Mercedes Lackey - Fairy Godmother

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In the Five Hundred Kingdoms, the Tradition is always hard at work, trying to make everyone's life fit a fairy tale. But there are only so many Sleeping Princesses, or Noble Princes, to go around. So Elena Klovis, ground down by her wicked stepmother and two cruel sisters, awaits her prince. But he's only 11, and so completely unsuitable. But eventually, her Fairy Godmother turns up to help, in a rather unexpected way.

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She got to the carriage, and handed the bandboxes up to Jacques, the single servant that the Klovis household still possessed, after Madame and her daughters had finished running through the family fortune, or what had passed for their fortune when Elena's father died. The dour, sour man, thin as a spider, balding, with a nasty long fringe around his pate, and evil-tempered as a toad, took them from her and began strapping them to the top of the carriage, adding them to the luggage already there. Elena turned back towards the house for more.

She heard whispers from the other side of the sandstone wall as she hurried up the mossy cobbles of the path that led from the front gate, through the formal garden, to the front door. She didn't have to go far; there was more luggage piled up just outside the stained, oak door. She loaded herself up with as much as she could carry, and repeated her trip.

She had been loading the luggage since dawn, first dragging the biggest trunks and boxes to the hired cart, which had left before the sun cleared the pointed rooftops, then piling the rest onto the old family carriage. The carriage was huge; it had been built to carry a family of eight with reasonable luggage for all of them, and by the time she and Jacques were finished, Madame, Delphinium, and Daphne would hardly have room to fit.

"It looks as if they're taking everything they own!" came a slightly louder whisper, as she handed Jacques more boxes and calico bags. A bit of breeze teased the ragged edges of her skirt and tickled her bare legs.

Yes they are, she thought sourly. And quite a bit that they don't own. All of her mother's property, which should have come to Elena, for instance. And never mind that the dresses were decades out-of-date; the fabrics of fine silks and satins, velvets and lace, were still good. Elena had no doubt at all that they would soon grace the backs of Madame and her daughters. Here, anyone who saw those dresses would know where the fabric had come from — but in another town, no one would know, or whisper. Let Elena go in rags with but two skirts and two blouses to her name — they would, if they could not find the money to pay the silk-merchant's bills, still have new dresses.

And as for Theresa Klovis's jewels — or what was left of them — once Madame and her daughters were safely in a place that didn't recognize those either, the necklets and bracelets would go to a pawnbroker or to ornament the Horrids.

That was what Elena called them: the Horrid Stepsisters. Would that they had been ugly as well, their outsides matching their insides! If there were any justice in the world, they would both have the faces of greedy monkeys.

But no, they were not particularly unattractive; Delphinium, the eldest, was a little too thin, her nose a little too long for beauty, and her perpetual look of hauteur was going to set extremely disagreeable lines in her face one day, but right now, she was not so bad to look at. Her sister Daphne was just like her, except for tending to plumpness rather than bones. Both had beautiful raven hair, like their mother, and if their eyes were rather close-set, they were still a fashionable deep blue. Never venturing outdoors without a hat or a parasol kept their skin as pale as any lady could wish, and their hands, which never lifted more than a needle or a spoon, were white and soft.

They were no great beauties, but they were pretty enough. And if they lacked for suitors here, well, that was partly due to the fact that they wouldn't consider anyone without a title or a fortune, and preferably both.

The rest of it, of course, was because —

"Elena!" came the inevitable screech from above. "E-le-na!"

"Coming, Madame!" she called, and handed Jacques the last of the bags in a rush. If he dropped them, she didn't care; let him take the blame for once.

They were such shrews, such harridans, that any sensible man in this town would have cut off his right hand rather than wed either of them. Only a sizable dowry would have enticed anyone here to court either of them — dowries which neither of them possessed.

She pushed past the pile of boxes and bags still awaiting her inside the door, and ran up the dark, oak staircase. "Elena!" came another screech, this time in Daphne's unmusical voice. "Where are you, you lazy slut?"

No, there wasn't a man in the town who didn't wince at the idea of hearing that voice coming from within his house.

She didn't trouble to answer, just pushed open the heavy door into Madame's room.

It was the largest room in the house, of course, a pleasant chamber, with whitewashed walls and dark beams supporting the ceiling, furnished with a peculiar mix of the fashionable and the ancient. The canopied bed, for instance, was generations old, and was too heavy to move. Two of the chairs and the little dressing-table where Madame sat were spindly-legged, delicate items in the latest mode, painted white, and gilded. The wardrobe was the same age as the bed, plain and dark, with little carving, but the bedside table was the sibling to the dressing-table, ornamented with carved curlicues and flowers. The remains of the breakfast Elena had brought up earlier were still littering the bedside tables, the window-seat, the massive oak mantelpiece, and the floor.

Madame had been tugging at the laces of Daphne's corset, but let go as soon as Elena entered. Daphne hung to the post of the disturbingly bare canopy bed. The bed had been stripped of its linens and embroidered hangings as soon as Madame rose this morning; those were some of the first things on the coach. Yes, Madame was taking everything that was remotely portable, and the only reason she wasn't taking the modish furniture was that she had already sent on as much of that as she could manage.

Madame didn't have to say anything; Elena took her place behind her daughter and wrapped the long corset-laces around each hand. Not as long as they should be; Daphne was putting on weight again; the wider gap between the edges of the corset proved that much. If she didn't leave off the cream cakes and bonbons, soon no amount of corsetting would make her fit her dresses. Elena put her knee in the small of Daphne's back and pulled with all her might.

Daphne squealed a protest as her waist gradually became several inches smaller with each pull of the laces. Madame, however, was having none of it. "Pull harder, girl," she ordered, looking down her nose. "If she will eat two cream teas in an afternoon, then she'll have to suffer the consequences."

"I was — being sensible!" Daphne objected. "It would — only have — been thrown — away!"

Elena gritted her teeth at that. The food wouldn't have been thrown away, Elena herself would have gotten it. It would have been nice to have a cake or two instead of stale, dry toast and the watery remains of the tea. Greedy pig. She'd stuff herself sick rather than see Elena have a single treat.

Elena obeyed by pulling on the laces until she wondered if they were about to snap — this was one of the few tasks she enjoyed doing — and the corset narrowed again. When the edges finally met, she tied the laces off, leaving Daphne red-faced and panting in tiny breaths, while she picked up the froth of three pink silk petticoats with their trimming of ecru lace from the floor. They rustled and slid softly over her work-roughened hands.

"You really are getting as fat as a pig, Daphne," said Delphinium from the window-seat, still dressed in nothing more than her corset, shoes, stockings and drawers. She looked out the window as she spoke. "You'll have to marry a peasant farmer before you're through if you keep eating like you have been, because no well-born man will be seen with a hog in satin — "

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