Эйми Бендер - The Color Master

But this was not a small order. This was, in fact, for the king’s daughter. The princess. And since the queen had died of pneumonia a few months before, this was a dress for the most important woman in the kingdom.

I paced several times around the studio, and then I went against policy and tried knocking on the door of the Color Master’s cabin, but she called out in a strong voice, Just make it!

Are you okay? I asked, and she said, Come back once you’ve started!

I walked back, kicking twigs and acorns.

I ate oranges off the tree out back until I felt a little better.

Since I was in charge, due to the pecking order, I called together everyone that was left in the studio and asked for a seminar on reflection, to reflect upon reflection. In particular for Cheryl, who really used the seminars well. We gathered in a circle in the side room and talked about mirrors, and still water, and wells, and feeling understood, and opals, and then we did a creative-writing exercise about our first memory of the moon, and how it affected us, and the moment when we realized it followed us (Sandy had a charming story about going on a walk as a child and trying to lose it but not being able to), and then we wrote haiku. Mine was this: Moon, you silver thing / Floating in the sky like that / Make me a dress. Please.

After a few tears over Edwin’s story of realizing his father in the army was seeing the same moon he saw, we drifted out of the seminar room and began dyeing the silk. It had to be silk, of course, and we selected from the loom studio a very fine weave, a really elegant one that had a touch of shimmer in the fabric already. I let Cheryl start the dyeing with shades of white, because I could see a kind of shining light in her eyes from the seminar and even a luminosity to her skin. She is so receptive that way.

While she began that first layer, I went to see the Color Master again. I let myself in this time. She was in bed. It was shocking how quickly she was going downhill. I got her brother a glass of water and an apple-cheese snack—Angel, he called me, from the sofa—and then I settled next to the bed where she lay resting, her hair spread over the pillows in rays of silver. She was not very old, the Color Master, but she had gone silver early. Wait, can we use your hair? I said.

Sure. She pulled out a few strands and handed them over.

This’ll help, I said, looking at the glint. If we try to make this into particles?

Good, she said. Good thinking.

How are you doing? I asked.

I heard word, she said. Moon today, sun soon.

What?

Sun soon. How goes moon?

It’s hard, I said. I mean, hard . And, with your hair, that’ll help, but to reflect?

Use blue, she said.

What kind?

Several kinds. Her voice was weaker, but I could hear the steel behind it as she walked through the bins in her mind. Don’t be afraid of the darker shades, she said.

I’m an awful color-mixer, I said. Are you in pain?

No, she said. Just weak. Blue, she said. And black. She pulled out a few more strands of hair. Here, she said. And shavings of opal, do we have those?

Too expensive, I said.

Go to the mine, she said. Get opals, shave ’em, add a new bin. Do you know the king wants to marry his daughter? Her eyes flashed, for a second, with anger.

What?

Put that in the dress too, she said. She dropped her voice to a whisper, every word sharp and clear. Anger, she said. Put anger in the dress. The moon as our guide. A daughter should not be ordered to marry her father.

Put anger in the dress?

When you mix, she said. Got it? When you’re putting the opal shavings in. The dress is supposed to be a dowry gift, but give the daughter the strength to leave instead. All right?

Her eyes were shining at me, so bright I wanted to put them in the dress, too.

Okay, I said, faltering. I’m not sure—

You have it in you, she said. I see it. Truly. Or I would never have given you the job.

Then she fell back on her pillows and was asleep in seconds.

On the walk back, through the scrub-oak grove, I felt as I usually felt, both moved and shitty. Because what she saw in me could just as easily have been the result of some kind of fever. Was she hallucinating? Didn’t she realize I had only gotten the job because I’d complimented Esther on her tassel scarf at the faire, plus I did decent work with the rotating time schedule? Who’s to say that there was anything to it? To me, really?

Anger in the dress?

I didn’t feel angry, just defeated and bad about myself, but I didn’t put that in the dress; it didn’t seem right. Instead, I went to the mine and befriended the foreman, Manny, and he gave me a handful of opals that were too small for any jewelry and would work well as shavings. I spent the afternoon with the sharpest picks and awls I could find, breaking open opals and making a new bin for the dust. Cheryl had done wonders with the white, and the dress glowed like a gleaming pearl—almost moonlike but not enough, yet. I added the opals and we redyed, and then you could see a hint of rainbow hovering below the surface. Like the sun was shimmering in there, too, and that was addressing the reflective issue. When it came time to color-mix, I felt like I was going to throw up, but I did what the Color Master had asked, and went for blue, then black, and I was incredibly slow, like incredibly slow, but for one moment I felt something as I hovered over the bins of blue. Just a tug of guidance from the white of the dress that led my hand to the middle blue. It felt, for a second, like harmonizing in a choir, the moment when the voice sinks into the chord structure and the sound grows, becomes more layered and full than before. So that was the right choice. I wasn’t so on the mark for the black, which was slightly too light, more like the moon when it’s just setting, when the light of day has already started to rise and encroach, which isn’t what they wanted—they wanted black-of-night moon, of course. But when we held it up in the middle of the room, there it was—not as good as anything the Color Master had done, maybe one one-hundredth as good, but there was something in it that would pass the test of the assignment. Like, the king and princess wouldn’t collapse in awe, but they would be pleased, maybe even a little stirred. Color is nothing unless next to other colors, the Color Master told us all the time. Color does not exist alone. And I got it, for a second with that blue, I did.

Cheryl and I packed the dress carefully in a box, and sent off the pigeon with the invoice, and waited for the king’s courtiers to come by, and they did, with a carriage for the dress only. After we laid the box carefully on the velvet backseat, they gave us a hunk of chocolate as a bonus, which Cheryl and I ate together in the side room, exhausted. Relieved. I went home and slept for twenty hours. I had put no anger in the dress; I remembered that when I woke up. Who can do that while so focused on just making an acceptable moon-feeling for the assignment? They didn’t ask for anger, I said, eating a few apples for breakfast. They asked for the moon, and I gave them something vaguely moonlike, I said, spitting tooth cleanser into the basin.

That afternoon, I went to see the Color Master to tell her all about it. I left out the absence of the anger and told her I’d messed up on the black, and she laughed and laughed from her bed. I told her about the moon being more of a morning moon. I told her what I’d felt at the blue, the feeling of the chord, and she picked up my hand. Pressed it lightly.

Death is glowing, she said. I can see it.

I felt a heaviness rustle in my chest. How long? I said.

A few weeks, I think, she said. The sun will come in soon. The princess still has not left the castle.