“Don’t worry, I marked it. You only came about a quarter mile. One up and one over.” Penny pointed in exactly the opposite direction Quentin would have guessed. “In the book they just wander at random, and it always comes out all right, but we have to be more careful. I use orange spray paint to mark a path. I have to do it fresh every time I come here. The paint disappears.”
Penny headed back in the direction he’d pointed. Tentatively, without looking at each other, Quentin and Alice fell in behind him. Their clothes were getting damp all over again from the rain.
“I have strict operating procedures when I’m here. There are no directions, so I’ve had to invent new ones. I named them after the buildings in the Earth square, one for each side: palace, villa, tower, church. Can’t be a real church, but that’s what it looks like. This is churchward, the way we’re going now.”
They were back at the fountain, which Penny had circled with big sloppy X ’s of fluorescent orange paint. A little way off there was a crude shelter, a tarp with a cot and a table underneath. Quentin wondered how he’d missed it before.
“I set up a base camp here for a while, with food and water and books.” He was so excited, like a rich, unpopular kid the first time he brings home friends to see his fancy toys. He didn’t even notice that Quentin and Alice weren’t saying anything. “I always thought it would be Melanie who came here the first time, but she could never quite work the spells. I tried to teach her, but she’s not quite strong enough. Almost, though. In a way I’m happy it’s you guys. You know you were the only friends I ever had at Brakebills?”
Penny shook his head as if there was something amazing about the fact that more people didn’t like him. Only twelve hours ago, Quentin thought, he and Alice would have barely been able to keep from cracking up with conspiratorial laughter at the suggestion that they had ever been friends with Penny.
“Oh, I almost forgot: no light spells here. They go crazy. When I first came here, I tried to do a basic illumination. I couldn’t see for two hours afterward. It’s like the air here is hyperoxygenated, only with magic. One spark and everything goes up.”
There were two stone steps leading up to the fountain. Quentin sat down on the top one and leaned his back against the rim. The water looked unnaturally black, like ink. There was no point in fighting anymore. He would just sit here and listen to Penny talk.
“You wouldn’t believe how far I’ve walked in this place. Hundreds of miles! Way farther than the Chatwins ever went. Once I saw a fountain that had overflowed like a plugged-up toilet and flooded its square a foot deep, and half the squares around it. Twice I’ve seen ones that were capped. Sealed over with a bronze cover like a well, like they were keeping people out. Or in. Once I found fragments of white marble on the pavement. I think it was a broken sculpture. I tried to piece it back together, to see what it was a statue of, but I never could.
“You can’t get into the buildings. I’ve tried every way you can think of. Lock picks. Sledgehammers. Once I brought an acetylene cutting torch. And the windows are too dark to see in, but once I brought a flashlight — you know, one of those high-intensity rescue flashlights, that the Coast Guard uses? When I turned it all the way up I could see inside, just a little bit.
“I’ll tell you something: they’re full of books. Whatever they look like on the outside, on the inside every one of these buildings is really a library.”
Quentin had no idea how long they’d been there, but it was a while. Hours maybe. They’d walked through square after square, like lost tourists, the three of them. Everything they saw shared a common style, and the same weathered, ancient look, but nothing ever quite repeated. Quentin and Alice couldn’t look at each other, but they couldn’t resist the seductions of this grand, melancholy place either. At least the rain had let up.
They passed through a tiny square, a quarter the size of the others and paved in cobblestones, where if they stood in the center it seemed like they could hear the ocean, the breaking and withdrawing of waves. In another square Penny pointed out a window with ghostly scorch marks above it, as if it had been the scene of a fire. Quentin wondered who had built this place, and where they’d gone. What had happened here?
Penny described in great technical detail his elaborate but ultimately unsuccessful campaign to rappel up the side of one of the buildings to get a view above the rooftops. The one time he’d managed to secure a line, on a piece of decorative masonry, he’d been overcome by dizziness halfway up, and when he recovered he found himself turned around, rappeling down the same wall he’d been trying to ascend.
At different times all three of them saw, in the farthest possible distance, a verdant square that seemed to contain a garden, with rows of what might have been lime trees in it. But they could never reach it — as they approached it always lost itself in the shifting perspectives of the alleyways, which were slightly out of alignment with one another.
“We should get back,” Alice said finally. Her voice sounded dead. It was the first time she’d spoken since she screamed at him.
“Why?” Penny asked. He was having the time of his life. He must have been terribly lonely here, Quentin thought. “It doesn’t matter how much time we spend here, you know. No time passes on Earth. To the others it’ll be like we popped out and popped right back, just like that, bing-bang. They won’t even have time to be surprised. I spent a whole semester here once and nobody noticed.”
“I’m sure we wouldn’t have noticed anyway,” Quentin said, because he knew Penny would ignore him.
“I’m actually probably a year or so older than you guys, subjectively, because of all the time I spent here. I should have kept closer track.”
“Penny, what are we doing here?”
Penny looked puzzled.
“Isn’t it obvious? Quentin, we’re going to Fillory. We have to. This is going to change everything.”
“Okay. Okay.” Something nagged at him about this, and he was going to put it into words. He had to force his weary brain to grind out thoughts. “Penny, we have to slow down. Look at the big picture. The Chatwins got to go to Fillory because they were chosen. By Ember and Umber, the magic sheep. Rams. They were there to do good, to fight the Watcherwoman, or whatever.”
Alice was nodding.
“They only got to go when something was going on,” she said. “The Watcherwoman, or the wandering dune, or that ticking watch thing in The Flying Forest . Or to find Martin. That was what Helen Chatwin was saying. We can’t just go barging in without an invitation. That’s why she hid the buttons in the first place — they were a mistake. Fillory wasn’t like the real world, it was a perfect universe where everything was organized for good. Ember and Umber are supposed to control the borders.
“But with the buttons anybody could get in. Random people who weren’t part of the story. Bad people. The buttons weren’t part of the logic of Fillory. They were a hole in the border, a loophole.”
The mere fact that Alice knew her Fillory lore cold, no hesitation, added another high-powered exponent to Quentin’s guilty, bankrupt longing for her. How could he have gotten so confused that he thought he wanted Janet instead of her?
Penny was nodding and rocking his whole body forward and backward semi-autistically.
“But you’re forgetting something, Alice. We’re not bad people.” The zeal light came on behind Penny’s eyes. “We’re the good guys. Has it occurred to you that maybe that’s why we found the button in the first place? Maybe this is it, we’re getting the call. Maybe Fillory needs us.”
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