Эйми Бендер - The Color Master

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The Color Master: краткое содержание, описание и аннотация

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The bestselling author of The Particular Sadness of Lemon Cake returns with a wondrous collection of dreamy, strange, and magical stories.
Truly beloved by readers and critics alike, Aimee Bender has become known as something of an enchantress whose lush prose is “moving, fanciful, and gorgeously strange” (People), “richly imagined and bittersweet” (Vanity Fair), and “full of provocative ideas” (The Boston Globe). In her deft hands, “relationships and mundane activities take on mythic qualities” (The Wall Street Journal).
In this collection, Bender’s unique talents sparkle brilliantly in stories about people searching for connection through love, sex, and family—while navigating the often painful realities of their lives. A traumatic event unfolds when a girl with flowing hair of golden wheat appears in an apple orchard, where a group of people await her. A woman plays out a prostitution fantasy with her husband and finds she cannot go back to her old sex life. An ugly woman marries an ogre and struggles to decide if she should stay with him after he mistakenly eats their children. Two sisters travel deep into Malaysia, where one learns the art of mending tigers who have been ripped to shreds.
In these deeply resonant stories—evocative, funny, beautiful, and sad—we see ourselves reflected as if in a funhouse mirror. Aimee Bender has once again proven herself to be among the most imaginative, exciting, and intelligent writers of our time.

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“Hey,” I said. “I know this ring.”

I tried to say it in a friendly voice, but a prickle of fear traveled down the backs of my arms.

“She does send an occasional e-mail,” he said.

“Sir?”

“But I do not know how to save them on the computer.”

I bounced the ring around in my hand. I bounced it, to make it casual. It wasn’t the most unusual ring, just the kind teenagers buy at street fairs for twelve dollars, with a silver band and a yellow-orange stone. But I’d had a ring very similar to it, extremely similar. I’d had it until just that past summer, when I’d thrown it into the Kern River as a gesture of growth.

I turned the ring over. It was the exact same size as mine. The stone had the same dullness.

“What is this?” My voice came out a little too high. I walked over to the other bedroom. “Sir?”

He glanced up from his curled position by the bed. “Perhaps you can show me,” he said, “how to alter my mail settings.”

I held the ring up to the light. “Where did you get this?”

He sat taller, squinting. “Is that the ring?” He beamed at me. “Oh, good! I was wondering where that was! It’s not a photo, but there! There’s a piece of her, right there.”

“Where did this come from?”

“That’s Nina’s,” he said. “That is Nina’s ring.”

“But where did she get it?”

“She gave it to me on her last visit,” he said, face glowing. “She wanted me to have something of hers.”

“When was her last visit?”

“Four years ago,” he said.

I turned the ring over. It had a scratch on the underside, where mine had had a scratch, too. A very, very similar, if not exact, scratch.

“This is my ring,” I said.

“Oh no,” he said, straightening up. “That is my daughter, Nina’s. She gave it to me. She got it at a street fair.”

“I threw it in the river,” I said.

He frowned. “She said it was collateral, for our next meeting. She loves that ring. Reminds her of the sun.”

I stared at him. He had a petal stuck to his cheek, and he looked like a boy who’d been out playing in the meadows.

“Or maybe it was five years ago,” he said.

The ring slipped around in my hand, just as mine had. I’d watched it sink past the bright water, into the current.

“Have you ever been to the Kern River?” I said.

“The Corn River?” he said.

“In California. Kern.”

“I’ve never been to California,” he said. “What is that look on your face?”

I held the ring tightly. “I had a ring just like this,” I said. “And I threw it in the Kern River. Last summer.”

“I’m sure it was a different ring.”

I opened my hand. The yellow stone deepened to orange in the upper right hemisphere; I used to call it 80 percent yellow, 20 percent orange. The same slightly tweaked setting: a band of silver, not quite symmetrical.

“I threw it in the Kern River as my way into adulthood.”

