Зенна Гендерсон - Pottage

POTTAGE by Zenna Henderson What was the secret that held the children of Bendo in quietness and fear? One of many stories about The People. You get tired of teaching after a while. Well, maybe not of teaching itself, because it's insidious and remains a tug in the blood for all of your life, but there comes a day when you look down at the paper you're grading or listen to an answer you're giving a child and you get a boinnng! feeling. And each reverberation of the boing is a year in your life, another set of children through your hands, another beat in monotony, and it's frightening. The value of the work you're doing doesn't enter into it at that moment and the monotony is bitter on your tongue. Sometimes you can assuage that feeling by consciously savoring those precious days of pseudo freedom between the time you receive your contract for the next year and the moment you sign it. Because you can escape at that moment, but somehow—you don't. But I did one spring. I quit teaching. I didn't sign up again. I went chasing after—after what? Maybe excitement—maybe a dream of wonder—maybe a new bright wonderful world that just must be somewhere else because it isn't here-and-now. Maybe a place to begin again so I'd never end up at the same frightening emotional dead end. So I quit. But by late August the emptiness inside me was bigger than boredom, bigger than monotony, bigger than lusting after freedom. It was almost terror to be next door to September and not care that in a few weeks school starts— tomorrow school starts—first day of school. So, almost at the last minute, I went to the placement bureau. Of course it was too late to try to return to my other school, and besides, the mold of the years there still chafed in too many places. "Well," the placement director said as he shuffled his end-of-the-season cards, past Algebra and Home EC and PE and High-School English, "there's always Bendo." He thumbed out a battered-looking three-by-five. "There's always Bendo." And I took his emphasis and look for what they were intended and sighed. "Bendo?" "Small school. One room. Mining town, or used to be. Ghost town now." He sighed wearily and let down his professional hair. "Ghost people, too. Can't keep a teacher there more than a year. Low pay—fair housing—at someone's home. No community activities—no social life. No city within fifty or so miles. No movies. No nothing but children to be taught. Ten of them this year. All grades." "Sounds like the town I grew up in," I said. "Except we had two rooms and lots of community activities." "I've been to Bendo." The director leaned back in his chair, hands behind his head. "Sick community. Unhappy people. No interest in anything. Only reason they have a school is because it's the law. Law-abiding anyway. Not enough interest in anything to break a law, I guess." "I'll take it," I said quickly before I could think beyond the feeling that this sounded about as far back as I could go to get a good running start at things again. He glanced at me quizzically. "If you're thinking of lighting a torch of high reform to set Bendo afire with enthusiasm, forget it. I've seen plenty of king-sized torches fizzle out there." "I have no torch," I said. "Frankly I'm fed to the teeth with bouncing bright enthusiasm and hugs PTA's and activities until they come out your ears. They usually turn out to be the most monotonous kind of monotony. Bendo will be a rest." "It will that," the director said, leaning over his cards again. "Saul Diemus is the president of the board. If you don't have a car the only way to get to Bendo is by bus—it runs once a week." I stepped out into the August sunshine after the interview and sagged a little under its savage pressure, almost hearing a hiss as the refrigerated coolness of the placement bureau evaporated from my skin. I walked over to the quad and sat down on one of the stone benches I'd never had time to use, those years ago when I had been a student here. I looked up at my old dorm window and, for a moment, felt a wild homesickness—not only for years that were gone and hopes that had died and dreams that had had grim awakenings, but for a special magic I had found in that room. It was a magic—a true magic—that opened such vistas to me that for a while anything seemed possible, anything feasible—if not for me right now, then for others, someday. Even now, after the dilution of time, I couldn't quite believe that magic, and even now, as then, I wanted fiercely to believe it. If only it could be so! If only it could be so! I sighed and stood up. I suppose everyone has a magic moment somewhere in his life and, like me, can't believe that anyone else could have the same—but mine was different! No one else could have had the same experience! I laughed at myself. Enough of the past and of dreaming. Bendo waited. I had things to do. I watched the rolling clouds of red-yellow dust billow away from the jolting bus, and cupped my hands over my face to get a breath of clean air. The grit between my teeth and the smothering sift of dust across my clothes was familiar enough to me, but I hoped by the time we reached Bendo we would have left this dust plain behind and come into a little more vegetation. I shifted wearily on the angular seat, wondering if it had ever been designed for anyone's comfort, and caught myself as a sudden braking of the bus flung me forward. We sat and waited for the dust of our going to catch up with us, while the last-but-me passenger, a withered old Indian, slowly gathered up his gunny-sack bundles and his battered saddle and edged his Levied velveteen-bloused self up the aisle and out to the bleak roadside. We roared away, leaving him a desolate figure in a wide desolation. I wondered where he was headed. How many weary miles to his hogan in what hidden wash or miniature greenness in all this wilderness. Then we headed straight as a die for the towering redness of the bare mountains that lined the horizon. Peering ahead I could see the road, ruler straight, disappearing into the distance. I sighed and shifted again and let the roar of the motor and the weariness of my bones lull me into a stupor on the border between sleep and waking. A change in the motor roar brought me back to the jouncing bus. We jerked to a stop again. I looked out the window through the settling clouds of dust and wondered who we could be picking up out here in the middle of nowhere. Then a clot of dust dissolved and I saw BENDO POST OFFICE GENERAL STORE Garage & Service Station Dry Goods & Hardware Magazines In descending size on the front of the leaning, weather-beaten building propped between two crumbling smoke-blackened stone ruins. After so much flatness it was almost a shock to see the bare tumbled boulders crowding down to the roadside and humping their lichen-stained shoulders against the sky. "Bendo," the bus driver said, unfolding his lanky legs and hunching out of the bus. "End of the line—end of civilization—end of everything!" He grinned and the dusty mask of his face broke into engaging smile patterns. "Small, isn't it?" I grinned back. "Usta be bigger. Not that it helps now. Roaring mining town years ago." As he spoke I could pick out disintegrating buildings dotting the rocky hillsides and tumbling into the steep washes. "My dad can remember it when he was a kid. That was long enough ago that there was still a river for the town to be in the bend o'." "Is that where it got its name?" "Some say yes, some say no. Might have been a feller named Bendo." The driver grunted as he unlashed my luggage from the bus roof and swung it to the ground. "Oh, hi!" said the driver. I swung around to see who was there. The man was tall, well built, good-looking—and old. Older than his face— older than years could have made him because he was really young, not much older than I. His face was a stern unhappy stillness, his hands stiff on the brim of his Stetson as he he'd it waist high.