Lev Grossman - The Magicians

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The Magicians: краткое содержание, описание и аннотация

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A thrilling and original coming-of-age novel about a young man practicing magic in the real world. Quentin Coldwater is brilliant but miserable. A senior in high school, he’s still secretly preoccupied with a series of fantasy novels he read as a child, set in a magical land called Fillory. Imagine his surprise when he finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York, where he receives a thorough and rigorous education in the craft of modern sorcery.
He also discovers all the other things people learn in college: friendship, love, sex, booze, and boredom. Something is missing, though. Magic doesn’t bring Quentin the happiness and adventure he dreamed it would. After graduation he and his friends make a stunning discovery: Fillory is real. But the land of Quentin’s fantasies turns out to be much darker and more dangerous than he could have imagined. His childhood dream becomes a nightmare with a shocking truth at its heart.
At once psychologically piercing and magnificently absorbing,
boldly moves into uncharted literary territory, imagining magic as practiced by real people, with their capricious desires and volatile emotions. Lev Grossman creates an utterly original world in which good and evil aren’t black and white, love and sex aren’t simple or innocent, and power comes at a terrible price.
Cover art by Didier Massard,

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Finally they heaved him onto his bed and tried to make him drink water and pulled up the covers over his chest. It could have been the sheer domesticity of it — it was as if Eliot were their beloved son, whom they were lovingly tucking in for the night — or maybe it was just boredom, that powerful aphrodisiac, which had never been entirely out of sight even during the party’s best moments, but if he was honest with himself Quentin had known for at least twenty minutes, even as they were wrestling Eliot down the hall, that he was going to take Janet’s dress off as soon as he had half a chance.

Quentin woke up slowly the next morning. So slowly, over such a long time, that he was never really sure he’d been asleep at all. The bed felt unstable and disconcertingly floaty, and it was weird with two other naked people there. They kept bumping into each other and inadvertently touching and pulling away and then feeling self-conscious about having pulled away.

At first, in the first flush of it, he felt no regret about what happened. It was what you were supposed to do. He was living life to the fullest. Getting drunk and giving in to forbidden passions. That was the stuff of life. Wasn’t that the lesson of the foxes? If Alice had any blood in her veins she would have joined them! But no. She had to go to bed early. She was just like Richard. Well, welcome to life in the grown-up magical world, Alice. Magic wasn’t going to solve everything. Couldn’t she see that? Couldn’t she see that they were all dying, that everything was futile, that the only thing to do was to live and drink and fuck whatever and whomever while you still could? She herself had warned him of that, right there in her parents’ house in Illinois. And she’d been right!

And then after a while it seemed like a debatable thing — you could really make the case both ways, it was a coin-flip. And then it was an unfortunate lapse, an indiscretion, still within the bounds of the forgivable, but definitely a low point. Not a personal best. And then it was a major indiscretion, a bad mistake, and then, in the last act of the strip tease, it revealed itself to be what it truly was: a terrible, really awful, hurtful betrayal. At some point during this slow, incremental fall from grace Quentin became aware of Alice sitting at the foot of the bed, just her back, facing away from where he and Janet and Eliot lay, resting her chin in her hands. Periodically he imagined that it was just a dream, that she hadn’t been there at all. But to be honest he was pretty sure she had. She hadn’t looked like a figment. She’d been fully dressed. She must have been up for a while.

Around nine o’clock the room was full of morning light and Quentin couldn’t pretend to be asleep anymore. He sat up. He wasn’t wearing a shirt, and he couldn’t remember where his shirt was. He wasn’t wearing anything else either. He would have given anything right then just to have a shirt and some underwear.

