Mercedes Lackey - Oathblood

Tarma and Kethry were created because heroic fantasy was finally "coming of age," not the least because of people like Marion Zimmer Bradley and her Sword and Sorceress anthologies, but I saw two problems.

The first-most of the stories were about brawny C*n*n types, strong like bull, dumb like ox, iron-thewed and not something you'd invite to a nice restaurant. The remainder were equally divided between the incredibly depressing eternally doomed hero type, and the female counterpart to the C*n*n type. Trouble was, the latter seemed to share her male counterpart's taste in women.

Mind you, I have no personal objection to this, but I thought it would be nice to have at least one token heterosexual female hero. And hey, not every fantasy hero or heroine has to be as highly sexed as most of the then-current crop seemed to be!

So I invented Tarma and Kethry. Tarma is celibate, chaste, and altogether asexual; Kethry isn't, and though she doesn't think with her hormones, she definitely is fond of men.

Two books (three if you count the beginning of By the Sword) and many short stories later, things have changed for the better, insofar as there is now a vast cornucopia of books and stories in heroic fantasy, which incorporate a vast spectrum of heroes and heroines, but I'm still glad I invented Tanna and Kethry. Figuring out ways to get them in trouble and getting them out again has been highly entertaining for all concerned.

This is the very first appearance of Tarma and Kethry, and how they met. I distinctly remember presenting this and a second Tarma and Kethry story to Marion in person. The occasion was just before one of her Fantasy Worlds Festival conventions, and I had volunteered to be "go-fer mom"-I was going to see to it that all her eager young volunteers ate and slept regularly. Which I did, with a hammer, when necessary. But beforehand, Marion had invited me to come to her home, I had already sold her my first professional sale (a Darkover story), and I wanted very much to be accepted into the Sword and Sorceress anthologies. I brought both manuscripts with me-after first asking permission!-and presented them to her with much trepidation.

"I don't know about the first one," I said hesitantly. "It's kind of 'rape and revenge,' and I know you're tired of that." She just waved me off and took possession of the manuscripts.

Lisa Waters (her secretary and protegee) and I were making tea in the kitchen when "Damn you, Misty!" rang out from the living room. Certain that I had somehow offended her, I ran to find out what it was I had done wrong so I could try to make amends.

As it turned out, what I had done was not wrong, but I had presented her with a dilemma. She liked both stories, and wanted both of them, and could only publish one!

Giddily I told her to hang on to the second one; I was certain there would be a Sword and Sorceress IV. Since the volume numbers are now up in the high teens, you can see that I was right. The second story was published in Volume IV, and I later sold two Tarma and Kethry books to DAW. But this is how the two met in the first place.

The air inside the gathering-tent was hot, although the evening breeze that occasionally stole inside the closed tent flap and touched Tarma's back was chill, like a sword's edge laid along her spine. This high-desert country cooled off quickly at night, not like the Clan's grazing grounds down in the grass plains. Tarma shivered; for comfort's sake she'd long since removed her shirt and now, like most of the others in the tent, was attired only in her vest and breeches. In the light of the lamps Tarma's Clansfolk looked like living versions of the gaudy patterns they wove into their rugs.

Her brother-uncle Kefta neared the end of his sword-dance in the middle of the tent. He performed it only rarely, on the most special of occasions, but this occasion warranted celebration. Never before had the men of the Clan returned from the Summer Horsefair laden with so much gold-it was nearly three times what they'd hoped for. There was war a-brewing somewhere, and as a consequence horses had commanded more than prime prices. The Shin-'a'in hadn't argued with their good fortune. Now their new wealth glistened in the light of the oil lamps, lying in a shining heap in the center of the tent for all of the Clan of the Stooping Hawk to rejoice over. Tomorrow it would be swiftly converted into salt and herbs, grain and leather, metal weapons and staves of true, straight-grained wood for looms and arrows (all things the Shin'a'in did not produce themselves) but for this night, they would admire their short-term wealth and celebrate.

Not all that the men had earned lay in that shining heap. Each man who'd undertaken the journey had earned a special share, and most had brought back gifts. Tarma stroked the necklace at her throat as she breathed in the scent of clean sweat, incense, and the sentlewood perfume most of her Clan had anointed themselves with. She glanced to her right as she did so, surprised at her flash of shyness. Dharin seemed to have all his attention fixed on the whirling figure of the dancer, but he intercepted her glance as if he'd been watching for it, and his normally solemn expression vanished as he smiled broadly. Tarma blushed, then made a face at him. He grinned even more, and pointedly lowered his eyes to the necklace of carved amber she wore, curved claws alternating with perfect beads. He'd brought that for her, evidence of his trading abilities, because (he said) it matched her golden skin. That she'd accepted it and was wearing it tonight was token that she'd accepted him as well. When Tarma finished her sword-training, they'd be bonded. That would be in two years, perhaps less, if her progress continued to be as rapid as it was now. She and Dharin dealt with each other very well indeed, each being a perfect counter for the other. They were long-time friends as well as lovers.

The dancer ended his performance in a calculated sprawl, as though exhausted. His audience shouted their approval, and he rose from the carpeted tent floor, beaming and dripping with sweat. He flung himself down among his family, accepting with a nod of thanks the damp towel handed to him by his youngest son. The plaudits faded gradually into chattering; as last to perform he would pick the next.

After a long draft of wine he finally spoke, and his choice was no surprise to anyone. "Sing, Tarma," he said.

His choice was applauded on all sides as Tarma rose, brushed back her long ebony hair, and picked her way through the crowded bodies of her Clansfolk to take her place in the center.

Tarma was no kind of beauty; her features were too sharp and hawklike, her body too boyishly slender; and well she knew it. Dharin had often joked when they lay together that he never knew whether he was bedding her or her sword. But the Goddess of the Four Winds had granted her a voice that was more than compensation, a voice that was unmatched among the Clans. The Shin'a'in, whose history was mainly contained in song and story, valued such a voice more than precious metals. Such was her value that the shaman had taught her the arts of reading and writing, that she might the more easily learn the ancient lays of other peoples as well as her own.

Impishly, she had decided to pay Dharin back for making her blush by singing a tale of totally faithless lovers, one that was a Clan favorite. She had only just begun it, the musicians picking up the key and beginning to follow her, when unlooked-for disaster struck.

Audible even over the singing came the sound of tearing cloth; and armored men, seemingly dozens of them, poured howling through the ruined tent walls to fall upon the stunned nomads. Most of the Clan were all but weaponless -- but the Shin'a'in were warriors by tradition as well as horsebreeders. There was not one of them above the age of nine that had not had at least some training. They shook off their shock quickly, and every member of the Clan that could seized whatever was nearest and fought back with the fierceness of any cornered wild thing.