Lev Grossman - The Magicians

He lay looking up at the ceiling, letting himself drift and spin along on spacey, narcotic mental currents. He didn’t feel even remotely curious about where he was or how he’d gotten there. He blissed out on insignificant details: the sunlight, the smell of clean linens, a splinter of blue sky in the window, the gnarly whorls of the dark chocolate brown timbers that crossed the whitewashed ceiling. He was alive.

And those nice, surprisingly Pottery Barn-y curtains, the color of the stems of plants. They were coarse-woven, but it wasn’t the familiar, depressing fake-authentic coarseness of high-end Earth housewares, which merely imitated the real coarseness of fabrics that were woven by hand out of genuine necessity. As he lay there Quentin’s uppermost thought was that these were authentically coarse-woven curtains , woven by people who didn’t know any other way of making curtains, who didn’t even know that their way was special, and whose way was therefore not discounted and emptied of meaning in advance. This made him very happy. It was as if he’d been looking for these curtains forever, as if he’d been waiting his whole life to wake up one morning in a room in which those coarse-woven, stem-green curtains hung over the windows.

From time to time a horsy clippety-clopping could be heard from the hall outside. This mystery solved itself when a woman with the body of a horse stepped partway into the room. The effect was surprisingly unsurprising. She was a sturdy, sun-kissed woman with short brown hair who just happened to be attached to the chassis of a sleek black mare.

“You are conscious?” she asked.

Quentin cleared his throat. He couldn’t get it all the way clear. It was horribly dry, too dry to speak, so he just nodded.

“Your recovery is nearly complete,” the centauress said, with the air of a busy senior resident doing rounds who didn’t have time to waste rejoicing over medical miracles. She began the slow process of reversing herself, daintily, purposefully, back out into the hall.

“You have been asleep for six months and two days,” she added before she disappeared.

Quentin listened to her clippety-clop away. It was quiet again. He did his best to hang on to the blissful feeling. But it didn’t last.

The six months of his recovery were practically a blank — just a quickly evaporating impression of blue depths and complex, enchanted dreams. But Quentin’s memories of what happened in Ember’s Tomb were very clear. He might reasonably have expected that day (or had it been night?) to fall in a blackout period, or at least be veiled in merciful post-traumatic haziness. But no, not at all. He could remember it with perfect fidelity, deep focus, full force, from any angle, right up until the moment he lost consciousness.

The shock of it snapped his chest flat. It emptied out his lungs the way the Beast’s jaws had, not just once but over and over again. He was helpless against it. He lay in his bed and sobbed until he choked. His weak body spasmed. He made noises he’d never heard a human being make. He ground his face into his flat, prickly straw pillow until it was wet with tears and snot. She had died for him, for all of them, and she was never coming back.

He couldn’t think about what happened, he could only play it back again and again, as if there were a chance it could come out differently, or even just hurt a little less, but every time he played it back he wanted to die. His half-healed body ached all over, as if it were bruised right down to his skeleton, but he wanted it to hurt even more. He didn’t know how to operate in a world that would allow this to happen. It was a shit world, a fraud and a con, and he wanted nothing more to do with it. Whenever he slept, he woke up trying to warn somebody of something, but he never knew what, or who, and it was always too late.

With the sorrow came anger. What had they been thinking? A bunch of kids walking into a civil war in an alien world? Alice was dead (and Fen, and probably Penny, too) and the worst part was that he could have saved them all, and he hadn’t. He was the one who told them it was time to go to Fillory. He’d blown the horn that summoned the Beast. Alice had come because of him, to take care of him. But he hadn’t taken care of her.

The centaurs watched him weep with alien unconcern, like fish.

He learned over the next few days that he was in a monastery, or something like it, or that was as much as he could gather from the centaurs who ran the place. It wasn’t a place of worship, they explained, with a note of whinnying condescension, but a community devoted to the most absolute possible expression, or incarnation — or perhaps realization was an even better word — of the incomprehensibly complex but infinitely pure sylvan values of centaurhood, which Quentin’s fallen human brain could never hope to grasp. There was something distinctly German about the centaurs.

It came out, not very tactfully, that they considered humans to be inferior beings. It wasn’t the humans’ fault. They were simply cripples, severed by an unhappy accident of birth from their rightful horse halves. The centaurs regarded Quentin with pity nicely tempered by a near-total lack of interest. Also, they seemed to be constantly afraid that he was going to tip over.

None of them had any exact memory of how Quentin had gotten here. They didn’t pay close attention to the backstory of the occasional damaged human who fetched up in their midst. When pressed, Quentin’s doctor, a terrifyingly earnest individual whose name was Alder Acorn Agnes Allison fragrant-timber, said she vaguely remembered some humans, unusually filthy and bedraggled specimens, now that you mention it, bringing Quentin in on a makeshift litter. He’d been unconscious and deep in shock, with his rib cage crushed and one of his forelimbs badly dislocated, practically detached. Such anatomical disorder was distasteful to the centaurs. And they were not insensible of the service the humans had rendered to Fillory in ridding it of Martin Chatwin. They did their best to render assistance.

The humans lingered in the area for a month, maybe two, while the centaurs wove deep webs of wood-magic around Quentin’s torn, bruised, insulted body. But they thought it unlikely that he would ever wake up. And in time, as Quentin showed no signs of recovering consciousness, the humans reluctantly departed.

He supposed he could have been angry that they had left him there, in Fillory, with no way of returning to his own world. But all he felt was warm, cowardly relief. He didn’t have to face them. The sight of their faces would have burned the skin right off him with shame. He wished he had died, and if he couldn’t have death, at least he had this, the next best thing: total isolation, lost forever in Fillory. He was broken in a way that magic could never fix.

His body was still weak, and he spent a lot of time in bed, resting his atrophied muscles. He was an empty shell, roughly hollowed out by some crude tool, gutted and left there, a limp, raw, boneless skin. If he tried, he could summon up old sense-memories. Nothing from Fillory or Brakebills, just the really old stuff, the easy stuff, the safe stuff. The smell of his mother’s oil paints; the lurid green of the Gowanus Canal; the curious way Julia pursed her lips around the reed of her oboe; the hurricane that blew through when they took that family vacation in Maine, he must have been about eight, when they went out on the lawn and threw their sweaters in the air and watched them sail away over the neighbor’s fence and then fell down laughing. A beautiful blossoming white cherry tree stood outside his window in the warm afternoon sunlight. Every part of it moved and swayed in a slightly different rhythm from every other part. He watched it for a long time.