had a lot of hard luck in your time," he said.

She shrugged impatiently. "A lot of hard luck and a lot of soft living," she said. "Maybe it all balances out. I only showed you because I was in a coma for three weeks when I was five. I dreamed a lot then. I can't remember what the dreams were, but I remember my mamma said they knew I wasn't going to die just as long as I kept talking and it seemed like I kept talking all the time, although she said they couldn't make out one word in a dozen. I do remember that the dreams were very vivid."

She paused, looking around.

"As vivid as this place seems to be. And you, Eddie."

When she said his name his arms prickled. Oh, he had it, all right. Had it bad.

"And him." She shivered. "He seems the most vivid of all."

"We ought to. I mean, we are real, no matter what you think."

She gave him a kind smile. It was utterly without belief.

"How did that happen?" he asked. "That thing on your head?"

"It doesn't matter. I'm just making the point that what has happened once might very well happen again."

"No, but I'm curious."

"I was struck by a brick. It was our first trip north. We came to the town of Elizabeth , New Jersey . We came in the Jim Crow car."

"What's that?"

She looked at him unbelievingly, almost scornfully. "Where have you been living, Eddie? In a bomb-shelter?"

"I'm from a different time," he said. "Could I ask how old you are, Odetta?"

"Old enough to vote and not old enough for Social Security."

"Well, I guess that puts me in my place."

"But gently, I hope," she said, and smiled that radiant smile which made his arms prickle.

"I'm twenty-three," he said, "but I was born in 1964―the year you were living in when Roland took you."

"That's rubbish."

"No. I was living in 1987 when he took me."

"Well," she said after a moment. "That certainly adds a great deal to your argument for this as reality, Eddie."

"The Jim Crow car … was it where the black people had to stay?"

"The Negros ," she said. "Calling a Negro a black is a trifle rude, don't you think?"

"You'll all be calling yourselves that by 1980 or so," Eddie said. "When I was a kid, calling a black kid a Negro was apt to get you in a fight. It was almost like calling him a nigger."

She looked at him uncertainly for a moment, then shook her head again.

"Tell me about the brick, then."

"My mother's youngest sister was going to be married," Odetta said. "Her name was Sophia, but my mother always called her Sister Blue because it was the color she always fancied. 'Or at least she fancied to fancy it,' was how my mother put it. So I always called her Aunt Blue, even before I met her. It was the most lovely wedding. There was a reception afterward. I remember all the presents."

She laughed.

"Presents always look so wonderful to a child, don't they, Eddie?"

He smiled. "Yeah, you got that right. You never forget presents. Not what you got, not what somebody else got, either."

"My father had begun to make money by then, but all I knew is that we were getting ahead. That's what my mother always called it and once, when I told her a little girl I played with had asked if my daddy was rich, my mother told me that was what I was supposed to say if any of my other chums ever asked me that question. That we were getting ahead.

"So they were able to give Aunt Blue a lovely china set, and I remember.…"

Her voice faltered. One hand rose to her temple and rubbed absently, as if a headache were beginning there.

"Remember what, Odetta?"

"I remember my mother gave her a forspecial."

"What?"

"I'm sorry. I've got a headache. It's got my tongue tangled. I don't know why I'm bothering to tell you all this, anyway."

"Do you mind?"

"No. I don't mind. I meant to say mother gave her a special plate. It was white, with delicate blue tracework woven all around the rim." Odetta smiled a little. Eddie didn't think it was an entirely comfortable smile. Something about this memory disturbed her, and the way its immediacy seemed to have taken precedence over the extremely strange situation she had found herself in, a situation which should be claiming all or most of her attention, disturbed him.

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