He wiped the petal off his cheek, and it drifted to the carpet. “Well,” he said. “I don’t know what to tell you. Nina gave me that ring off her finger five years ago and told me to keep it for her until her next visit.”

“But she couldn’t have had it five years ago,” I said.

“Why not?”

“Because I was wearing it.”

“But that’s just what she did,” he said.

I closed my fist around the ring. “Come on! Is any of this Nina stuff even true?”

“Of course it’s true!” he said, and his face washed out a little, panicked. “That’s her ring.”

“But this is my ring, too!” I waved it in the air. “Down to the scratch on the inside! Down to the shape of the stone!”

He shrank against the side of the bed. Meekly, he said something about how she’d taken it off her finger, and how she’d bought it at a street fair in Cairo, and how she didn’t like to use a calendar to make plans, and his words were trembling but insistent, and I had no idea if Nina was real, or never born, or if there could be two rings exactly the same, and he finished what he was saying and slumped down against the bedspread and closed his eyes.

“She told me to keep it for her for a while,” he said, in a low, hollow voice.

From outside came the distant sound of an owl. I slipped the ring onto my finger. It fit, just as it had fit before. Slightly loose, but held in place by the knuckle.

“I bought this ring at a sidewalk sale in Fresno,” I said. “In high school. Age fifteen. And I wore it for five years. And then last summer I was on a trip with my family, and I threw it in the Kern River because it was finally time to grow up. I kissed the stone, said goodbye to being a kid, and threw it in. Then I cried a little and went back to join everybody.”

I twisted it on my finger, as I had for years.

“Here it is again,” I said.

“Do you want to keep it for now?” he asked, in a tired voice.

“No.”

I slid down the door frame to sit on the carpet. I closed my eyes, too. “I’m not Nina.”

“No,” he said.

“I’m Claire,” I said.

“Howard.”

We let the names fill the room.

“Hi,” I said.

“Hi.”

I sat there for a while and maybe even fell asleep again for a few minutes. When I woke up, I went to his bathroom and splashed water on my face. Went to his bedroom and returned the ring to the drawer with the nail clipper. Went back to the doorway of the smaller bedroom. His head was resting on the bed of petals, and his eyes were open. He looked a little older now, heavier, quiet.

“Here.” I picked up the book of Ohio flora. “Here, Howard. Come on. Let’s put them back.”

We spent the next half hour placing six petals per page, alongside photos of Ohio marigolds and chestnuts and elms. Many of the petals had crunched into triangles on the floor; those we swept up and put into one of the empty drawers.

After we were done, he walked me downstairs, out onto the porch, and down the steps into the star-clear coldness of night. It must have been two or three in the morning.

“Thank you for the lightbulb change,” he said.

“Thanks for the tea.”

He nodded. We looked out past the dirt lot to a road beyond where the houses ended. It was a road that no one drove on unless they were very specifically going to either the recycling plant where Hank had been headed or to the Russian grocery complex. Another owl hoot came rolling at us from far away.

“One more thing,” he said, putting a hand on my shoulder. His voice was still low, but for some reason, now that we were out of the house, it sounded less wavery and broken than it had upstairs; its reediness reminded me of wind whistling, like its own sound now instead of a diminishment.

“Yes?”

“Drop the documentary filmmaker,” he said. “Go to Arlene. Stay friends with Arlene.”

I shrank under his hand. “What?”

“He’s in there rolling his film, cutting and rolling, and never thinks of you,” the old man said. “Not once. Not ever. She is thinking of everyone. She is a good friend. A good friend is rare. Go to her. Ed loves Arlene because she is a good person. He may have a friend, someone you’ll like. Go to Ed, ask him. Ask her. Eat dinner with them. Bury vegetables. Why not?”

He stood straighter. In the far distance, headlights rounded a corner, coming our way.

“What?” I said again, sharp.

“You don’t have to start with a hundred people having sex,” he said.

I watched the headlights come closer, the approach of big metal-music inside. I could have stepped into the street, flagged down the car, and asked for a ride home. The headlights illuminated the man, his elderly hunch. Then it was gone.

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