Mercedes Lackey - Shadow of the Lion

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Lackey, Flint and Freer whip up a luscious bouillabaisse of politics, intrigue, love and black magic set in an "Other-worldly, New-Age Venice." Like the actual 16th-century city-state, the authors' Venice of the 1530s is a dangerous place, filled with as many illicit love affairs as murders. Garbage and occasional dead bodies float in the stinking canals. The city is also a target for would-be foreign conquerors: the Vatican, the Holy Roman Empire, the Grand Duchy of Lithuania and Poland, and the small city-state of Ferrara, ruled by Enrico Dell'este, who surreptitiously watches his grandsons, Marco and Benito, the story's water-rat heroes. Around Benito, a thief, and Marco, a canal doctor, swirl a host of characters, major and minor: the men and women who ply the gondolas and rafts; the spy Caesare Aldanto, the boys' supporter; plus courtesans, whores, monks, priests, knights, shamans, undines and the demon Chernobog. Meanwhile, the winged lion of St. Mark's, symbol of Venice, is stirring, and its shadow falls on Marco as the city's future ruler.

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"I'll consider your words." The dark eyes got even harder. "I told Filippo Visconti this was a fool's errand. Damn all dukes and their complicated schemes. But . . . he pays well. Very well."

Manfred snorted. "Idiot. Benito'll spill your purse before he spills the rest of you."

"That's my boy," murmured the Wolf of the North. "Others doubted. But I never did."

Chapter 90 ==========

The grayness swirled thick, carrying the sounds of combat and dying. Despite everything they'd done, some of Aleri's agents had survived. Fire bloodied the fog to the south, and the smell of it was thick in the air.

Marco turned to Kat, a heaviness in his chest, and the edge of despair in his voice. "We're losing. In spite of everything, we're losing. Count Badoero must have brought at least a thousand men. Caesare has made sure the damned militia are ineffectual. The Arsenalotti and the boat-people fight well. But this fog--it confuses everything. There's something wrong with this fog. It's like it's fighting for them."

"It feels heavy. Not natural," said Kat. She'd acquired a cut on one cheek and two ash smudges on the other. With or without them, Marco still thought she was the most beautiful, wonderful person he'd ever met. She lightened the fog around her, and in the face of her hope and determination, he lost some of his despair. If Kat believed in him, in their cause, maybe--

She patted his arm. "You're a good general, Marco. People rally to you."

He pulled a face; he didn't want to be a general, and it wasn't what he was good at. If only there was something he could do to make a bigger difference than merely whacking at people he'd rather be meeting over a glass of wine at a taverna! "Benito is twice the organizer. And I hate this killing."

Someone came running out of the fog. It was Rafael, gasping for breath. "Luciano says . . . needs you . . . the Marciana . . ."

They headed across at a run. They weren't that far from San Marco anyway.

Rafael led them upstairs to a room, and they burst through the door. Sigils and arcane symbols were chalked on the floor and all three of them came to an abrupt halt before they so much as touched a toe to one of those sigils. A complex triple circle with squares at the cardinal points and an internal octagon occupied the center of the room--that wasn't chalked, it was inlaid onto the floor of the room.

This is a--a working chamber, Marco realized. A place for magic, and nothing else. Christian magic? Jewish? Strega? All three, perhaps? There was some overlap--more than just some if Brother Mascoli was to be believed. Emeralds twinkled from the cardinal square nearest them--sapphires from the one across the room--topaz to the left and rubies to the right. The lines of the diagrams were laid out in--gold and silver? Well, for some Strega magic, the magic with the purest intentions that called only great spirits, silver and gold were a good thing, not something to be avoided. Silver for Diana, and gold for Dianus. Or silver for the Moon and gold for the Stars. Or silver for Earth and gold for Heaven. The jewels glittered, and the whole of the diagrams seemed to scintillate. The boundaries weren't fully up yet, but the energies that would create the walls between the realms weren't white, they were opalescent, rainbowed. The air was thick with incense.

