Стивен Кинг - The Drawing of the Three

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The man in black is dead, and Roland is about to be hurled into 20th-centure America, occupuying the mind of a man running cocaine on the New York/Bermuda shuttle. A brilliant waork of dark fantasy inspired by Browning's romantic poem, "Child Roland to the Dark Tower Came."
Synopsis: Part II an epic saga. Roland, the last gunslinger, encounters three mysterious doorways on the beach. Each one enters into a different person living in New York. Through these doorways, Roland draws the companions who will assist him on his quest to save the Dark Tower.

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Another man, less pragmatic and more introspective than Roland, might have asked (to himself, if not right out loud), Why this one? Why this man to start? Why a man who seems to promise weakness or strangeness or even outright doom?

Not only did the gunslinger never ask the question; it never even formulated itself in his mind. Cuthbert would have asked; Cuthbert had questioned everything, had been poi­soned with questions, had died with one in his mouth. Now they were gone, all gone. Cort's last gunslingers, the thirteen survivors of a beginning class that had numbered fifty-six, were all dead. All dead but Roland. He was the last gunslinger, going steadily on in a world that had grown stale and sterile and empty.

Thirteen, he remembered Cort saying on the day before the Presentation Ceremonies. This is an evil number. And on the following day, for the first time in thirty years, Cort had not been present at the Ceremonies. His final crop of pupils had gone to his cottage to first kneel at his feet, presenting defenseless necks, then to rise and receive his congratulatory kiss and to allow him to load their guns for the first time. Nine weeks later, Cort was dead. Of poison, some said. Two years after his death, the final bloody civil war had begun. The red slaughter had reached the last bastion of civilization, light, and sanity, and had taken away what all of them had assumed was so strong with the casual ease of a wave taking a child's castle of sand.

So he was the last, and perhaps he had survived because the dark romance in his nature was overset by his practicality and simplicity. He understood that only three things mattered: mortality, ka, and the Tower.

Those were enough things to think about.

Eddie finished his tale around four o'clock on the third day of their northward journey up the featureless beach. The beach itself never seemed to change. If a sign of progress was wanted, it could only be obtained by looking left, to the east. There the jagged peaks of the mountains had begun to soften and slump a bit. It was possible that if they went north far enough, the mountains would become rolling hills.

With his story told, Eddie lapsed into silence and they walked without speaking for a half an hour or longer. Eddie kept stealing little glances at him. Roland knew Eddie wasn't aware that he was picking these glances up; he was still too much in himself. Roland also knew what Eddie was waiting for: a response. Some kind of response. Any kind. Twice Eddie opened his mouth only to close it again. Finally he asked what the gunslinger had known he would ask.

"So? What do you think?"

"I think you're here."

Eddie stopped, fisted hands planted on his hips. "That's all? That's it?"

"That's all I know," the gunslinger replied. His missing fingers and toe throbbed and itched. He wished for some of the astin from Eddie's world.

"You don't have any opinion on what the hell it all means?"

The gunslinger might have held up his subtracted right hand and said, Think about what this means, you silly idiot, but it no more crossed his mind to say this than it had to ask why it was Eddie, out of all the people in all the universes that might exist. "It's ka," he said, facing Eddie patiently.

"What's ka?" Eddie's voice was truculent. "I never heard of it. Except if you say it twice you come out with the baby word for shit."

"I don't know about that," the gunslinger said. "Here it means duty, or destiny, or, in the vulgate, a place you must go."

Eddie managed to look dismayed, disgusted, and amused all at the same time. "Then say it twice, Roland, because words like that sound like shit to this kid."

The gunslinger shrugged. "I don't discuss philosophy. I don't study history. All I know is what's past is past, and what's ahead is ahead. The second is ka, and takes care of itself."

"Yeah?" Eddie looked northward. "Well all I see ahead is about nine billion miles of this same fucking beach. If that's what's ahead, ka and kaka are the same thing. We might have enough good shells to pop five or six more of those lobster dudes, but then we're going to be down to chucking rocks at them. So where are we going?"

Roland did wonder briefly if this was a question Eddie had ever thought to ask his brother, but to ask such a question would only be an invitation to a lot of meaningless argument. So he only cocked a thumb northward and said, "There. To begin with."

Eddie looked and saw nothing but the same reach of shell– and rock-studded gray shingle. He looked back at Roland, about to scoff, saw the serene certainty on his face, and looked again. He squinted. He shielded the right side of his face from the westering sun with his right hand. He wanted desperately to see something, anything, shit, even a mirage would do, but there was nothing.

"Crap on me all you want to," Eddie said slowly, "but I say it's a goddam mean trick. I put my life on the line for you at Balazar's."

"I know you did." The gunslinger smiled―a rarity that lit his face like a momentary flash of sunlight on a dismal luring day. "That's why I've done nothing but square-deal you, Eddie. It's there. I saw it an hour ago. At first I thought it was only a mirage or wishful thinking, but it's there, all right."

Eddie looked again, looked until water ran from the corners of his eyes. At last he said, "I don't see anything up ahead but more beach. And I got twenty-twenty vision."

"I don't know what that means."

"It means if there was something there to see, I'd see it!" But Eddie wondered. Wondered how much further than his own the gunslinger's blue bullshooter's eyes could see. Maybe a little.

Maybe a lot.

"You'll see it," the gunslinger said.

"See what?"

"We won't get there today, but if you see as well as you say, you'll see it before the sun hits the water. Unless you just want to stand here chin-jawing, that is."

"Ka," Eddie said in a musing voice.

Roland nodded. "Ka."

"Kaka," Eddie said, and laughed. "Come on, Roland. Let's take a hike. And if I don't see anything by the time the sun hits the water, you owe me a chicken dinner. Or a Big Mac. Or anything that isn't lobster."

"Come on."

They started walking again, and it was at least a full hour before the sun's lower arc touched the horizon when Eddie Dean began to see the shape in the distance―vague, shimmer­ing, indefinable, but definitely something. Something new.

"Okay," he said. "I see it. You must have eyes like Superman."

"Who?"

"Never mind. You've got a really incredible case of cul­ture lag, you know it?"

"What?"

Eddie laughed. "Never mind. What is it?"

"You'll see." The gunslinger started walking again before Eddie could ask anything else.

Twenty minutes later Eddie thought he did see. Fifteen minutes after that he was sure. The object on the beach was still two, maybe three miles away, but he knew what it was. A door, of course. Another door.

Neither of them slept well that night, and they were up and walking an hour before the sun cleared the eroding shapes of the mountains. They reached the door just as the morning sun's first rays, so sublime and so still, broke over them. Those rays lighted their stubbly cheeks like lamps. They made the gunslinger forty again, and Eddie no older than Roland had been when he went out to fight Cort with his hawk David as his weapon.

This door was exactly like the first, except for what was writ upon it:

THE LADY OF SHADOWS

" So," Eddie said softly, looking at the door which simply stood here with its hinges grounded in some unknown jamb between one world and another, one universe and another. It stood with its graven message, real as rock and strange as starlight.

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