With his bare feet on the hardwood floor he felt strangely insubstantial. He couldn’t understand, couldn’t quite believe what he’d done. It just didn’t seem like him. Maybe Fogg was right, maybe magic had inhibited his moral development. Something must have. Maybe that was why he was such a shit. But there had to be a way he could make Alice understand how sorry he was. He dragged a blanket off Eliot’s bed — Janet stirred and complained sleepily, then went back to her dreamless, guiltless sleep — and wrapped it around himself and padded out into the silent apartment. The dinner table was like a shipwreck. The kitchen looked like a crime scene. Their little planet was ruined, and there was nowhere left for him to stand. Quentin thought about Professor Mayakovsky, how he’d reversed time, fixed the glass globe, brought the spider back to life. That would be a pretty nice thing to be able to do right about now.

When the elevator doors pinged open, Quentin thought it must be Josh coming back from a successful night with Anaïs. Instead it was Penny, pale and breathing hard from running and so excited he could barely contain himself.

PENNY’S STORY

He had a new mohawk, a proud iridescent green ruff an inch wide and three inches high, like the crest of a centurion’s helmet. He had also gained weight — he looked, oddly, younger and softer than he had at Brakebills: less like a lone Iroquois warrior and more like an overfed white suburban gangsta. But it was still Penny who was catching his breath on the Oriental rug and looking around at everything like a curious, judgmental rabbit. He wore a black leather jacket with chrome spikes on it, faded black jeans, and a grubby white T-shirt. Jesus, Quentin thought. Do they even have punks anymore? He must be the last one in New York.

Penny sniffed and wiped his nose on his sleeve. Neither of them spoke. Quentin knew enough to know that Penny would never stoop to petty social pleasantries like saying hello and asking how he’d been and explaining what the hell he was doing here. Just this once Quentin was grateful. He didn’t know if he could face it.

“How’d you get in here?” Quentin croaked. His mouth was parched.

“Your doorman was asleep. You should really fire him.”

“It’s not my doorman.” He cleared his throat laboriously. “You must have cast something.”

“Just Cholmondeley’s Stealth.” Penny gave it the correct English pronunciation: Chumley’s .

“Eliot has a ward on this whole floor. I helped him set it up. Plus you need a key for the elevator.”

“We’ll need to set a new ward. I unpicked it on the way up.”

“Fucking — Okay, first, who’s we? We who?” Quentin said. At this moment his dearest wish would have been just a moment’s grace to immerse his face in a sinkful of warm water. And maybe to have somebody hold him under till he drowned. “And second, Penny, Jesus, it took us a whole weekend to put up that ward.”

He did a quick check: Penny was right, the defensive spells around the apartment were gone, so gone that they hadn’t even alerted him when they were going. Quentin couldn’t quite believe it. Penny must have taken down their ward from the outside, on the fly, from a standing start, in no more time than it took him to ride up ten floors in an elevator. Quentin kept his face blank — he didn’t want to give Penny the satisfaction of seeing how impressed he was.

“What about the key?”

Penny dug it out of his jacket pocket and tossed it to Quentin.

“Took it off your doorman.” He shrugged. “Kind of thing you learn on the street.”

Quentin was going to say something about how the “street” in question was probably not a street at all but a way or a lane located in some gated community, and anyway it wasn’t that hard to steal a key from a sleeping doorman when you were rocking Cholmondeley’s Stealth, but it just seemed so unimportant, and the words were just too heavy to get out of his mouth, like they were stone blocks in his stomach that he would have had to physically cough up and regurgitate. Fuck Penny, he was wasting time. He had to talk to Alice.

But by then people had heard Penny’s voice. Richard came shambling in from the kitchen where he’d been cleaning up, already awake and irritatingly showered and coiffed and groomed and pressed. Soon Janet came out of Eliot’s room, regally swathed in a comforter as if nothing whatsoever unusual had happened the night before. She squeaked when she saw Penny and disappeared into a bathroom.

Quentin realized he would have to get dressed and deal with this. Daylight was here, and with it had come the world of appearances and lies and acting like everything was fine. They were all going to make scrambled eggs and talk about how hungover they were and drink mimosas and Bloody Marys with extra Tabasco and black pepper and act like nothing was wrong, as if Quentin hadn’t just broken Alice’s heart for no better reason than that he was drunk and felt like it. And as unbelievable, as unthinkable as it seemed, they were going to listen to what Penny had to say.

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