Luciano, clad in a long white robe, loomed out of the scented smoke. He looked old and tired--older than Marco had ever seen him before. And frail. His skin seemed translucent, as if the motral part of him was wearing thin and his soul shining through it. "Are we winning?"

Marco sighed, and shook his head, despair once again pressing down on him. "No. We have more men, but Badoero and Caesare are just too damned good. And they have the certainty of more men coming. Kat's grandfather got the message off to Trieste--if that works, at least we won't have to deal with the rest of the Knots. Manfred and Erik and Lopez rode off to try to save the Polestine forts from that nun. We won't know for some time whether Sforza is on his way here with the Milanese. In the meantime, we're fighting fires--and each other, often enough--in this damned fog."

Luciano's lips thinned with anger. "It is indeed a 'damned fog.' It is caused by Chernobog, working through someone here in Venice. Lucrezia Brunelli, I would think, is the only one powerful enough to do it alone. But she's supposed to have left the city, so perhaps it is several mages working together. The only good thing about it is that it's taking nearly all of their energy. Weather magic is hard, expensive magic."

"They've obviously got gold to burn," said Marco bitterly.

"The expense I refer to is of magical energy," said Luciano tiredly. "And what I have been doing is also--expensive. I had hoped to avoid this, but it seems we have little choice . . . I will perform a summoning. If it works, it will save us. Save Venice. But it calls, of all things, for one of the Case Vecchie blood. One of the longi. And only four families are listed. Two are no more. The other two are Valdosta and Montescue."

"What do I have to do?" asked Marco, a bit doubtfully. A summoning? Just what was Luciano going to summon? Not necromancy, dear Jesu!

"Be within the circle of invocation. Give some of your blood." It seemed simple enough. Some of his blood--that couldn't hurt. Not here. It was a token sacrifice, not an actual one; something, perhaps, to remind a greater spirit of a promise from long ago.

Blood to blood.

"I'll do it," said Kat decisively. "It says Montescue, doesn't it?"

Luciano shook his head. "The script is faint, but it clearly says 'a son.' This--this is a Christianized attempt at a far more ancient ceremony, but it is all that I have. Hence--" he waved an ancient bronze knife vaguely at the rest of the room "--all this. According to this it should be the Metropolitan who is doing this, but--"

He didn't finish the sentence.

"What will this do?" Marco asked, feeling oddly detached and strangely calm.

Luciano shrugged. "The spell has only been used twice before. Yet this is a very ancient copy of an even more ancient spell. It is called the Lion's Crown and it invokes the spirit of the lion of the marshes. One of the oldest of the great neutral spirits. The Guardian of the lagoon, the marshes, the islands. And, yes--the Lion is still here, and strong. It influences much, still. But mostly it slumbers, waiting for Venice's hour of need. It is what Chernobog has feared most all along, and why he maneuvered so stealthily. If the Lion awakes--awakes fully, as only you can do--not even Chernobog can stand against it. Not here, not in Venice."

The memory of a brushing of wings passed through Marco's mind, but was gone before he could snatch at it.

Luciano looked directly into Marco's eyes, as if weighing the heart behind them. "I think this is that hour of need. And not only do you bear the blood, you carry the mark of that Lion. Scrying glasses turn to you. I've long known you would wear the Mantle after I'm gone, but you can also wear the Crown--and do it now. Are you willing?"

The mark of the Lion? Mantle? Crown? But this was no time for questions, not now. Questions could wait until after, when this was over. If they all survived. This might be the only way for them all to survive. Certainly the enemies of Venice, whether they were evil spirits or came with fire and the sword, would not leave any of them standing. Marco nodded. "It's my city. And they are my people."

"I am your person too," said Kat quietly. "And I'm scared for you, Marco. I don't understand any of this--and--and--it sounds like a sacrifice!"

He leaned forward and--for the first time--kissed her cheek, gently. "It'll be all right. And . . . if we don't do something it won't matter. The city is burning. Caesare and Count Badoero's men are winning."

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