Стивен Кинг - The Drawing of the Three

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The man in black is dead, and Roland is about to be hurled into 20th-centure America, occupuying the mind of a man running cocaine on the New York/Bermuda shuttle. A brilliant waork of dark fantasy inspired by Browning's romantic poem, "Child Roland to the Dark Tower Came."
Synopsis: Part II an epic saga. Roland, the last gunslinger, encounters three mysterious doorways on the beach. Each one enters into a different person living in New York. Through these doorways, Roland draws the companions who will assist him on his quest to save the Dark Tower.

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11

When the van pulled to the curb near Balazar's place, Col Vincent happened to be looking at Eddie. He saw something impossible. He tried to speak and found himself unable. His tongue was stuck to the roof of his mouth and all he could get out was a muffled grunt.

He saw Eddie's eyes change from brown to blue.

12

This time Roland made no conscious decision to come forward. He simply leaped without thinking, a movement as involuntary as rolling out of a chair and going for his guns when someone burst into a room.

The Tower! he thought fiercely. It's the Tower, my God, the Tower is in the sky, the Tower! I see the Tower in the sky, drawn in lines of red fire! Cuthbert! Alan! Desmond! The Tower! The T

But this time he felt Eddie struggling—not against him, but trying to talk to him, trying desperately to explain some­thing to him.

The gunslinger retreated, listening―listening desper­ately, as above a beach some unknown distance away in space and time, his mindless body twitched and trembled like the body of a man experiencing a dream of highest ecstasy or deepest horror.

13

Sign! Eddie was screaming into his own head … and into the head of that other.

It's a sign, just a neon sign, I don't know what tower it is you're thinking about but this is just a bar, Balazar's place, The Leaning Tower , he named it that after the one in Pisa ! It's just a sign that's supposed to look like the fucking Leaning Tower of Pisa ! Let up! Let up! You want to get us killed before we have a chance to go at them?

Pitsa? the gunslinger replied doubtfully, and looked again.

A sign. Yes, all right, he could see now: it was not the Tower, but a Signpost. It leaned to one side, and there were many scalloped curves, and it was a marvel, but that was all. He could see now that the sign was a thing made of tubes, tubes which had somehow been filled with glowing red swamp-fire. In some places there seemed to be less of it than others; in those places the lines of fire pulsed and buzzed.

He now saw letters below the tower which had been made of shaped tubes; most of them were Great Letters. TOWER he could read, and yes, LEANING. LEANING TOWER . The first word was three letters, the first T, the last E, the middle one which he had never seen.

Tre? he asked Eddie.

THE. It doesn't matter. Do you see it's just a sign? That's what matters!

I see, the gunslinger answered, wondering if the prisoner really believed what he was saying or was only saying it to keep the situation from spilling over as the tower depicted in those lines of fire seemed about to do, wondering if Eddie believed any sign could be a trivial thing.

Then ease off! Do you hear me? Ease off!

Be cool? Roland asked, and both felt Roland smile a little in Eddie's mind.

Be cool, right. Let me handle things.

Yes. All right. He would let Eddie handle things.

For awhile.

14

Col Vincent finally managed to get his tongue off the roof of his mouth. "Jack." His voice was as thick as shag carpet.

Andolini turned off the motor and looked at him, irritated.

"His eyes."

"What about his eyes?"

"Yeah, what about my eyes?" Eddie asked.

Col looked at him.

The sun had gone down, leaving nothing in the air but the day's ashes, but there was light enough for Col to see that Eddie's eyes were brown again.

If they had ever been anything else.

You saw it, part of his mind insisted, but had he? Col was twenty-four, and for the last twenty-one of those years no one had really believed him trustworthy. Useful sometimes. Obe­dient almost always … if kept on a short leash. Trustworthy? No. Col had eventually come to believe it himself.

"Nothing," he muttered.

"Then let's go," Andolini said.

They got out of the pizza van. With Andolini on their left and Vincent on their right, Eddie and the gunslinger walked into The Leaning Tower.

CHAPTER 5

SHOWDOWN AND SHOOT-OUT

1

In a blues tune from the twenties Billie Holiday, who would one day discover the truth for herself, sang: "Doctor tole me daughter you got to quit it fast/Because one more rocket gonna be your last." Henry Dean's last rocket went up just five minutes before the van pulled up in front of The Leaning Tower and his brother was herded inside.

Because he was on Henry's right, George Biondi―known to his friends as "Big George" and to his enemies as "Big Nose"―asked Henry's questions. Now, as Henry sat nodding and blinking owlishly over the board, Tricks Postino put the die in a hand which had already gone the dusty color that results in the extremities after long-term heroin addiction, the dusty color which is the precursor of gangrene.

"Your turn, Henry," Tricks said, and Henry let the die fall from his hand.

When he went on staring into space and showed no intention of moving his game piece, Jimmy Haspio moved it for him. "Look at this, Henry," he said. "You got a chance to score a piece of the pie."

"Reese's Pieces," Henry said dreamily, and then looked around, as if awakening. "Where's Eddie?"

"He'll be here pretty soon," Tricks soothed him. "Just play the game."

"How about a fix?"

"Play the game, Henry."

"Okay, okay, stop leaning on me."

"Don't lean on him," Kevin Blake said to Jimmy.

"Okay, I won't," Jimmy said.

"You ready?" George Biondi said, and gave the others an enormous wink as Henry's chin floated down to his breast­bone and then slowly rose once more―it was like watching a soaked log not quite ready to give in and sink for good.

"Yeah," Henry said. "Bring it on."

"Bring it on!" Jimmy Haspio cried happily.

"You bring that fucker!" Tricks agreed, and they all roared with laughter (in the other room Balazar's edifice, now three levels high, trembled again, but did not fall).

"Okay, listen close," George said, and winked again. Although Henry was on a Sports category, George announced the category was Arts and Entertainment. "What popular country and western singer had hits with 'A Boy Named Sue,' 'Folsom Prison Blues,' and numerous other shitkicking songs?"

Kevin Blake, who actually could add seven and nine (if you gave him poker chips to do it with), howled with laughter, clutching his knees and nearly upsetting the board.

Still pretending to scan the card in his hand, George continued: "This popular singer is also known as The Man in Black. His first name means the same as a place you go to take a piss and his last name means what you got in your wallet unless you're a fucking needle freak."

There was a long expectant silence.

"Walter Brennan," Henry said at last.

Bellows of laughter. Jimmy Haspio clutched Kevin Blake. Kevin punched Jimmy in the shoulder repeatedly. In Balazar's office, the house of cards which was now becoming a tower of cards trembled again.

"Quiet down!" 'Cimi yelled. "Da Boss is buildin!"

They quieted at once.

"Right," George said. "You got that one right, Henry. It was a toughie, but you came through."

"Always do," Henry said. "Always come through in the fuckin clutch. How about a fix?"

"Good idea!" George said, and took a Roi-Tan cigar box from behind him. From it he produced a hypo. He stuck it into the scarred vein above Henry's elbow, and Henry's last rocket took off.

2

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