Stephen Brust - The Gypsy

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Part gritty urban police procedural and part horror fable, this enthralling fantasy/mystery examines issues of life, death, love and morality. A man without memory, known as the Gypsy, wanders the streets of Lakota, Ohio, leaving death in his wake. After a clerk is murdered during a holdup, the Gypsy is booked by cop Mike Stepovich, who uncharacteristicallydb pockets the suspect's strange knife, found nearby. An apparent snafu releases the Gypsy, who comes under suspicion again when a woman fortune teller is murdered in a cheap hotel. Stepovich, with the unvoiced disapproval of his brash young partner Durand, surreptitiously looks into the murders, now out of their jurisdiction, and finds himself walking down strange paths. Meanwhile a woman known as the Fair Lady is working her spells to draw others, including Stepovich's teenage daughter's friends, into her evil web. She can be stopped only by three brothers, known as the Raven, the Owl and the Dove. As forces move to their climax, Stepovich's retired former partner plays a role, as does an old drunk known as the Coachman, who may hold the key to salvation. Brust ( The Phoenix Guards ) and Lindholm ( Wizard of the Pigeons ) have crafted a powerful and memorable fantasy.(From Publishers Weekly)

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The taxicab at the corner barely curtsied to the stop sign before it swung out in front of them. Durand crammed on the brakes and Stepovich's palm, slapped the dash as he braced himself.

"Shit," hissed Stepovich, and spent a few futile moments groping for the ends of the seat belt, but as always it was stuffed somewhere in the crevice of the seat back.

"Yeah!" Durand agreed enthusiastically, hardly pausing in his story. "You know, a hilt impression.It's a mark around the knife wound when a blade gets really driven in. This one was really weird. The lab guy tells me the old guy said the knife must be a custom job. It left these three little bruises around the wound, like there were little studs sticking out from the guard. That knife-"

"Durand." Stepovich spoke without looking at him, but his cold tone stopped the story in midsentence. "It's a homicide, isn't it?"

"Well, yeah," Durand sounded sulky.

"Then leave it to the homicide guy. They hate it when guys like us sniff around in their shit. You won't get any thanks for it. No one's going to think you're Sherlock Holmes. Even if you come up with something, you won't get the credit. The only thing you'll get is a reputation as a hotshot boy scout who can't mind his own business. Worse, they're gonna figure you're out to make them look bad, so they're going to devote a little time to making you look bad. Only they're going to be better at it. You're suddenly going to find that you've screwed up any crime scene you're called to, that you've mishandled evidence and handled witnesses all wrong. And that's going to go in your file. You get what I'm saying?" Dumbshit.

"Fuck."

"Yeah," Stepovich agreed, and leaned back, scanning the street and listening to the gabble and hiss of the radio.

"But don't it count for nothing that we were there first, that we found her? And that we probably even had brought them the guy, cause the description from the tenant next door matched our bust. Hell, we had that gypsy, all locked up, and it never woulda happened if some fuckup hadn't cut him loose before…"

A sick, cold little animal had gotten into Stepovich's belly, and now it was stretching. He hadn't been listening that closely to Dumbshit's story, and he should have. "You talking about that old gypsy woman? And the guy we'd hauled in from in front of the cemetery, on suspicion of the liquor store killing?"

"Shit, yes! I wouldn't a been pumping the lab guy if I didn't think we had a stake in it, and…"

"Say the thing about the knife again," Stepovich cut in, but he didn't really need to hear it again. He could feel it, cold under his thumb as he pressed down on the little stars and wondered what they signified. He hadn't really thought about what kind of marks they would leave when he was sitting on his bed looking at the piece of evidence he hadn't turned in. Hadn't thought of anything at all but getting rid of it. Of returning the damning evidence to the murderer…

"Couldn't have been," he said, suddenly remembering that he'd had the knife when the gypsy woman was killed, that it had been tucked away in the drawer of his night stand. But whoever had one custom blade was likely to have two, or would at least know where the other one had come from, hell, it could be some kind of cult, all of them using the same weapons, and maybe Durand had been right, they'd had the thread that could unravel it the day they'd had that John Doe Gypsy.

"You okay?"

