Mercedes Lackey - Snow Queen

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Godmother and Snow Queen, Aleksia's main job is to support the Tradition by abducting young men about to turn bad, and putting them through a trial to show them the error of their ways. She sometimes worries that she is becoming as cold as her own Ice Palace. But then come the rumours of a wicked Snow Witch, freezing whole villages to death, and claiming to be the Snow Queen. Aleksia has to set off on her own adventure to sort things out.

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Presently, she sensed a difference in the room around her, and the mirror frosted over. Dim images that were certainly not Kay in his workshop moved behind the frost, pale figures that could have been human, or Elves, or spirits, or none of these things. She felt the sense of waiting all around her.

“I would like windows in the boy's rooms now, please,” she said aloud. “Like mine, if you would, quite weather and leakproof. I don't need him getting ill from drafts.” She waited. The Palace generally took its time about these things.

Finally, the mirror cleared and showed her a view of one of Kay's two rooms. Now, instead of a blank, white wall, there stood an enormous glass-paned window, which looked down the mountain that the Palace stood on and across the valley to the unexplored peaks beyond. Everything was shrouded in a blanket of snow, of course, and it seemed waist-deep in most places. The mountains on the other side of the valley thrust their white peaks aggressively into the sky; the black storm clouds gathering just behind them provided a suitably ominous view should Kay return to his room before sunset.

“Thank you!” Aleksia said. Strictly speaking, it wasn't needful to thank the Palace, but she always did anyway.

The mirror cleared again, giving her a view of nothing more than her own reflected image.

“That looks like a bad storm,” the Brownie observed. Aleksia nodded. Her own rooms faced east and south, rather than west and north. She disliked being able to see the storms approaching; the wait before clouds finally descended and let loose their burden of snow always seemed worse to her than the blizzard itself. But there was no doubt this would have a profound impact on Kay. She could only hope that it would be for the better.

Because if it was for the worse…

She was going to wall him up in that workroom of his rather than be forced to listen to him whine and pout anymore. And she did not want to contemplate what she would have to do if he turned down any darker path.

2

Annukka Makela sat at her loom and wove steadily, the soft woolen threads of her own spinning forming solid, equally soft fabric beneath her hands. The rhythm soothed her, as she passed the shuttle through the warp threads, tamped them down with a double-beat and passed the shuttle through again. Thread by thread, the fine brown woolen cloth built up beneath her hands; thread by thread, the subtle spell of warmth and protection she wove built with it. This was simple magic, hearth-and-fireside magic. So far as Annukka was concerned, magic was no special gift, and most women of the Sammi could do it, if they put their minds to it, if they took the time to learn how to concentrate in just the right way.

The lives of the Sammi were intertwined with small magics. For most women, such things could be as natural as breathing, if they learned the tricks of it.

But most women didn't. In this, Annukka was special.

Annukka was not certain why; it seemed a logical thing, to her. If you intended to keep your family safe, why not weave magic into their clothing? Yes, it took a little more time, you couldn't just sit mindlessly at your loom and let the monotonous back and forth of the shuttle in your hand dull your mind. You had to think, to concentrate, to call up all the tales of narrow escapes and loved ones come safely home through peril. You almost had to speak to the power of magic the way you would make a prayer. To Annukka's mind, the effort was more than worth the reward, for what wife wouldn't want to protect her children or keep her husband safe?

But then…there was that edge of danger about magic. It didn't always answer in the way you thought it would. And there was always a cost to it, too. The whisper of power that Annukka put into threads she wove had to come from somewhere, and that somewhere was generally her. Weaving in this way meant she tired far sooner than she would have had she been weaving ordinary cloth. When the power did not come from her directly, she generally found herself being shoved into doing something that was always inconvenient, and sometimes a bit dangerous. So even though this was very minor magic in the making, there were repercussions.

Repercussions, Annukka thought to herself, as the sun warmed her back, as she listened to the birds in the eaves outside, as she took in the scent of wood smoke and the roasting fish that her neighbor was making for supper. There are always repercussions to everything, magical or not. Most people just don’t trouble themselves to see them.

But weaving in this way meant that the cloak she would make from this fabric would not only keep the wearer warm no matter how killing the cold, it would deflect the mind of a pursuing hunter, so that the wearer would escape. There were wolves out there, and Bears, and uncanny things that were far, far worse than either. A cloak woven with magic would not come amiss.

This was women's magic, subtle and supple, and not like the magic of the Wonder-smiths, and the Warrior-Mages — magic that cut across the fabric of the world and pulled it into the shape that the man-magicians wanted. Women's magic worked with the elements, rather than against them, wove through the threads of everyday life as Annukka wove her spell through the threads of her fabric. It took far more time to master than the sort that the men generally used, so perhaps this was why so few troubled themselves to do so. It took putting part of your heart into it, too. You had to care, and care deeply, to use this magic. Emotion became part of will.

The last of the afternoon sun made the wooden walls of the room glow as if they had been gilded, and it warmed her as she sat before the loom. Outside the window, her bees droned in the borage planted along the cottage walls. It would be time to take the last collection of honey, soon, before she left the hives alone to store their over Winter supplies. Time for the last brewing of mead; Annukka smiled to think of the taste of that mead on a Winter night, sweet and sharp at once, and holding the memory of Summer in it. Time soon to collect nuts in the forest, herbs for Winter medicines and teas. Harvest was coming, and this cloak she was weaving would be needed to drive the cold Winter winds away. There were no other sounds within these walls but those of her weaving. Annukka lived alone on the edge of the great forest of firs, above the Viridian River. It had not always been so. She had once had a beloved husband, but he had taken her to wife in his old age and had lived only long enough to see their son grow to a stripling. Mikka had built this house with his own two hands, long before he had married her, and there was not a finer house in all of the village. Her friends teased her that she had married him for this house — but no, she had married him for himself.

What a man he had been! His hair, once golden, still had gold threads among the silver, and his open, honest face had remained curiously unlined right up until the day he died. The only wrinkles were those around his bright blue eyes, and they deepened when he smiled. He had not been handsome; his jaw was too long, his nose too beaklike for that. But she would not have had him look any other way. She still missed him, his kindness, his strength of character, missed the feeling of his arms around her, sheltering her, missed the gentleness of his hands.

The house was very like the man, plain, sturdy, substantial, sheltering. The walls were of peeled logs, matched for size, fitted so closely together that they hardly needed any chinking, and the Winter winds never whistled between them as they did in other homes. The house boasted two floors and three rooms, which was one floor and one room more than

most. Two of those rooms were on the lower level, which had a wooden plank floor painstakingly smoothed until not even a thought of a splinter remained. One small room was the bedroom that Annukka had shared with her husband, and that now she slept in alone. The other held a big table that Mikka had also made, and two fine benches to sit at, as well as Annukka's loom, spinning wheel and three stools that were works of art. Here was the hearth where she did her cooking, built from stones brought up from the river, and the kitchen cupboard, stout enough to keep out a Bear, cunningly fitted together so tightly not even the most determined mouse could find a way inside. The second floor, reached by ladder, had been their son's as soon as he could climb unaided. It was empty now, and she used it to store fleeces and bundles of herbs.

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