Stephen Brust - The Gypsy

The policeman was demanding help, but what help could he give? Was he supposed to lay the burden of his life on this man? But he thought about the dreams,and the old woman who had spoken to him. Had she said anything I could pass on to the old Wolf to satisfy him?No, she left no message for me. What can I-

But the policeman was speaking again. "Only the crystal," he said, as if answering a question Cigany hadn't asked. Or had he? "And all it said was, 'Find out who killed me.' "

A crystal? The woman told fortunes with them,perhaps, but how could that… still. The bargain was plain. He had been given his life and freedom by the policeman on the condition that he discover who had killed the old woman- It was fair, he decided,since she'd been killed with his knife, and, moreover,since she'd as much as told him her death had prevented his, and allowed him to continue his quest.

He nodded, looking the policeman in the eye to secure the bargain, and walked away. He was well around the corner before it came to him that a policeman, not a Wolf, had returned him the knife, and that policemen can use knives to kill old women. He shuddered there,in the dark next to the cemetery, and he hurried on.

Been looking for a sparrow

In a city full of wrens,

Been asking for the cost

So I can make amends,

Been waiting for the questions

So my answers will make sense,

Been looking for the way home

But the snow is much too dense.

"NO PASSENGER"

Maybe it was a mistake to stay sober, for this was certainly not the coach.

Ten years ago their language would have been giggles; now it was full of strange words and hints of things these two couldn't know enough to hint about. But it was really no different. Fourteen? Fifteen? Sixteen? Wishing they were eighteen, which was the age at which they would be trying to be twenty-two. And they were dressed-how? What did it mean here and now? What had it ever meant? Maybe it was a mistake to stay sober, for this was certainly not the coach.

He climbed into the driver's seat, pretending that he was climbing up high on top, above the count and his current mistress, who sat inside, below, with the curtains pulled against the wind from the mountains and-

But never mind. The horses knew him by now, and Bunny's ears flicked back as he spoke to them. Bunny liked his voice, had liked it the first time they'd epsilon was slower, but her neck came up high, like a feeble old grandmother who pretends, for a moment, to her former pride and health. Heh.

There were only the five of them. Bunny, Stallone,and two children as he set off; and, of the five, the two passengers were in their own world, one of cars and boys and stolen cigarettes. He picked up their names from their conversation, but said nothing because they didn't speak to him, and habit is habit,and a job is a job, even if a ride through the park isn't a race against a mountain storm.

"Hey, driver," said the one called Sue. "Can't you make this thing go any faster?"

"Yes," he said, "I can." But he didn't- The question made him realize how much he enjoyed these occasional chances at the seat; he wouldn't risk them for the likes of these.

"Oh come on," said the other one. "Let's really move."

For a moment, something almost snapped, but he held it back. Every time the young "driver" (he couldn't be called a coachman) let him use his "rig"(it couldn't be called a coach) two or three customers would try to make him race the horses, or attempt to bribe him to take them off the regular path. He was always tempted, but he held it back.

The one called Sue began to abuse him, but he stopped listening. The wife of one of his old masters used to do that, two or three times a week, when he refused to take the Bobolos Trail (which his master had forbidden). He was good at ignoring abuse.

But he heard the other one say, "Oh, cut it. Sue.It's his job."

There was a sound like Bunny made when she got food in her nose. "Some job. Shit. Driving snotty assholes around the park all day."

The Coachman remained impassive.

"It's probably all he can get. Right, mister?"

That called for an answer. "It is what I do," he said.

"What," said Sue. "You can't get a taxi gig, so you do this?"

"I am the Coachman," he said.

"So?"

"I am the Coachman."

"Is that s'posed to mean something?"

"My horses are called Vision, Experience, Wisdom,and Love. By the skills of my hands I hold the reins of Will and Desire. I will take you by roads that climb and fall, twist and go straight."

He was no longer speaking to them, didn't care if they listened, or even if they could hear him. "Sometimes the horses try to run wild, and I fight them, or let them run, as may be. Sometimes they go where I guide them,and I can bring you to places of which you have never dreamed, or perhaps you have. Sometimes you, in the coach, may direct me, and then I will bring you where you wish. Perhaps you will be glad to arrive.

"But, always and ever, I drive the coach.

"I am the Coachman. You are here. Ten dollars,please."

He watched sadly as they walked away after paying him and even tipping him a quarter. Across the path,a man who was far too old for them watched them leave with an intensity that, in another place and time,would have gotten him hanged. But this was here and now. The Coachman reached down into the seat for his bottle, thought better of it, shook his head and went around to scratch Bunny between her ears.

"I am the Coachman," he told her.

She nodded.

Can't take the aggravation;

I'm tired to the bone.

I'm sick of watching cable

and sleeping here alone.

"STEPDOWN"

The park was a pleasant place, still. The neighborhood around it was declining, and the people walking the paths and the mothers pushing babies in strollers reflected the change, but the park itself-the plantings,the grass, the pond-seemed immune to the changing fortunes of the economy. More swings were vandalized, perhaps, and the ducks more wary of stone throwers, but the park itself was still nice. Cold. Quiet,this time of the morning.

Stepovich found a bench and sat, facing the play equipment. A small boy dug determinedly in the sandbox, despite the cold and the snow. A couple walked by the pond. The swings hung slack and empty. He could remember sitting on one of those swings, holding Jeffrey and swinging. And singing.Old songs, the same old songs his dad had sung to him. And Jennie and Laurie feeding the ducks, pretending they didn't know the strange man who was belting out "Barnacle Bill The Sailor" to the little kid on his lap, swinging high and pumping his legs to carry them even higher.

For one aching instant, he wondered if Jeffrey could remember any of that. Jeffrey had been so small. Stepovich reached back into himself, trying to see where his own memories of his father began. But he couldn't put a date to it. Big hands. That's what he thought of when he remembered his father. Big hands, with the thick nails rounded off short. Big hands that could swing him up to touch his head against the ceiling,but could also tie his shoelaces in double knots that wouldn't come undone. He looked at his own hands,and wondered if Jeffrey would ever remember them.

He glanced from his hands to the ground. Two small sneakers faced him. He looked up to find the sandbox kid regarding him steadily with confident brown eyes. "Push me," he said, and then fumed and ran toward the swings. Stepovich didn't move. The boy grabbed the chain of one swing, rattled it impatiently. Stepovich pulled himself to his feet,wondering why, and obediently came to help the boy get into the swing. He pushed him, small pushes at first, and then as he laughed aloud and kicked out his short legs, harder. Then, "Down, down," he was saying, and Stepovich caught at him, slowing the swing's momentum, catching boy and swing and easing them to a stop. The kid jumped from the swing,his shirt pulling out of his jeans.