Durand's question was very careful, and Stepovich suddenly realized it had been very quiet in the car for some time. He looked at his hands braced against the dashboard as if to hold off some sudden collision. He forced them to drop down, felt his elbows rubbery with tension. "Just stretching. And thinking. That lab guy, he say anything else?" He stared out at the passing panorama of Cushman Street. Transition blocks.Old hotels that were more like cheap rooming houses now, lobbies full of snoozing winos and the smell of dirty carpets, interspersed with cheap bars and sex show places. LIVE NUDES ON STAGE flashed with the sign. Well, hell, at least it didn't say DEAD NUDES ON STAGE. Maybe that would be next week's show. "I mean, was there anything else weird about the killing?" he nudged Durand. Shoulda been listening before, he chided himself.

"Thought you said it wasn't smart to get mixed up in a homicide investigation?" Durand asked coyly.

Stepovich flicked his eyes at his partner, and away. Like Joey Petmann, he suddenly thought. Ted Petmann's little brother, and when Stepovich and Ted were kids and best friends, Joey had followed them everywhere, bugging the shit out of them. But his favorite thing to do had been to get something they wanted, and then hold out on them. Bubble gum or the latest Blackhawk comic or a Polaroid picture of Stevie Caldwell's big sister in the bathtub- That's how Durand's face looked right now, just like Joey Petmann's face had looked as he leaned over the edge of the tree fort with the rope pulled up and waved the Polaroid out of reach.

Stepovich turned and looked out the window and said, "Well, those lab guys are taught to be pretty tight-lipped. Probably wouldn't part with anything important anyway. Not to some patrol cop in a bar,anyway. Hey!" Stepovich interrupted as Durand's mouth opened in an "oh, yeah!" face. "Hey! How in hell did Willy get back on the street so soon? I thought Rich and Trope busted him hard for beating one of his girls."

"Where?" Durand demanded, and nearly sideswiped a parked car craning his neck to look back.

"You missed him. Or maybe it wasn't him." Durand hated Willy. The wiry little pimp was meaner than hell, and completely unafraid of cops. No one liked to bust him because Willy had ways of making it unpleasant for the arresting officers. Cut up the upholstery in one squad car. Smeared the chili burger he was eating down another cop's uniform. Rumor had it he'd taken a dump in the back seat of Kelly's patrol car. And the first time Durand had collared him, Willy stuck his finger down his throat and threw up all down the front of him. The guy was crazy.

"Where was he?" Durand demanded again- His bottom teeth clamped against his upper lip. Looked like a bulldog. Tenacious as one, too-

"Hell, he's gone now. You want to take a coffee break pretty soon?" Stepovich smiled at him.

"I guess." Durand kept glancing in the rearview mirror, and then over at Stepovich, as if unable to decide which to pursue. "There was one other weird thing about the dead gypsy woman," he offered.

"Yeah? Well, turn left at the next light and go about six blocks, get us out of this hole. I don't wanta get served by some waitress that probably gives hand jobs on the side. Let's go to Norm's, okay? It's clean and cheap."

"I mean, the knife was weird enough, you know,but it gets weirder," Durand offered desperately -

Hey, Joey, we don't wanta see your stupid Polaroid. We got a whole Playboy at our fort, and it's fulla pictures of real girls, not somebody's sister. Stepovich flicked a glance at Durand. "Yeah?" he offered, then,"Or we could go to that new place, the one the Korean guy opened on Fifteenth. I hear it's clean. You been there yet?"

"No- Uh, Norm's let's go to Norm's. But there was something weird about that killing. I mean, besides the knife with the little studs. Four separate stab wounds, I tell you that? Every one right to the hilt. Lab guy says the first one was the fatal one. She musta known she was already dead, but she kept on fighting. Can you beat that?"

"Mean old ladies are like that. Harder to kill than cats." Stepovich knew he just had to wait now and he'd get all that Durand had.

"Maybe. Yeah, maybe. But stuff had been done to the body."

Stepovich was silent, a little sick. What could she have done to make someone want to kill her? And what kind of a person could push a knife into another human being, not just once, to kill her, but over andover as she was struggling and dying? He thought of the Gypsy with his black unreadable eyes and empty face. Could you do it, he asked the image in his mind,and the Gypsy in his mind shrugged his wide shoulders and told him nothing.

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